Month of Madhu

I loved this film - loved the acting, script, direction, cinematography, and score.

The pacing is slow and I felt the movie possibly could be trimmed a bit and maybe some more insight into the now of the couple be shown (we are shown mostly the old, their times before marriage).

There characters are all fleshed out really well (other than perhaps the parents of he NRI girl and the mobile shop guy - who was a promising character, but needed a better depth in the film )

The score and songs are good - especailly the score - it elevated the movie brilliantly without being intrusive.

Highly recommended for anyone into serious movies.

Madhusudhan and Lekha have been separated with Lekha applying for divorce citing his alcoholism as one of the major reason. He spends all his time drinking and hoping she would come back, refusing to divorce her. A 19 year old NRI teen Madhu arrives in India to attend a marriage. She feels alienated in both the countries and has frequent clash with her disapproving mother, be it the way she behaves or how overweight she is. How these two Madhus meet and why goes through their lives, will Madhu and Lekha divorce or will Madhu and her mom make up, forms rest of the story.

On paper, it definitely sounded far more decent than what was executed on screen. Definitely, the performances elevated the scenes quite a lot and the non-linear narrative helped to stay invested with the story. But, the way I was connected to the story of Madhusudhan and Lekha, I felt as disconnected with the story of Madhu and not that I couldn't follow her story but how her subplot felt had nothing to contribute to Madhusudhan, neither she takes away anything from his life. It's just two random strangers meeting and talking to no avail.

If I get to separate these two stories and entirely then it appears much better with Madhusudhan and Lekha story having much weight and most importantly being relatable. To put it simply, it was more wholesome. Here's a couple who loved each other and then they fell out of love. The mystery behind why the parted is well kept till the end though it's not hard to predict but is more satisfying in seeing the character remember and realise in the end. Overall, Month of Madhu is in a way a missed opportunity and could have been a far better film if the NRI story was handled more effectively.

Month of Madhu is tale with real life characters who live next to us. The director Srikanth shown us what is cinema, and how is it done. Madhu (naveen Chandra) and Madhu (Shreya navya) belong to two different worlds happen to meet and what happens next. This movie shows us what true love looks like, the decisions made in love and out of love.

Lekha(Swati) is the most realistic character of any movie till date, she takes you to her life.

Vasuki (Gnaneswari kandregula) is an epitome of beauty and her performance makes you cry with her.

Viva harsha is the best comedy and actor ever. Mayya!

Camera man did great job. Music is awesome.

When I watched it for the 2nd time, I have realized more of what director really wants to show through this movie.

Every character at its best. Less dialogues with great expression.

This movie making must have needed a lot of observations of different characters and their way of showing affection, and people around them.

It has so many hard hitting points with a deeper meaning.

Definitely this movie is not for commercial purpose.

How many times I ever watch, May be if will feel new Everytime just like a piece of abstract art Music is extraordinary. Music and dialogues Felt very close to heart.

Within this cinematic tapestry, the characters unfold as captivating enigmas, and the narrative woven around them exudes a subtle beauty. The pace of the narration, though deliberate, finds its rhythm, allowing the story to unfurl gracefully.

Naveen Chandra and Swathi, with their performances, breathe life into their respective roles, showcasing a profound commitment to their craft. Shreya Navile and Harsha Chemudu deliver impeccable portrayals in their respective roles, while the supporting ensemble complements the narrative admirably.

The musical score harmonizes seamlessly with the film's emotional cadence, enhancing its evocative power. Cinematography and the various technical aspects maintain a commendable standard throughout.

In this endeavor, the director demonstrates a refined artistic vision, crafting a work of superior quality.

For those who relish heartwarming narratives, the theater screen beckons, offering an immersive experience. However, if such tales are not your preference, I recommend an OTT platform, but do not overlook the opportunity to savor this beautiful film.