Suitable Flesh

I was looking forward to watching Suitable Flesh, it seemed like something I would love, however, I was left rather disappointed. I couldn't get into it at all, it just seemed to aggravate me to the point that I was struggling not to turn it off.

I know it's meant to be campy 80s-like horror. I get it. I just couldn't get past the acting which is flat and robotic to me.

I think the best thing about this film is Barbara, My god she looks amazing. (big Reanimator fan here) So perhaps it was worth watching it for that reason alone. I may go back and give this film another go, as I really want to like it.

A great and entertaining adaptation of HP Lovecraft as only Dennis Paoli could write. I'm glad Joe Lynch didn't change Paoli's already well-known absurd pace to fit the current horror sluggishness. "Suitable Flesh" starts off frenetic and, accustomed to the format of streaming movies, I expected it to slow down after 30 minutes and subsequently lose direction. That didn't happen.

What begins with a call for help quickly reveals itself to be a trap for a real curse. A possession in several aspects, with an emphasis, of course, on the carnal. Judas Lewis has the physical attributes necessary to make Heather Graham's seduction plausible and his character enters a never-ending sexual nightmare, until it intensifies and expands to the point of completely losing its meaning - like real nightmares.

I may have missed a bit more "flesh" given the nature of this story, but I wouldn't have been embarrassed by a bit more heat on screen and a bit more ingenuity in the cinematography and delirium effects. Despite that, the soundtrack is great, the direction is nimble and it easily brings to mind Brian Yuzna, Stuart Gordon, Sam Raimi and Wes Craven, and the entire cast plays their roles well, with special mention for Barbara Crampton in the final act.

Unlike the majority of retro-Horror that comes out this does not rely too much on nostalgia, on archetypes, clichés and set pieces that viewers find comfort in. It actually tells a story of demonic possession/body switching competently, effectively and with just the right tone: not ironic or meta, but also not taking itself too seriously. It's a B-movie that just works, with everybody doing as good a job as can be excepted within the constraints of the genre and budget. There's some suspense in how exactly it is going to get to the unhappy end, and fun it the telling. No real wrong steps, and a hell of a lot to enjoy.

As far as Lovecraftian adaptations go...this one is pretty good (most are quite bad, mind you).

Honestly, what would a Lovecraft adaptation be without a little cheese?

Of course this is cheesy.

It's too weird a tale to take itself too seriously.

As it's about a bizarre, slightly incestual, love triangle.

Between a boy, his ailing father, and cougar psychiatrist.

Although, it quickly mutates into more of a love polyhedron, of sorts.

As characters keep switching from body to body...with most ending up banging each other.

In what is eventually revealed to be the works of an ancient curse.

All-in-all, it's cheesy, twisted, entertaining fun.

As all Lovecraft films should be.

6 out of 10.

I really enjoyed this. It felt consciously crafted to honour the style and work of both H. P. Lovecraft and Stuart Gordon. It conveys a purposeful lack of factual reality in service of creating a special story-world tone that was commonly found in the 80s/90s Lovecraftian horror. At times it becomes a campy melodrama which adds to its fun, while at other times walking a fine line between emotional truth and absurdity. I get the feeling that modern audiences may not like this due to the association with H. P. Lovecraft and/or the lack of medical or emotional realism, but for me, that is exactly the point. I grew up on horror movies just like this - fun, campy, fleshy, sexy, they didn't take themselves or life too seriously while still conveying a message worth exploring. They weren't afraid to take some risks, and they didn't expect to win any oscars. These types of films have so much value. They offer us a glimpse into the depravity of our deepest desires and a shedding of the internalised scripts of social civility and explore the craziness that lives in all of us, challenging us beyond the comforts of our social conditioning and into our primal nature. Plus I'm a big fan of Barbara Crampton so this film very easily won me over.