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IMDbPro

Un jour, nous nous raconterons tout

Titre original : Irgendwann werden wir uns alles erzählen
  • 2023
  • 2h 9min
NOTE IMDb
6,0/10
1 k
MA NOTE
Un jour, nous nous raconterons tout (2023)
Set in a warm summer in 1990 in former East Germany, it follows a young woman who begins a relationship with a charismatic farmer who is twice her age.
Lire trailer2:01
1 Video
7 photos
DrameL'histoireRomanceDrames historiquesLe passage à l'âge adulte

Se déroulant pendant un été chaud de 1990 dans l'ancienne Allemagne de l'Est, il suit une jeune femme qui entame une relation avec un fermier charismatique qui a deux fois son âge.Se déroulant pendant un été chaud de 1990 dans l'ancienne Allemagne de l'Est, il suit une jeune femme qui entame une relation avec un fermier charismatique qui a deux fois son âge.Se déroulant pendant un été chaud de 1990 dans l'ancienne Allemagne de l'Est, il suit une jeune femme qui entame une relation avec un fermier charismatique qui a deux fois son âge.

  • Réalisation
    • Emily Atef
  • Scénario
    • Emily Atef
    • Josune Hahnheiser
    • Daniela Krien
  • Casting principal
    • Marlene Burow
    • Felix Kramer
    • Cedric Eich
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    1 k
    MA NOTE
    • Réalisation
      • Emily Atef
    • Scénario
      • Emily Atef
      • Josune Hahnheiser
      • Daniela Krien
    • Casting principal
      • Marlene Burow
      • Felix Kramer
      • Cedric Eich
    • 8avis d'utilisateurs
    • 38avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Photos6

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    Rôles principaux17

    Modifier
    Marlene Burow
    Marlene Burow
    • Maria
    Felix Kramer
    Felix Kramer
    • Henner
    Cedric Eich
    • Johannes
    Silke Bodenbender
    Silke Bodenbender
    • Marianne
    Florian Panzner
    Florian Panzner
    • Siegfried
    Jördis Triebel
    Jördis Triebel
    • Hannah
    Christian Erdmann
    Christian Erdmann
    • Hartmut
    Christine Schorn
    • Frieda
    Axel Werner
    • Alfred
    Victoria Mayer
    • Gisela
    Petra Kalkutschke
    • Oma Traudel
    Anni Kaltwasser
    • Paula
    Stephanie Petrowitz
    • Sabine
    Tom Quaas
    Tom Quaas
    • Lindenwirth
    Peter Rauch
    • Egon
    Peter Schneider
    Peter Schneider
    • Volker
    German von Beug
    • Lukas Brendel
    • Réalisation
      • Emily Atef
    • Scénario
      • Emily Atef
      • Josune Hahnheiser
      • Daniela Krien
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,01K
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    Avis à la une

    10jotka

    The beauty and the brute

    I must admit, that that movie is a something different.

    That happens on a hot summer in small, picturesque village. Young, bookish girl met a much older, outcast from the village. She started to be drawn to him even though he's brutal and doesn't speak much. But he reads poems.... Sounds unreal? Why not? I also fell for a much older man, when I was young.

    I'm also can relay with her in the other things. I remember the end of the communism in Poland. That unsure what future will bring us, lots of jobless people but also hope and joy that we could buy things that we coudn't afford earlier.

    And those amazing pictures, full of summer sun. You could almost smell the greenery, and feel the hot air.

    So that's not only a love story, but also a portrait of people during the radical changes. And story about the choices we he to take.

    If you are fed up with common movies ended with a weddind bells, watch that. Cos this movie is something else.
    8davexist

    A story as old as time itself

    An achingly beautiful tale of a young woman torn between two lovers. She finds in each what the other doesn't provide. Gorgeous cinematography, top notch acting. And authentically captures the emotional seesaw of being a young adult, wanting safety/security but also wanting to explore the new and different.

    It's nothing new but it is exceptionally well done. It takes place in rural East Germany, just at the time of reunification. Maybe that's symbolic, as life is about to change drastically but in the moment, the East was still 40 years behind West Germany.

    I have not read the source novel, so I cannot compare-contrast the film to book.
    6bjarias

    ... aspires to-being-more, flesh-wins-out

    ... a twenty-something Marlene Burow is the only reason watching this quickly-gets-to-being-boring movie... a seemingly-intelligent-teenager being attracted to abusive-sex with a forty-year-old farmer is a far stretch... a dramatic ending relieves viewers of all nonsensical-possibilities

    ... when watching a beautiful young woman having sex gets boring, you know the film has lost it's core-interest.. all the East-West reunification symbolism gets gibberished... it's a film that wants viewers to think more about other things, but then directs them to sex-scenes again and again... well made, just not-well-written-directed.
    7kosmasp

    "Ossis" without a cause

    No pun intended - mixing two or rather even three titles into one summary thing. Well you know me - maybe. If you have read some of my reviews. This being a german movie, I did use the term "ossi" which is how germans that are from west Germany used to call people who were from east Germany. Wessi would be the other way around - so we got both.

    That being said, the title I sort of took here as inspiration is from the movie Rebel without a cause. In Germany the movie is called "denn sie wissen nicht was sie tun" - because they do not know what they do. Which is also something from the bible. Both applicable to the movie - and that's why I mixed them and used it. Funnily enough, because I had forgotten the title of the movie, I ordered the ticket at my cinema under the german title of the James Dean movie.

    Back to the movie at hand though. It may seem and/or feel that the movie has no purpose. No goal for the characters ... well maybe growing up. But especially from the beginning, we do not know what our main character wants ... she lives in the now united Germany ... not that you can feel a lot of it ... and it is not about that overall. It is about her and her story.

    That said, the aftermath of the inclusion is being made a topic from time to time. And while this is happening in the background, our main character has an awakening ... a sexual and love awakening. Which means you will be getting quite a lot of nudity ... be aware of that ... it should not bother you. Sometimes it may make you uncomfortable ... long pauses, where you can feel the sensuality ... you can feel an outburst is coming any minute/second ... which is not easy or comfortable for some, especially when watching it with others (in a cinema for example).

    A lolita kind of story - embeded in a historical context then. Although as we learn later not exactly lolita. While I was certain the actress was older (22 or 23 I think at the time of shooting), it is never clear how old her character is supposed to be. Which makes her ... sexual life even more ... well weird I reckon. Again, depending on your sensibilities. Towards the end we learn she was 18 at the beginning of the movie - so all legal ... the drama surrounding her ... well there does not seem to be an easy way out ... and I guess in the end there isn't one - at least not without someone losing their mind/head ...
    10ZeddaZogenau

    The summer she read Dostoyevsky

    In the shimmering summer of 1990, two German states still existed. The WÄHRUNGSUNION (monetary union) has just been completed, and it should still be three months before the WIEDERVEREINIGUNG (reunification). 18-year-old Maria (Marlene BUROW) lives with her boyfriend of the same age on his parents farm, somewhere in the Thuringian countryside. Life there still seems very archaic, like it might have been in the 1950s. Maria lives for the day, skips school and reads THE BROTHERS KARAMAZOV. The relationship with her mother (Jördis TRIEBEL), who lives in the neighboring village, seems to be somewhat clouded. Only the encounter with 40-year-old Henner (Felix KRAMER), who lives alone on a neighboring farm, breaks Maria out of her lethargy. It is the beginning of a passionate amour fou that crosses many boundaries. The taciturn yet charismatic man reveals an irritating mix of vulnerability and brutality to which Maria feels magically drawn. Disappointed certainties of life and the premonition of coming changes erupt into intoxicating sexuality...

    The impressive film by director Emily ATEF (born 1973), based on Daniela KRIENs (born 1975) bestseller of the same name (published in 2011), paints an apt portrait of this very special summer. The shimmering heat of 1990, the overarching upheaval and the reversal of all previous certainties are brought to the big screen in a congenial and powerful way.

    This film is a great artistic achievement, and not just for the otherwise often lifeless German-speaking cinema! A masterpiece created under the Thuringian sun that can tell a lot about German-German spiritual landscapes!

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    Détails

    Modifier
    • Date de sortie
      • 22 février 2025 (France)
    • Pays d’origine
      • Allemagne
    • Sites officiels
      • Official site (Germany)
      • Pandora Film Verleih (Germany)
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • Someday We'll Tell Each Other Everything
    • Lieux de tournage
      • Thuringia, Allemagne
    • Sociétés de production
      • Rohfilm Factory
      • Mitteldeutscher Rundfunk (MDR)
      • ARTE
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 34 832 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 2h 9min(129 min)
    • Couleur
      • Color

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