Moh

It was so refreshing to see something different, Sargur mehta's character written very well !, real life stories this happen :), waiting for more like this new stories,

Really love the way they depict young boy love with married women and how society never understand female needs, husband not treating well wife will end the relation, whereas respect from other person is always makes you take decision for your happiness, but society will never understand this, women have to be very simple, family oriented otherwise she is not accepted. This is very brave to bring out to public, hope eye openers.

Sargun Mehta, as Gore, delivers a performance so bold and powerful that it's hard to imagine any other actress portraying this character with such conviction. Her looks, her body language, and her expressions align perfectly with the demands of the role. She doesn't just act-she lives this character.

Sargun continues to bring freshness to Punjabi cinema, setting new benchmarks that her contemporaries are yet to come close to. Her ability to take up difficult roles and perform them so effortlessly is what makes her truly unique.

Jagdeep Sidhu, as both writer and director, also deserves immense appreciation. He understands the depth of Sargun's talent and utilizes it brilliantly, crafting this masterpiece with precision and sensitivity. "Moh" stands as a piece of art-cinema with meaning, reminiscent of Shyam Benegal's style of filmmaking.

We would love to see Sargun Mehta in more such challenging roles, not just in Punjabi films but also in Bollywood, where her immense potential deserves a wider canvas. She has so much more to offer, and "Moh" is a shining proof of that.

Something altogether fresh has been introduced by the Punjabi industry. Being exposed to a different style of narrative was incredibly enlightening, especially given how superbly developed Sargur Mehta's character was! I anxiously anticipate reading more stories like this because the use of real-life situations gave the narrative more realism.

It is remarkable to see how a young kid is shown to love a married woman and how society disregards female needs. The movie shows how a wife can decide to leave her husband if she feels mistreated by him, but finding respect and understanding from another person might influence her to make choices that put her own happiness first. Unfortunately, society frequently ignores this, expecting women to adapt to a simple, family-oriented mentality while ignoring their genuine aspirations. Dealing with such.

I loved this beautiful and poetic masterpiece. Very well written and directed. I had lost hope in Punjabi cinema due to repetitive stories and forced comedy . But this movie has a unique and engaging story. Full of pure emotions and innocence.

All actors gave their 100%. Sargun is in her own league and no one in punjabi industry can match her skills.

Jani- B-praak duo is amazing.

Congratulations to whole team for taking this brave step and bringing something new to us. I hope more directors and producers start experimenting in punjabi cinema. Without these punjabi cinema will be a lost cause.

Moh is not just a film, it's a deeply emotional experience that stays with you long after the final frame. Directed by Jagdeep Sidhu, this bold and unconventional Punjabi film dares to explore forbidden love, emotional vulnerability, and societal double standards with refreshing honesty and poetic depth.

At the center of this tragic romance is the story of a young boy (Gitaj Bindrakhia in a strong debut) who falls in love with an older, married woman (Sargun Mehta in her career-best performance). Their relationship, intense yet tender, defies societal expectations and becomes a haunting portrait of unfulfilled love, quiet suffering, and internal rebellion.

Sargun Mehta delivers a phenomenal performance as Gorey, portraying a layered character caught between duty and desire, societal roles and selfhood. Her expressions, emotional depth, and screen presence elevate the entire film. Gitaj Bindrakhia surprises with an emotionally raw and mature performance for a first-time actor.

The writing is brave and nuanced. Instead of shying away from the moral complexity of the plot, the film leans into it, questioning how society perceives women's needs, marriage, and love. It unflinchingly highlights how women are expected to sacrifice their happiness for tradition, while even the slightest rebellion is condemned.

B Praak's music and Jaani's poetic lyrics are another standout. Every song is soulful, heartbreaking, and masterfully placed to enhance the emotional beats of the film. The background score, especially in emotionally heavy moments and the shayari-filled climax, is spine-tingling.

Jagdeep Sidhu steps away from his usual comedic storytelling and proves he is equally adept at crafting serious, meaningful cinema. Moh is a milestone for Punjabi film, not just in story, but in tone, treatment, and performance.

If you're looking for something lighthearted or comedic, Moh may feel too heavy. But if you appreciate meaningful cinema with layered characters, poetic writing, and raw emotion, this is a must-watch. Moh is a much-needed breath of fresh air in Punjabi cinema and a step toward bolder, more impactful storytelling.