Une famille aisée est prise en otage pour avoir hébergé la cible d'une organisation criminelle lors d'une période de 12 heures pendant laquelle tout crime devient légal.Une famille aisée est prise en otage pour avoir hébergé la cible d'une organisation criminelle lors d'une période de 12 heures pendant laquelle tout crime devient légal.Une famille aisée est prise en otage pour avoir hébergé la cible d'une organisation criminelle lors d'une période de 12 heures pendant laquelle tout crime devient légal.
- Réalisation
- Scénariste
- Stars
- Récompenses
- 2 victoires et 6 nominations au total
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Painfully disappointing despite some curious beginnings...
The Purge (2013)
Well, this is either the stupidist movie ever or it's a mishmash of something audacious and creative and a slasher film with campy expectations. It doesn't make the grade as a great movie mostly because of an hour of redundant ax-wielding around a big suburban house. But the first half hour is really great—some potential here that went aground fast.
The premise is clear right away: it's the near future, maybe 2021, in the United States. Once a year for twelve hours everyone is allowed to be an ultra criminal without repercussion. None. Kind of like Devil's Night in Detroit without any cops. You can murder, destroy things, be a general naughty boy or girl, and have no criminal consequences the next day. Hurray!
Everything is just okay! Or not.
Well, the reason this works in the first half hour is the calm, steady, well appointed believablility of the acting and scenario in this fancy (upscale American) house. Ethan Hawke plays a great regular, successful, nice Dad. His wife (Lena Headey) is a sweetheart in the clichéd way (she is sadly the typical Hollywood female, incompetent but nice to have around). They have two children in the standard mode, talented and slightly disaffected.
So 7pm rolls around and the family has a fortress of a house (steel doors drop down in front of the windows and doors). So they watch on their monitors the calm and then the lack of calm on the nice street outside, at night. And things go sour badly.
Okay, so a great set up. Of course, if you think about it, it's about as believable as zombies. And so therefore you can go with it if you decide to. So the public can expunge their violence by killing a few people and the other 364 days are crime free. Great. Except, well, uh, really?? Yeah, it implies that we would kill without compunction, and that the next day you would walk by your neighbor, who just killed a few people during the Purge, and say, "Good morning Mrs. Johnson," as if all was fine. And there is no guilt. Or feeling. Or morality.
But that's if you think about it. A lot of Hollywood's idea of the future is not meant to be parsed out and logical. Look at "The Giver," or even (yes) "Avatar." Etc.
So on a simpler level we have the problem of a movie that turns into a slasher film. Because the bad people do, of course, get into the house (you saw that coming) and the family tries to defend itself. This part of the movie is not especially well made, or well acted, or original. It destroys all potential, and makes it a disturbing bore.
Well, this is either the stupidist movie ever or it's a mishmash of something audacious and creative and a slasher film with campy expectations. It doesn't make the grade as a great movie mostly because of an hour of redundant ax-wielding around a big suburban house. But the first half hour is really great—some potential here that went aground fast.
The premise is clear right away: it's the near future, maybe 2021, in the United States. Once a year for twelve hours everyone is allowed to be an ultra criminal without repercussion. None. Kind of like Devil's Night in Detroit without any cops. You can murder, destroy things, be a general naughty boy or girl, and have no criminal consequences the next day. Hurray!
Everything is just okay! Or not.
Well, the reason this works in the first half hour is the calm, steady, well appointed believablility of the acting and scenario in this fancy (upscale American) house. Ethan Hawke plays a great regular, successful, nice Dad. His wife (Lena Headey) is a sweetheart in the clichéd way (she is sadly the typical Hollywood female, incompetent but nice to have around). They have two children in the standard mode, talented and slightly disaffected.
So 7pm rolls around and the family has a fortress of a house (steel doors drop down in front of the windows and doors). So they watch on their monitors the calm and then the lack of calm on the nice street outside, at night. And things go sour badly.
Okay, so a great set up. Of course, if you think about it, it's about as believable as zombies. And so therefore you can go with it if you decide to. So the public can expunge their violence by killing a few people and the other 364 days are crime free. Great. Except, well, uh, really?? Yeah, it implies that we would kill without compunction, and that the next day you would walk by your neighbor, who just killed a few people during the Purge, and say, "Good morning Mrs. Johnson," as if all was fine. And there is no guilt. Or feeling. Or morality.
But that's if you think about it. A lot of Hollywood's idea of the future is not meant to be parsed out and logical. Look at "The Giver," or even (yes) "Avatar." Etc.
So on a simpler level we have the problem of a movie that turns into a slasher film. Because the bad people do, of course, get into the house (you saw that coming) and the family tries to defend itself. This part of the movie is not especially well made, or well acted, or original. It destroys all potential, and makes it a disturbing bore.
Interesting horror premise needs to be worked out more
It's 2022 in America. Unemployment is at 1% and crime is at an all-time low except one night every year. The law allows many forms of crime including even murder in that 12 hour period. James Sandin (Ethan Hawke) sells home security and is having his best year. He has gathered his family (Lena Headey, Max Burkholder, Adelaide Kane) to wait out the night. Things don't turn out well starting with the daughter's boyfriend. Then the son allows a vagrant to enter their house who is followed by a mob intend on killing that homeless person.
The premise is interesting and original reminding me of Sparta and the Helots. It's certainly a good way to get into a horror movie. However there are a lot of aspects that went uninvestigated in this movie. Everybody has enemies and it's an obvious avenue to go for. For example, he's the best salesman which seems to me to be an obvious reason for other co-workers to kill him. Writer/director James DeMonaco just didn't think through all the possibilities in this world.
The obvious fix is to make the purge be only against the poor and the helpless. There could be rules about harboring the hunted. The family lets in that homeless guy which could make them fair game. I'm willing to not harp on it but I must deduct a point for the mistake.
When the power goes out, the darkness is not a good way to shoot a film. However when the mob gets vehicles which could light up the house, the lighting looks good. All the light and shadows provide great horror opportunities. I wish more of the movie take place in that lighting scheme.
Another missed opportunity is the ticking clock. It could have been a great vehicle for raising the tension. Instead the movie wastes this away by sitting around to run out the clock. It's not the most compelling climax.
It's a great original premise with loads of opportunities. With a few more tweaks, this could be a great horror franchise. It has a built-in morality play. The premise doesn't even need any one particular character to carry it either. This could run for a long time if they put in a few fixes.
The premise is interesting and original reminding me of Sparta and the Helots. It's certainly a good way to get into a horror movie. However there are a lot of aspects that went uninvestigated in this movie. Everybody has enemies and it's an obvious avenue to go for. For example, he's the best salesman which seems to me to be an obvious reason for other co-workers to kill him. Writer/director James DeMonaco just didn't think through all the possibilities in this world.
The obvious fix is to make the purge be only against the poor and the helpless. There could be rules about harboring the hunted. The family lets in that homeless guy which could make them fair game. I'm willing to not harp on it but I must deduct a point for the mistake.
When the power goes out, the darkness is not a good way to shoot a film. However when the mob gets vehicles which could light up the house, the lighting looks good. All the light and shadows provide great horror opportunities. I wish more of the movie take place in that lighting scheme.
Another missed opportunity is the ticking clock. It could have been a great vehicle for raising the tension. Instead the movie wastes this away by sitting around to run out the clock. It's not the most compelling climax.
It's a great original premise with loads of opportunities. With a few more tweaks, this could be a great horror franchise. It has a built-in morality play. The premise doesn't even need any one particular character to carry it either. This could run for a long time if they put in a few fixes.
Wasted potential, just a generic home invasion film.
From the producers of Paranormal Activity (as is all horror films these days) The Purge tells the story of a near future were crime is at an all time low and unemployment stands at under 1% of the US population, to compensate for one night a year all crime (including murder) is legal for 12 hours allowing society some kind of release.
The film revolves around the Sandin family who are confronted by a group of college students hunting a man on the night of the Purge who the family had allowed into their home after lockdown. The Purgers (lead by Rhys Wakefield) drastically try to break into the family's home causing James (Ethan Hawke) and Mary (Lena Headey) to protect their children from the invaders in order to survive the night.
The main problem with the film is the premise itself, whilst interesting is filled with flaws and holes that just make the whole idea ridiculous. Such as what happens to the serial killers and career criminals of this world? Do they just control their urges to kill or steal for the other 364 days until the next Purge, as well what if someone has a heart attack on the night of The Purge? Is it just a case of bad luck you chose the wrong night to need medical care?
Despite the flaws of the premise, the film repeatedly ignores the possibilities of the premise, instead of exploring the ideas behind the Purge or the events that occur on the night of the Purge from different perspectives and situations. Instead the film settles for a typical home invasion story that although done well, is nothing we haven't seen done in many other films. The Purge in the end seems to only be the premise of this film to stop the age old question of "Why don't they just call the police?" in home invasion films.
To the films credit it is quite subtle, there's a running theme that the Purge is just an excuse for the upper classes to exterminate the poor, driven by all the attackers wearing prep school blazers and the person they are chasing wearing dog tags around his neck. The film also contains some strong performances, especially from Ethan Hawke (Training Day, Lord of War) and Lena Headey (Dredd, Game of Thrones) who carry the film throughout. The film also has a twist near the end which allows the audience to get inside the heads of the people during this night.
That cant be said for the leader of the Purger's played by Rhys Wakefield (Sanctum, Home and Away)whose performance is slightly cringe worthy, hes trying to be psychotic yet in control of the proceedings but it just comes across as a amateur dramatics' version of The Joker. He just never seems like a really threat and just a creepy next door neighbour.
The film also contains some bizarre and just plain weird set pieces, such as the families' son who builds a spy camera on a chard baby doll on the top of a rhino tank from Warhammer 40,000. The thing looks like a demented contraption from Sid's bedroom in Toy Story.
Overall, The Purge is an OK home invasion film, there are moments of suspense and a couple of jump scares are effective. The wasted potential of the premise is the films main downfall which could have lead to a more effective and possible original film then what we got in the end.
The film revolves around the Sandin family who are confronted by a group of college students hunting a man on the night of the Purge who the family had allowed into their home after lockdown. The Purgers (lead by Rhys Wakefield) drastically try to break into the family's home causing James (Ethan Hawke) and Mary (Lena Headey) to protect their children from the invaders in order to survive the night.
The main problem with the film is the premise itself, whilst interesting is filled with flaws and holes that just make the whole idea ridiculous. Such as what happens to the serial killers and career criminals of this world? Do they just control their urges to kill or steal for the other 364 days until the next Purge, as well what if someone has a heart attack on the night of The Purge? Is it just a case of bad luck you chose the wrong night to need medical care?
Despite the flaws of the premise, the film repeatedly ignores the possibilities of the premise, instead of exploring the ideas behind the Purge or the events that occur on the night of the Purge from different perspectives and situations. Instead the film settles for a typical home invasion story that although done well, is nothing we haven't seen done in many other films. The Purge in the end seems to only be the premise of this film to stop the age old question of "Why don't they just call the police?" in home invasion films.
To the films credit it is quite subtle, there's a running theme that the Purge is just an excuse for the upper classes to exterminate the poor, driven by all the attackers wearing prep school blazers and the person they are chasing wearing dog tags around his neck. The film also contains some strong performances, especially from Ethan Hawke (Training Day, Lord of War) and Lena Headey (Dredd, Game of Thrones) who carry the film throughout. The film also has a twist near the end which allows the audience to get inside the heads of the people during this night.
That cant be said for the leader of the Purger's played by Rhys Wakefield (Sanctum, Home and Away)whose performance is slightly cringe worthy, hes trying to be psychotic yet in control of the proceedings but it just comes across as a amateur dramatics' version of The Joker. He just never seems like a really threat and just a creepy next door neighbour.
The film also contains some bizarre and just plain weird set pieces, such as the families' son who builds a spy camera on a chard baby doll on the top of a rhino tank from Warhammer 40,000. The thing looks like a demented contraption from Sid's bedroom in Toy Story.
Overall, The Purge is an OK home invasion film, there are moments of suspense and a couple of jump scares are effective. The wasted potential of the premise is the films main downfall which could have lead to a more effective and possible original film then what we got in the end.
It's great concept but could of been better
I liked the concept of this movie it was engrossing and made me really think. I had hoped this movie would push above average but with certain plot holes and a story that gets weak towards the end it fell within this category. None of the acting stood out apart from Lena Headey. You will want to watch the movie for its concept but find the final product a average thriller action.
The Purge
Short and Simple Review by WubsTheFadger
First off, this film could have been amazing. The plot and premise are very original and had a lot of potential. But sadly, the story is full of clichés such as stupid teenage kids, bad decisions, and clueless villains. If they had only made the film in a way that we could see multiple Purge stories, it would have been better. The ending is the probably the best part of the story.
The acting is okay at best. Ethan Hawke and Lena Headey perform the best. Max Burkholder and Adelaide Kane play two of the most annoying, stupid, and idiotic characters I have ever laid eyes on.
The film starts off very slow and continues to have slow pacing until the end.
The blood and gore aspect of the film is very good. This is one of the highest points about the film.
Pros: Very original story, the ending, good acting from Ethan Hawke and Lena Headey, and a good use of blood and gore
Cons: Slow pacing, wasted potential with the story, annoying characters, Max Burkholder and Adelaide Kane and their terrible performance, and a lot of clichés
Overall Rating: 4.3
First off, this film could have been amazing. The plot and premise are very original and had a lot of potential. But sadly, the story is full of clichés such as stupid teenage kids, bad decisions, and clueless villains. If they had only made the film in a way that we could see multiple Purge stories, it would have been better. The ending is the probably the best part of the story.
The acting is okay at best. Ethan Hawke and Lena Headey perform the best. Max Burkholder and Adelaide Kane play two of the most annoying, stupid, and idiotic characters I have ever laid eyes on.
The film starts off very slow and continues to have slow pacing until the end.
The blood and gore aspect of the film is very good. This is one of the highest points about the film.
Pros: Very original story, the ending, good acting from Ethan Hawke and Lena Headey, and a good use of blood and gore
Cons: Slow pacing, wasted potential with the story, annoying characters, Max Burkholder and Adelaide Kane and their terrible performance, and a lot of clichés
Overall Rating: 4.3
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
Le saviez-vous
- AnecdotesAccording to director James DeMonaco, the famous road-rage incident awakening the idea for The Purge happened like this: He and his wife were driving on the freeway when a drunk driver cut them off nearly killing them. After both cars stopped, the other driver's lack of remorse enraged DeMonaco enough to engage in a fistfight and police eventually had to get involved. After the incident was over, DeMonaco's wife turned to him and commented how great it would be to have one free murder a year. He felt bad admitting this because she's normally a "sweet woman".
- GaffesFor a while in the middle of the movie, James has a shaped goatee and moustache, which he does not have during the rest of the movie.
- Citations
Mary Sandin: We are gonna play the rest of this night out in motherfucking peace. Does anyone have a problem with that?
- Crédits fousAt the end Credits there are radio broadcasting about the Purge Night.
- ConnexionsFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- Bandes originalesClair de Lune
Written by Claude Debussy
Arranged by Alfred Reed
Performed by Symfonický orchester Slovenského rozhlasu (as Slovak Radio Symphony Orchestra)
Courtesy of Naxos of America, Inc.
Published by Klams Music & Co, Inc.
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- How long is The Purge?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La noche de la expiación
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 64 473 115 $US
- Week-end de sortie aux États-Unis et au Canada
- 34 058 360 $US
- 9 juin 2013
- Montant brut mondial
- 89 328 627 $US
- Durée
- 1h 25min(85 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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