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The End We Start From

  • 2023
  • R
  • 1h 42min
NOTE IMDb
5,9/10
8,4 k
MA NOTE
POPULARITÉ
4 948
39
Jodie Comer in The End We Start From (2023)
A woman who along with her newborn try to find their way home as environmental crisis that submerges London in flood waters and sees a young family torn apart in the chaos.
Lire trailer1:35
3 Videos
79 photos
DrameThriller

Une femme et son nouveau-né tentent de retrouver le chemin de la maison alors qu'une crise environnementale submerge Londres et qu'une jeune famille est déchirée dans le chaos.Une femme et son nouveau-né tentent de retrouver le chemin de la maison alors qu'une crise environnementale submerge Londres et qu'une jeune famille est déchirée dans le chaos.Une femme et son nouveau-né tentent de retrouver le chemin de la maison alors qu'une crise environnementale submerge Londres et qu'une jeune famille est déchirée dans le chaos.

  • Réalisation
    • Mahalia Belo
  • Scénario
    • Alice Birch
    • Megan Hunter
  • Casting principal
    • Jodie Comer
    • Joel Fry
    • Yves Rassou
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    8,4 k
    MA NOTE
    POPULARITÉ
    4 948
    39
    • Réalisation
      • Mahalia Belo
    • Scénario
      • Alice Birch
      • Megan Hunter
    • Casting principal
      • Jodie Comer
      • Joel Fry
      • Yves Rassou
    • 87avis d'utilisateurs
    • 66avis des critiques
    • 65Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 9 nominations au total

    Vidéos3

    Official Trailer
    Trailer 1:35
    Official Trailer
    Official Trailer
    Trailer 0:49
    Official Trailer
    Official Trailer
    Trailer 0:49
    Official Trailer
    The End We Start From
    Trailer 1:35
    The End We Start From

    Photos79

    Voir l'affiche
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    + 74
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    Rôles principaux57

    Modifier
    Jodie Comer
    Jodie Comer
    • Woman
    Joel Fry
    Joel Fry
    • R
    Yves Rassou
    • MW
    Ramanique Ahluwalia
    Ramanique Ahluwalia
    • DR
    Neil Bell
    Neil Bell
    • MWC
    Nina Sosanya
    Nina Sosanya
    • G
    Mark Strong
    Mark Strong
    • N
    Phillipa Peak
    • B
    Jake Davies
    Jake Davies
    • U
    Roddy McDermott
    • U
    Charlotte Henry
    • V
    • (as Charlotte Grisley)
    Katherine Waterston
    Katherine Waterston
    • O
    Alexandria Riley
    Alexandria Riley
    • P
    Theo Barklem-Biggs
    Theo Barklem-Biggs
    • L
    Ansu Kabia
    Ansu Kabia
    • D
    Benedict Cumberbatch
    Benedict Cumberbatch
    • AB
    Gina McKee
    Gina McKee
    • F
    Ivy Graham
    • W
    • Réalisation
      • Mahalia Belo
    • Scénario
      • Alice Birch
      • Megan Hunter
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs87

    5,98.4K
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    Avis à la une

    6whatthefubi

    Not Really a Disaster Movie

    Wikipedia told me this was a story about a woman escaping London after an ecological disaster wipes out 99% of humanity. This is definitely not true. Poignant, but not really a disaster flick. If you are a sicko like me and love scenes of destroyed, ruined cities and absolute destruction, there are very few of those and the movie does not lean on them at all.

    Other than that, Jodie Comer is great, and I thought Waterston was great as well. If you want to see a young mum of a newborn getting stuff done and developing her own agency as both a mother and a woman while dealing with ecological disaster, this will do nicely.
    5Boristhemoggy

    I was impatient for the end

    A woman tries to find her way home with her newborn while an environmental crisis submerges London in floodwaters.

    I think this film does not know what it wants to be. It's very pretentious, with lots of sombre scenes that don't mean anything, to a far-too-loud score that is overly dramatic, to interactions that don't really mean anything.

    It hints at times of the breakdown of society, and the lack of Govt strategy to deal with the problem, and the stoical resolve some people show in getting back to normal. But they are inferred by me rather than implied by the film. I think if the film has a point then it is only one that was invented by the watcher to make sense of it.

    The acting isn't too bad throughout but I don't think they really have much to work with. There's very little dialogue and much of what there is can be confusing. Interactions between people seem to be standalone murals which the director hopes look impressive but have no real connection to the story. There's also some very weak plot lines which seem to go nowhere and it feels as if they were just an idea that didn't last.

    I watched it simply because Jody Comer put her name to it and I expected it to shine because of her but sadly, I think she picked a pig in a poke with this one.

    It's not vile, it's not dire, it's simply not very good. The worst thing is it is tedious and monotonous including having to turn the volume down all the time for the silly soundtrack and then back up again for the dialogue.

    It's not the worst film I've ever seen but I won't ever feel the need to watch it again.
    6CinemaSerf

    The End We Start From

    With a fairly biblical storm raging outside, an heavily pregnant mother (Jodie Comer) is sitting at home watching the telly. Power goes out, waters break then the struggle to get boyfriend (Joel Fry) and ambulance to hospital is the start of their woes. Leaving, they discover that huge swathes of England are under water so they head to higher ground and his parents. Fortunately, they have had a long ridiculed bit of a siege mentality so there's plenty of food but that's about all as the family units begin to disintegrate, just as society is doing at large elsewhere. The couple become separated and the un-named mother must now find safety for herself and her baby until some form of normality returns. This is another hugely emotional effort from Comer with Fry, a fleetingly potent contribution from Benedict Cumberbatch and a strong role for new-found friend Katherine Waterson working well, too. The story though - well it reminded me a little of "Children of Men" (2006). A rather depressing and dreary chronology - augmented with some flashbacks of happier days - of how individuals deal with disaster, be they self induced or imposed, and I struggled to remain engaged as the narrative lumbered along. The direction and the score are also fairly lacklustre. One too many shots of cars driving along, of mother carrying baby, cheering baby, nursing baby - and talking of the baby, boy does it age! If it's meant to be a very personal, intimate even, indictment of mankind's inhumanity to itself when facing desperation then it just about works, anything else was rather wasted on me, I'm afraid.
    6Sleepin_Dragon

    Watchable, but disappointing.

    Society is thrown into chaos after a natural disaster, a woman faces a huge challenge to keep her new born baby safe.

    It's a film that's hard to hate, but virtually impossible to love, it promised so much, but offered relatively little.

    It's a disaster story, but not a disaster movie, the focus is very much on the mother, and motherhood, we learn relatively noting about the disaster, it's just a talking point for that most part.

    You can't argue with the acting, Jodie Comer and Joel Fry are both very good, but the script could have been a little sharper, and a bit more interesting, it's a little disjointed.

    It's watchable, it has some interesting elements, but ultimately it was a little disappointing, and that ending, it reminded me of that hilarious ending from The Day after tomorrow.

    Mehhh.

    6/10.
    8destiny_west

    Heart Wrenching Excellence

    I had been putting off watching The End We Start From for a few months, only because I knew that I needed to be in the right state of mind to take it all in.

    I was not left disappointed. This British Indie disaster film is so quiet and understated, I can imagine if it had been done in America, it would have been quite over the top.

    Jodie Comer is brilliant as a mother trying to get herself and her baby through the flooding disaster that has hit the UK. Separated from her partner she battles to keep them safe and battles with her memories to try and let go.

    This is honestly an extraordinary film. I highly recommend it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Following a number of stalking incidents, including one that allegedly occurred on the set, Jodie Comer was fearing for her own safety. Co-star and executive producer Benedict Cumberbatch recommended a bodyguard who had previously looked after him, and the producers took an extra effort to make sure that everyone on the set was safe.
    • Connexions
      Referenced in Brad Tries Podcasting: Baby Takes Flight (2024)
    • Bandes originales
      Mission Desire
      Performed by Jane Weaver

      Written by Jane Weaver

      Published by Heavenly Songs Ltd

      Administered by Bucks Music Group Ltd

      Courtesy of Finders Keepers Records Ltd

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    FAQ17

    • How long is The End We Start From?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 janvier 2024 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El final del que partimos
    • Lieux de tournage
      • Londres, Angleterre, Royaume-Uni
    • Sociétés de production
      • Anton
      • BBC Film
      • BFI Film Fund
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut mondial
      • 1 521 981 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 42min(102 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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