Crime à ciel ouvert

I had zero expectations from this show, as I just wanted to pick up some average-looking German show to hone my German skills. 6 episodes, some kind of crime-mistery; why not? I lgenerally like those.

Oh boy, was I in for a great surprise! The whole show is basically a lecture about environment protection. Yes, you guessed it: a teenage girl completely stomps her parents and grandparents, because she's vegan and she hates coal, and she is the future and she's cool, unlike her lame and stupid parents and grandparents. Very cool. I just had one question: what does it have to do with the murder? Let me help you out in advance: nothing. This is pretty much a 6 episode long "coal is bad, meat is bad, save the planet" message, which needed something else going on to stretch the screentime, so throw in a murder, why not! Extremely dumb, extremely condescending. Don't worry, the final reveal about the murder is even worse! I had to pause the show because I had so much second-hand embarassment.

And I'm not even for coal or anything. I support a healthy environment, but either make a series about that, or a murder-mistery. These amateurs fused these in the worst possible way imaginable, which backfired horribly. I don't think I have ever had this much sympathy to evil coal-moguls than after watching this preachy show.

The skeleton of the whole series is bang average as well. Someone died ---> who done it? ---> the plot thickens ---> finale. It's extremely boring and holds no surprises. In fact, we are constantly being introduced to new characters, which absolutely destroys the fun of a show like this: the whole point would be to meet the cast early, and try to figure out who could've been the murderer and why.

The writing is atrocious. There are several sub-plots which go nowhere, gets unresolved, or has a random, unsatisfying endings.

The characters are boring, wooden, and other than the little boy, it's hard to care about them. The only character which was decently written was André. The male protagonist is as interesting as watching a paint try, though he has screen presence, I give him that.

The female lead was pretty much a cheap copy of the lead from The Bridge. She's on the spectrum, has bad social skills, but a great cop. Sadly, this cop is nothing special in her field, and her bad social skils are just awkward without any payoff. I was willing to bet my left leg after the first episode, that these terrible writers will copy the scene from The Bridge, where the detective woman whom they copied here, casually walks into a bar and asks a stranger if he wants to have sex with her. That was really funny in The Bridge. Don't worry, these writers totally butchered it here.

Honestly, I can't give a single reason why anyone should watch this. It does a terrible job at making you care about the environment, in fact, it makes you want to strangle that smug, condescending teenage girl, but it is also an extremely boring and slow murder-mistery with no surprises whatsoever.

A great story BUT one has to pay attention.

I left the show in German and read the subtitles in English.

The only character that I had a problem with was Annalena the cop who in charge of the murder investigation. When will script writers learn how to write for a successful, accomplished women without her coming across as less than/a bit@#. The detective is well versed in policy and procedures BUT does not get along with others. She is not a team player. At times she comes across as a bully and can come across as bias in her thought process. Towards the end of the 6th episode this was addressed. All in all she has little compassion and is all about results. And what's with asking point blank a subordinate for sex and stating that no feelings will be involved.

The other lead detective Maik is going back to his home town to conduct the murder investigation and with it comes all his baggage that he has put behind him.

I loved the filming of the series. The music. The flashbacks.

If you love a good mystery, want something non formulaic, this a good choice.

Each episode begins with a melancholy, deep voice, accompanied by images captured in warm yellow tones, ranging from wildly romantic to excerpts of a mysterious murder. The action takes place against the backdrop of a disused coal mine in Lusatia, which symbolizes environmental pollution and the downfall, the past of the GDR. Quote from Lauchhammer: "one of the most expensive disposable items of reunification".

As German productions like to attach great importance to conveying a message, classic old and current clichés are used here once again to raise a warning finger. So you can already guess that we have to deal with East German frustration and the climate stickers, whether we like it or not. Unfortunately, the moral ambitions are usually so high that it sometimes seems overloaded.

Unfortunately, German productions lack the courage to go their own way, so they follow in the footsteps of tried and tested colleagues from abroad. As a result, the two main investigators are made up of a quiet, emphatic man and a mostly newly assigned socially incompetent female colleague, as is currently very popular. He has his roots where the murder took place and has to come to terms with his past. As a result, the story is spread across different timelines and an earlier murder and several social stories are told in parallel. On the one hand, this makes for a multi-layered story, but it also distracts more and more from the actual murder case, which fades into the background.

The story unfolds slowly but builds up the suspense constantly, despite a few "social" gap fillers, some of which drag on a little. There are always enough suspects to keep you guessing until the case is finally solved.

The entire cast does a solid job. Little Dustin, who took my heart by storm, is particularly endearing. Lucas Gregorowic, who I really like, was absolutely convincing in his role. The dialog also stands out positively overall. The technical realization is excellent, capturing a great melancholic mood with a beautiful image and color design. The camera, lighting and editing deserve praise here, they are much better than the average German series.

Unfortunately, the characterization is too negative, clichéd and flat for me. The old East Germans who weep for their GDR, the drug-addicted mother in cheap "Berlin-Marzahn" clothes with a child without a father. And of course the Fridays for Future group of the vegan granddaughter with protests and "forest occupation". This gives the whole series the feel of an environmental protection lecture with a 4.1/2 hour message: "Coal is bad, meat is bad, save the planet". Which is basically not a bad thing if you don't just keep asking yourself the question, "Who else was the murder victim?"

------------- Conclusion:

So-so - For fans of German crime thrillers, this is a high-quality production worth seeing that stands out from the classic Tatort, is multi-layered and wonderfully shot.

This series is interesting enough to watch, but unfortunately is not told in a very coherent manner. The scenes do not flow in a manner that enables viewers to understand the events. There is little context provided so the dots do not always connect up in a way to produce a smoothly flowing narrative. Some scenes just seem to be out of sequence and irrelevant to the main plot. The constant use of flashbacks at very awkward moments is distracting and confusing. The series is watchable but does tend to drag a bit. It is the lack of connectivity between the scenes that make the series incomprehensible at times!

An intriguing post-GDR thriller with a good, though depressing, atmosphere. After a girl is murdered the plot slowly develops towards a rather unexpected end. The former GDR political culture is nicely intertwined with the current atmosphere in the former Eastern Germany and with the former coal industry there. An intelligent crime story that at times may get you a little lost, but always timely returns on to the right track. If you're into crime mystery, intrigue within a depressing atmosphere that seems to hold no hope for anyone, then this is definitely for you. Do not expect a fast paced thriller. The story needs six episodes to unfold. Photography, dialogues, acting and scenario are decent, not special, but good enough. The only aspects that seems out of place are some of the theme songs. O right, the scenes filmed in driving cars are technically very poor. Not every series can have 10 stars.