NOTE IMDb
4,3/10
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MA NOTE
Une baby-sitter d'une petite ville et les enfants qu'elle garde tentent de survivre à un tueur en série la veille d'Halloween.Une baby-sitter d'une petite ville et les enfants qu'elle garde tentent de survivre à un tueur en série la veille d'Halloween.Une baby-sitter d'une petite ville et les enfants qu'elle garde tentent de survivre à un tueur en série la veille d'Halloween.
- Réalisation
- Scénario
- Casting principal
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After watching 4 or 5 stinkers in a row, this one stood out as actually... good, at least in relative terms. This has a lot going for it in competent direction, good audio/lighting, stable camera, scene framing that made sense, and better than average acting. The story was homage-good, although a little leaky- but actually having one was a nice touch. Besides a few veteran greats in here with Harris, Moseley, and Englund, the young leads were far better than expected. Charlotte as Britt is very charismatic and delivers well. Thomas Robie as Wyatt showed good restraint in places where young actors typically overdo it. The one distraction was the age issue. I was trying to overlook that Wyatt looked basically the same age as Britt, and even Jolie was too old for a high-school sitter and to be crying often. But hey, the skill trade-off was worth overlooking this. This is more of a family-friendly (PG13) homage horror than say, the Hatchet series, but it's still better than quite a few I've seen lately. I recommend it if you try to catch all the new lower/mid budget offerings or indies.
I watch a ton of horror films, especially on Tubi. Roughly 80% are so boring or just plain bad that I either fall asleep or turn them off. So I had really low expectations for this but figured I'd check it out. It turned out to be far better than anticipated. The story isn't totally original, but it's got enough different elements that it doesn't feel stale. The cast, especially the girl who plays the babysitter, do a pretty solid job. Bill Moseley is creepy as always. Not sure why so many people seem confused as to what is happening and when. It's pretty clear throughout. And I liked the ending, as it kept the film from being too predictable. So if you like standard 70s-80s B horror with slasher themes (but not much actual gore), you can do far worse than this movie.
No pun intended - I really did not want to think too much about my summary line. Casting wise this really made some great choices (even in smaller roles like Englund). But even with Moseley in a bigger role (and he is giving it his all, no holding back punches then). The story is quite simple and I think quite predictable to say the least.
The movie also looks good and it has nice effects, but I am quite certain it will leave you cold - shame because there was something there, with a "new" story to tell. We have seen the revenge angle before - but you can twist and tweak things. Try to find something unique maybe .. or at least focus on one thing or another.
Add to that quite the convoluted and bad ending too ... well I may have been too nice again .. but it is Bill Moseley ... and he is really good, no matter what.
The movie also looks good and it has nice effects, but I am quite certain it will leave you cold - shame because there was something there, with a "new" story to tell. We have seen the revenge angle before - but you can twist and tweak things. Try to find something unique maybe .. or at least focus on one thing or another.
Add to that quite the convoluted and bad ending too ... well I may have been too nice again .. but it is Bill Moseley ... and he is really good, no matter what.
It's good to see Halloween 4 director Dwight Little and Halloween 4 actress Danielle Harris working together again here, and with a movie taking place during Halloween, but this movie doesn't come close to that classic. Very confusing and I did not like the ending. The whole witch (at least I guess that's what Natty Knocks is because they never fully explain) made no sense to me. How/why did she become one, and the flashback in the beginning makes me question: since when did they burn women/witches in 1976?? Perhaps in 1676, but definitely not 1976! Then we have plot holes and sudden jumps from one thing to another with filler missing. Toeard the end, I'm pretty sure a character from earlier suddenly shows up where he wasn't even there a moment before. Just very confusing and hard to follow. And I did not like the end.
I was looking for Halloween-themed horror movies and came across Natty Knocks. I'd seen the cover before, and my curiosity led me to check it out since the plot summary sounded fun. The movie has decent production value and includes some familiar faces in the horror genre, like Bill Moseley, Danielle Harris, and even Robert Englund-though Harris and Englund don't have much screen time. From a technical standpoint, the movie looks pretty good for a low-budget horror flick, although some of the effects look cheap and overall low-quality.
The acting is generally fine but nothing remarkable. Unfortunately, most of the characters are fairly unlikeable, making it hard to root for them. The story isn't particularly special, ending up quite generic and unnecessarily confusing, which doesn't leave much for the movie to offer. There's nothing distinctive or memorable here that enhances the film. The pacing feels a bit messy, and the scares fall flat, making the movie slightly below average and ultimately not really worth checking out. [4.4/10]
The acting is generally fine but nothing remarkable. Unfortunately, most of the characters are fairly unlikeable, making it hard to root for them. The story isn't particularly special, ending up quite generic and unnecessarily confusing, which doesn't leave much for the movie to offer. There's nothing distinctive or memorable here that enhances the film. The pacing feels a bit messy, and the scares fall flat, making the movie slightly below average and ultimately not really worth checking out. [4.4/10]
Le saviez-vous
- AnecdotesFilm reunites Robert Englund, director Dwight H. Little and composer Misha Segal since collaborating together on Le fantôme de l'opéra (1989).
- Bandes originalesWish You Could Stay
Written by Kaitlyn Dorff, Matteo Sher
Performed by Kaitlyn Dorff
Produced by Steve Dorff
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- How long is Natty Knocks?Alimenté par Alexa
Détails
- Durée
- 1h 34min(94 min)
- Couleur
- Rapport de forme
- 2.39:1
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