Coup de foudre au village de Noël

Allison Sweeney and Luke Macfarlane are better than this forced and fairly empty mess. Too easy to solve issues, too sappy and sugary and disgustingly sweet. Hallmark took an outline and filled it in with fluff and nonsense, but no heart. Why does the network feel it necessary to churn out mediocre junk in great numbers rather than make fewer but much better movies? The magic Christmas village was a wasted element that was tossed into the story to provide Christmas Magic? It didn't. I found Marlo Thomas's dated hippy philosophy and preachy tendencies distracting and annoying. (As was her plastic surgery face, especially as I am old enough to remember That Girl). I couldn't wait for the movie to end. It won't be on many Do Not Miss lists next year.

When I saw Marlo Thomas attached to this movie, I was eager to see it. I'm an original Marlo Thomas fan since That Girl back in the 60s. However, her role in this movie didn't work for me, and I believe that was a failure by the writers.

They went for kind of a zany hippy but wise character who was irresponsible but several times promoted the idea that "the universe will make things right". The dialogue simply sounded contrived and delusional.

I also found it painful to watch her. Marlo has done a lot of great things, including continuing to support and promote her father's effort with St. Jude's hospital, but she's also now a cautionary tale for any older woman considering plastic surgery. It doesn't look good on her ... at all. But with the face lift and died hair, they had her playing a role probably 25 years younger than her actual age, and that didn't work well, either.

More on just the movie. Despite us liking the actors in the romantic lead roles, I wasn't sold there. Again, just writers going through the motions rather than selling the characters and the relationships with something deeper than a magical fake pond causing him to suggest ice skating or some very thin dialogue about architecture.

This movie won't be on our rewatch list.

We always watch Alison Sweeney movies because she is such a real, natural actress. We figured the icing on the cake would be to see Marlo Thomas act again after not seeing her since a St. Jude commercial a couple of years back.

Well, Marlo's opening scene in the beginning of the movie was sort of shocking. She obviously saw the Jackson Family cosmetologist for her nose and Goldie Hawn's botox physician - to the point that her appearance distracted big time from what was going on. To Hallmark's credit, though, they gave Marlo a lot to do in this movie.

This wasn't just a couple of scenes for namesake value - she plays a fully developed character with many interactions with the rest of the cast. And, once you get used to her appearance, you realize that Marlo is really quite good. Let's face it and give her credit, this month she turns 85 and she can still give an honest, natural, and interesting performance, which ultimately becomes rather endearing.

As a matter of fact, she has a "show down" scene with Sweeney that is quite excellent and her second meeting with Macfarlane at a market is moving and sweet. Throughout, her scenes with Maesa Nicholson, playing her granddaughter are very well done and, at times, nicely humorous. Nicholson is an impressive young actress.

As far as the story goes, it really kept our interest - an elderly person going broke is not all that uncommon nowadays and the relationship between Sweeney and Macfarlane's characters is nicely developed. As usual, they give really fine performances, particularly Sweeney whose character she seems to be relaxed and comfortable with - so much so that her performance is more multi-faceted and complex than in other Hallmark roles she has been given.

It's not the best new Hallmark this season, but it's still enjoyable and worth a watch.

The story strongly implies that the family's Christmas village set has magical powers that intervene in the lives of the story's main characters. One thread of the story is the developing romance between Allison Sweeney's Summer and Luke MacFarland's character. Another thread is the family struggles that center around Marlo Thomas' Vivian.

I am more than happy to imagine how Chloe can use the village's magic to find romance for her mother whom everyone says over and over is controlling. As controlling characters go, I found Summer to be not nearly as bad as many in this type of movie. I resent that the movie implies that there is something wrong with a woman who is financially responsible and works hard to accomplish the tasks before her through her organizational skills. Summer has rules for Chloe and holds to them, but in a reasonable way balancing carrot and stick in her parenting.

Vivian seems to think that overdue bills will be taken care of by the Universe in its own good time. Even Summer's sister recognizes her mother's challenges. She and Summer have a running joke about whether a discussion about mom is a "five alarm" discussion. Yet she seems to take mom's side when these differences create conflict within the family. This entire premise in the movie turned me off to what could have been fun.

Sweeney and MacFarland have chemistry. The dialogue in the movie is good, although not as sparkling as some movies. The acting is good.

Summer is an architect and a single mother who is busy busy busy. She is all about fixing things, control, rules and organization. She doesn't have time for a serious relationship, and plus she just hasn't felt that "spark" yet. She is kind of forced to take her hippy dippy mother in, (Marlo Thomas) when her lover leaves town and sells the house she has been living in.

Her mother, Vivian, is the exact opposite of Summer. She believes in living in the moment and letting "the universe" guide her life. Plans Schmlans. Because of her lifelong irresponsibility, she is in a financial mess, without enough money to live on. Luckily Summer and her other daughter, April, provide a safety net. But to my irritation, that does not stop her from nagging Summer about her overly planned out life which has stopped her from living freely, finding love, and stopping to smell the roses. All while living in Summer's home, on her dime, one step away from homelessness.

The irony is that Summer is the way she is because of Vivian's unstable parenting. It is revealed that *16 year-old* Summer had to go to the bank and set up a payment plan after 6 months of living without electricity because Vivian just couldn't be bothered to pay the bills after her husband died. Throughout most of the movie, Vivian thinks she is some kind of wise shaman with all of the answers, which is far far from reality. I was not a fan.

The main story is about how the two women learn from each other and learn to find a happy medium. The charming Luke Macfarlane provides the Love interest and he has great chemistry with Allison Sweeny, which, TBH, I was kind of surprised about.

Their happy ending, and to a lesser extent, the rapprochement between Summer and Vivian is guided by the Magical Christmas Village that Vivian sets up at Summer's house. Summer's daughter starts to move the figurines around and soon figures out that she is also guiding the footsteps of people in real life as she does so. It was a cute concept if you ignore the horror movie aspects to it. This was pretty good, despite the fact that I hated Vivian's guts through most of it.