Wild Is the Wind

On 2/01/2024 we visited wild wind as day visitors. We were a group of more or less 25 people. Our dissatisfaction started at the gate. We had 5 children ranginging between 2 and 5 years old. They all paid different prices ranging from R45 to R95. We were shocked about this. The ladies at the gate were showing bad attitude towards us. It also seemed as if they had a hectic night before. The pools on that day were green and when I questioned them about 8t I was told it is because of the day before which was a very 0oor excuse. I will never ever go to this place again 9r even recommend it to other people Sorry wild wind.

A flawed protagonist needs to face the consequences of his choices to do what is right, the classic premise of a possibly good story. The premise of Wild is the Wind.

Vusi wants to move up in life, he wants to provide his family with better conditions, accepting any path to reach his goal. His desire. We know that Vusi needs to learn.

Follows law enforcement partners Vusi Matsoso and John Smit, senior investigators trying to make a living through active corruption. Their personal problems lead them to work together to improve their financial situation.

The cinematography is good in several moments. Wild is the Wind is a strong story, and the cinematographer tries to show that.

But nothing is perfect. The antagonist's lack of development makes his journey insignificant, inexplicable. So inexplicable that, in the end, the feeling is that we have lost some scene, some point in history that gives meaning to the things the antagonist and Vusy said, to the events. This lack of development also makes the antagonist disconnected from the main events, almost secondary. A pity, because the antagonist seems to be convincing.

Wild is the Wind is an engaging, slow drama that captivates with its premise and theme. With minimal flaws, this film is recommended if you want a compelling story about racism, injustice and redemption.

From here on out, I'll discuss important scenes that reveal about the film. Spoilers! Be warned.

The ending is dissonant, almost exploitative. An unnecessary ending, created just to make it bitter, to say "look how tense and strong this movie is, how heavy this movie is".

Vusi dies. Vusi had everything to be able to get back on top, redeem himself, but he dies, without reason, without purpose, without a clue. Even his wife says that she waits for him, but that he needs to be ready. Vusi's bow could redeem him, but his redemption cost his life with no use for his sacrifice. The ending could be different, more alive, Vusi accepting who she is, fighting but in a fair way.

I needed to release this outcome from within myself.

The only reason for the 1 star short is the scoring. Being a South African growing up pre and pos apartheid and a lover of music. There were alot more controversial and fitting songs released. However knowing the industry and copyright issues I get it. Do look forward to seeing more from Fabian. The cinematography was great. The story line is relevant and relatable. Think alot of these other reviews would've had a different perspective if it was some holiwood greats starring in it. But this has Oscar potential written all over it. Loved the story line. Would love to do the scoring for his next movie.

The action scenes are stealthy, but the anticipation slowly fades into the background as the script gets a bit dense in highlighting other social issues. The racially fuelled opening fades into the background as the script explores other dire needs of the community who have fallen into poverty and are desperate to get themselves out of it. Medea wants to highlight the endless cycle that occurs in the area and how corruption is perceived. It is more so character-driven, as the police officers are polar opposites of one another. One is more level-headed, and the other is a hothead with a short fuse, which ends up being quite problematic.

*didn't show too much racial tension as opposed to other problems.

Maybe not entirely crime film, but an unusual scheme in this South African movie where you have no really lead character, no hero, only characters for whom you wonder what feeling you can have. It is question of a serial killer intrigue mixed up with a rogue cops element. You have convincing performances and situations too. It is however a bit slow, but again, this is a worth watching movie where you can also watch as a buddy movie, a White and Black cop working together as a team, without being entirely LETHAL WEAPON either. It is of course question of racial matters in this South African feature; this explains the buddy scheme with two different races characters. A very short tribute to QT's RESERVOIR DOGS in the scene of the serial killer dancing around the car trunk with a gasoline can; remember Michael Madsen sequence dancing besides the tortured cop. Good ending.