Une policière dure mais passionnée affronte un père passionné qui est en fait un sérialiste dans cette procédure à Belfast. La seule chose qu'ils partagent, c'est leur complexité commune.Une policière dure mais passionnée affronte un père passionné qui est en fait un sérialiste dans cette procédure à Belfast. La seule chose qu'ils partagent, c'est leur complexité commune.Une policière dure mais passionnée affronte un père passionné qui est en fait un sérialiste dans cette procédure à Belfast. La seule chose qu'ils partagent, c'est leur complexité commune.
- Nomination aux 2 BAFTA Awards
- 9 victoires et 24 nominations au total
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I love detective stories, and have grown to accept a certain number of stereotypes if the plotting is good, it seems to go with the territory.
Not here though. The writing is fantastic, the tough old duffer cops show emotion, the strong female lead is a strong woman with dimensions slowly emerging as the series evolves. Without unrealistically ignoring the sorts of prejudice extant in our society the writing avoids her being a typical 'ballbuster' and allows her to develop meaningful relationships and respect among her colleagues.
The anti hero is fantastically normal and so much more menacing for this, especially outside of the killing 'events'.
The plotting is pacey and involving, the series has become more gripping with each episode. Fingers crossed for the denouement. I have very high hopes.
For all of you that are used to the fast paced American type of the genre and everything that it includes, the directing will seem a bit/quite slow.
But actually it is not because it is very realistic. Real serial, real police people, real police building, with no unnecessary details, no unnecessary high tech gadgets or theatrics. It is purely European (british-irish) style.
So, do watch it for what it is and not for what you are used to and what it is not.
This is an addition for the second season of the show. The review remains the same except the pace of the episodes. In comparison with the first season they have become faster and tighter. The second season is more personal for both the leading characters. The ending was somewhat ambivalent and can definitely bring a third season if so decided from all parties.
Gillian Anderson's performance was even better than the first season. Jamie Dornan's as well. Everything was just as good and a little bit better. In conclusion "The Fall" is TV at its best!
And her acting out (as some might call it), is her just living ... being an independent woman. She may be showing a colder side most of the time, but it is just because she has been hardened by so many years fighting on so many fronts - not just by trying to catch criminals. Her attitude may not sit well with some, but that is just who she is. And yet while she is tough, she has more than a heart of gold. She is the morally speaking the core of it all ... which I reckon some will disagree with - especially considering some of her ... (night) activities.
But you shouldn't judge her, especially when you have Jamie Dorman here ... who may not have gone any extra mile in the 50 shades of Grey movie(s - only saw the first one), but goes over the top in this one ... kidding aside and this is quite the serious matter and serious life or death situation that you get served here. The performances are amazing. Some strands may feel not resolved by the end of it and the third season is ... I would call it great, but differently than the first two in so many aspects.
A really good show then, that has many interesting aspects, especially when it comes to morals, insanity and social perceptions ...
The above is a very important piece of information, to make up your mind as to the actual quality of this series.
I've only watched the first episode so I'll make it short. I thought this dark BBC thriller was not only original, but extremely well filmed, suspenseful, realistic (real northern Irish actors and Gillian Anderson a word perfect English lady, in what clearly is Belfast itself), very well acted all round. It is not a whodunit, we're made to follow from the start both a MET detective and a serial killer's lives, as one tries to figure out, find and catch the other, and the other one fights his addiction to rape and kill on a daily basis. The tone is dark, the story is very chilling, but that's only because the protagonists are so very...ordinary. They could be us, any one of us.
It's nice to see a story set in Belfast that is NOT about the troubles, (even though there are - few - references and slang words only local to the north)
I really hope this carries on in the same vein throughout the next 4 episodes. While both series have nothing in common, it reminded me of that enthralling underrated gem Ultraviolet, another left-field BBC masterpiece that still has a dedicated following to this day.
10/10 for episode 1, can't think of anything yet to even give it a 9 to be honest.
Update episode 2, 10/10. Unexpected twists! Update episode 3: 10/10; Infinite shades of grey. Update episode 4: 10/10; I'm bolting my front door and double-checking all the windows. Update episode 5: 8/10. A slightly weaker link to the next season, which I can't wait for, now.
I must add a warning for sensitive people: There are a few graphic, realistic, upsetting scenes.
Le saviez-vous
- AnecdotesGillian Anderson declared that Stella Gibson is her favourite among all of the characters she has performed, even more than Scully from X-Files : Aux frontières du réel (1993).
- GaffesAlthough the action develops during a month or so, Spector's daughter, Olive, is visibly getting older from one season to the other.
- Citations
Stella Gibson: That's what really bothers you, isn't it? The one-night stand? Man fucks woman. Subject man, verb fucks, object woman. That's okay. Woman fucks man. Woman subject, man object. That's not so comfortable for you, is it?
- ConnexionsFeatured in Britain's Favourite Detectives (2014)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Падіння
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD