Un père et ses deux fils adolescents luttent pour survivre dans une ferme isolée à la fin du monde.Un père et ses deux fils adolescents luttent pour survivre dans une ferme isolée à la fin du monde.Un père et ses deux fils adolescents luttent pour survivre dans une ferme isolée à la fin du monde.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
There's a place for shaky, hand-held camera-work. The opening scene to Saving Private Ryan, for example, is a masterpiece. Here, however, it's merely annoying. For much of the film it takes the viewer out of the narrative, as they struggle to work out what exactly is going on. I might add that the shaky camera-work even makes a pointless return for the closing credits.
Set in the near future, when most of humanity has been wiped out by an unspecified cause; and where the few survivors are obliged to barricade themselves indoors during the hours of darkness, as they are under attack from strange alien creatures, the film centres on Nicholas Cage, who lives with his twin teenage sons (Jaeden Martell and Maxwell Jenkins) and survive by foraging and subsistence. Another, larger, family group lives a short distance away. Both families keep livestock, which seem to be immune from nocturnal attack, for no apparent reason.
Cage fades from the narrative for a long stretch, and the film is carried by the two boys plus Sadie Soverall as the daughter of the neighbours. All three turn in solid performances, but are done no favours by the tissue-thin (and hole-ridden) plot, listless dialogue and woeful camera-work. Quite apart from the shakiness, it's often difficult to work out what exactly is going on. Yes, most of the dramatic scenes take place in darkness, but there are ways of making it possible to follow the action.
As an aside, a quick check of the the current ages of the juvenile leads, compared to their on-screen appearance, suggests that this film was shot at least four years ago, and has spent most of the intervening time in post-production hell, as the editors tried to get something coherent out of what they had. I presume they did their best.
The creatures themselves are great when they're unseen or only hinted at. When they make a fuller appearance, however, they're very disappointing.
A watch-and-forget film.
Set in the near future, when most of humanity has been wiped out by an unspecified cause; and where the few survivors are obliged to barricade themselves indoors during the hours of darkness, as they are under attack from strange alien creatures, the film centres on Nicholas Cage, who lives with his twin teenage sons (Jaeden Martell and Maxwell Jenkins) and survive by foraging and subsistence. Another, larger, family group lives a short distance away. Both families keep livestock, which seem to be immune from nocturnal attack, for no apparent reason.
Cage fades from the narrative for a long stretch, and the film is carried by the two boys plus Sadie Soverall as the daughter of the neighbours. All three turn in solid performances, but are done no favours by the tissue-thin (and hole-ridden) plot, listless dialogue and woeful camera-work. Quite apart from the shakiness, it's often difficult to work out what exactly is going on. Yes, most of the dramatic scenes take place in darkness, but there are ways of making it possible to follow the action.
As an aside, a quick check of the the current ages of the juvenile leads, compared to their on-screen appearance, suggests that this film was shot at least four years ago, and has spent most of the intervening time in post-production hell, as the editors tried to get something coherent out of what they had. I presume they did their best.
The creatures themselves are great when they're unseen or only hinted at. When they make a fuller appearance, however, they're very disappointing.
A watch-and-forget film.
Well, I like to think director Benjamin Brewer (best known for directing music videos and leading the VFX efforts for Everything Everywhere All at Once) had a few neat tricks up his sleeve while conjuring up this creature-feature starring Nic Cage. It has a pretty interesting first act that reminded me of films like A Quiet Place and It Comes At Night, with Cage being the difference-maker.
I'd see anything with Cage in it at this point - heck, I've watched all his bad DTV-movies when was going through a career slump in the 2010s before reinventing himself towards the end of the decade. I just enjoyed seeing him turning into a red-hot act once again. Arcadian evidently descends into a B-horror territory, with deliberate campiness in the presentation of the creatures and a plot that only gives away bits and pieces of its lead characters. The action is layered with some shaky cam, just so that the creatures' appearance isn't entirely given away; that's a creative decision I can applaud. That said, the plot advancement remains utterly predictable.
It's an okayish affair that progressively sees less involvement from Cage, but they establish the brothers' equation fairly well for us to believe in their survival journeys. Jaeden Martell (from It), especially, is a promising talent. A needless love angle is also introduced, only to bring more characters that the monsters can munch on. I'm also curious how the dog in the film survived the whole ordeal, though I'm glad he did :)
I'd see anything with Cage in it at this point - heck, I've watched all his bad DTV-movies when was going through a career slump in the 2010s before reinventing himself towards the end of the decade. I just enjoyed seeing him turning into a red-hot act once again. Arcadian evidently descends into a B-horror territory, with deliberate campiness in the presentation of the creatures and a plot that only gives away bits and pieces of its lead characters. The action is layered with some shaky cam, just so that the creatures' appearance isn't entirely given away; that's a creative decision I can applaud. That said, the plot advancement remains utterly predictable.
It's an okayish affair that progressively sees less involvement from Cage, but they establish the brothers' equation fairly well for us to believe in their survival journeys. Jaeden Martell (from It), especially, is a promising talent. A needless love angle is also introduced, only to bring more characters that the monsters can munch on. I'm also curious how the dog in the film survived the whole ordeal, though I'm glad he did :)
There are two reasons you should watch this film. One, Nicolas Cage, and two the monsters in the film. Another major factor; do not listen to reviews. This is a solid B movie that deserves more than a 5.5 I mean come on. I'm telling you, if you give it a chance you will not come out disappointed. Fair warning though; for any viewers who don't like things out of the ordinary don't watch it. By the way this film is not a Nicolas Cage film, I say this because he is not the main character. He in fact does a great job and gives us this other point of view on him. He is always this crazy energetic character in all his other movies, but in this he is a calm and responsible character. This is probably one of his best performances in a while. I fully recommend you go and watch this flick, ESPECIALLY if you love creature features.
P. S. DO NOT READ ANYTHING ONLINE ABOUT THIS FILM!
P. S. DO NOT READ ANYTHING ONLINE ABOUT THIS FILM!
Unfortunately the direction totally ruined this for me. Camera so shaky I felt like my head was spinning. And when action does happen the camera just turns away. Performances were above average, the kids were pretty good but the effects were fairly poor. I usually love little movies like this but just can't get past the camera work. I swear it was recorded on a bouncy castle.
Soundtrack was nice and Cage is as solid as he always is.
Interesting monster designs but again, we could hardly make out anything we were seeing when they showed up.
Overall had a feeling of "A Quiet Place" but smaller which I can appreciate.
Soundtrack was nice and Cage is as solid as he always is.
Interesting monster designs but again, we could hardly make out anything we were seeing when they showed up.
Overall had a feeling of "A Quiet Place" but smaller which I can appreciate.
Don't watch this move right after you eat something. The super shaky camera work could make you sick. 5 minutes into the movie I could not bear it. Just too uncomfortable.
The story line is easy and straightforward: people try to stay alive after some sort of apocalypse.
What is missing from the movie is the horror and the family dynamics. You either make the move very scary or you focus on the family and the bonding. Or make both the focus. However, this movie does not have enough either. Turns out the movie becomes boring and losing focus. So people can easily predict what's to come in the next 3 minutes.
It could be much better if they add some mysteries to the creatures. What causes the apocalypse is not that important to me.
The story line is easy and straightforward: people try to stay alive after some sort of apocalypse.
What is missing from the movie is the horror and the family dynamics. You either make the move very scary or you focus on the family and the bonding. Or make both the focus. However, this movie does not have enough either. Turns out the movie becomes boring and losing focus. So people can easily predict what's to come in the next 3 minutes.
It could be much better if they add some mysteries to the creatures. What causes the apocalypse is not that important to me.
Le saviez-vous
- AnecdotesWriter Michael Nilon is Nicolas Cage's agent, manager, and producing partner. He previously wrote Braven (2018).
- ConnexionsFeatured in Half in the Bag: Longlegs and Arcadian (2024)
- Bandes originalesYou Don't Know My Heart
Written by Josh Martin
Performed by Josh Martin (as Daughn Gibson)
Courtesy of El Ed Eb
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- How long is Arcadian?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 828 919 $US
- Week-end de sortie aux États-Unis et au Canada
- 504 937 $US
- 14 avr. 2024
- Montant brut mondial
- 1 235 594 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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