En quête d'un nouveau départ, Quinn et son père s'installent dans une petite ville du Midwest. Ils apprennent rapidement que la communauté fracturée traverse une période difficile après la p... Tout lireEn quête d'un nouveau départ, Quinn et son père s'installent dans une petite ville du Midwest. Ils apprennent rapidement que la communauté fracturée traverse une période difficile après la perte d'une précieuse usine dans un incendie.En quête d'un nouveau départ, Quinn et son père s'installent dans une petite ville du Midwest. Ils apprennent rapidement que la communauté fracturée traverse une période difficile après la perte d'une précieuse usine dans un incendie.
- Réalisation
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- Casting principal
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Clown in a Cornfield (2025) is garbage. Sure, it's well directed-but it's well directed garbage. It's like they brought in a professional filmmaker to shoot a high school play starring only the jocks and cheerleaders. The acting is stiff, the dialogue is cringey, and the characters are so thin you forget their names before they die. The kills are lazy, the tension never builds, and the whole thing feels like a stitched-together checklist of slasher clichés. It wants to be a throwback, but brings nothing new and doesn't even do the old stuff well. It's all style, no soul, and not a shred of wit or originality. I gave it a 3/10. If you value your time, skip it.
This flick was based off on recent horror related young adult fiction by Adam Cesare and was just average. It offers some good practical and cgi gore effects, full of tongue-in-cheek humor.
It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!
The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.
The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.
This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away
I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).
It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!
The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.
The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.
This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away
I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).
I went in to this hoping it was a throwback to 80's slasher comedies, but nah, it's just another boring generic Blumhouse inspired slasher with no personality to distinguish itself away from others like it. Production wise it had good sfx and dialogue, but the lighting was so flat I felt like I was watching a Nickelodeon tv movie. Contrast is your friend, not your enemy. Sure, there were some scenes where I was like "OMG the gaffer actually showed up to work today!" so there's that. The deaths were pretty good, and the practical FX delivers most of the times, so kudos to the crew who worked on the stunts. But, with that being said, the script/story was milquetoast cookie cutter "Gen Z bad" trope garbage.
If you want to skip this and just watch Thanksgiving a watch instead, I suggest it. At least that movie was fun. However, I don't want to downplay the people who worked on the film to make the death scenes memorable. Kudos to them.
If you want to skip this and just watch Thanksgiving a watch instead, I suggest it. At least that movie was fun. However, I don't want to downplay the people who worked on the film to make the death scenes memorable. Kudos to them.
While I enjoy a good slasher, I would not call myself a fiend for them. I don't subscribe to Shudder and I don't watch all the horror movies that come out. I'd even say that I tend to stay away from the schlocky and B/C grade ones, though there are those that I do enjoy. For me, this is one of those films. While I appreciate that this one tries to do a little more and have a little more to say, in the end, the slasher elements just felt okay. The kills lack creativity, the whodunit part is kind of predictable, and the film felt very much in line with your typical slasher in it's most visceral elements.
Quinn is a new kid in town and quickly finds herself among peers. They take to her, mostly, and she's soon hanging out, drinking beer, and getting cozy with one of the boys. Of course, this is a slasher and the good times don't last long before the clown starts messing things up. I will say that the film does do a good job with it's central theme, that being a divide between the generations. While the kids fit into the modern mold of being kids, getting into a bit of trouble while spending some time creating a bit of horror content for YouTube, the adults are much more morose and agitated. They don't take kindly to the kids and it's a central theme to the story throughout. The cast is also mostly good, though too many feel like throw away characters left to be fodder. Katie Douglas, Carson MacCormac and Aaron Abrams fare the best by being more than one dimensional and actually giving the movie some emotional weight. The film also contains the trappings of most slasher films, so those who love the genre staples will be right at home here. Initially, I expected the movie to be pretty cliche and similar to everything else. Then, halfway through, things take an intense turn and the movie shifts into overdrive.
Here is where most will find the film's strengths. Not content with just wallowing in the films cliches, it decides to kick things up. I won't spoil it here, but it was a pleasant surprise after thinking I'd be let down. All of that said, the movie never rose above average for me. Everything about it screams "watch at home on TV with some popcorn and friends and/or family". I can't quite put my finger on it, but the whole production feels very much run of the mill, 80's/90's slasher that you'd rent on a weekend. It does do a decent job with it's favored social commentary, even though I found that to be a little to on the nose, but it's not enough to elevate the production. On top of this, the kills lack any real creativity. We get a lot of the usual, from slashings to stabbings to severed parts. There's maybe one kill that stands out, but it's incredibly goofy and I actually laughed in the theater when it happened because it was so ridiculous. This, for me, may have been the biggest buzz kill. The lack of creativity.
Clown in a Cornfield is likely to make genre fans who eat this stuff up like corn syrup overloaded candy, but for anyone looking for something more than an average slasher, this will be a let down. It's not bad, just mostly average.
Quinn is a new kid in town and quickly finds herself among peers. They take to her, mostly, and she's soon hanging out, drinking beer, and getting cozy with one of the boys. Of course, this is a slasher and the good times don't last long before the clown starts messing things up. I will say that the film does do a good job with it's central theme, that being a divide between the generations. While the kids fit into the modern mold of being kids, getting into a bit of trouble while spending some time creating a bit of horror content for YouTube, the adults are much more morose and agitated. They don't take kindly to the kids and it's a central theme to the story throughout. The cast is also mostly good, though too many feel like throw away characters left to be fodder. Katie Douglas, Carson MacCormac and Aaron Abrams fare the best by being more than one dimensional and actually giving the movie some emotional weight. The film also contains the trappings of most slasher films, so those who love the genre staples will be right at home here. Initially, I expected the movie to be pretty cliche and similar to everything else. Then, halfway through, things take an intense turn and the movie shifts into overdrive.
Here is where most will find the film's strengths. Not content with just wallowing in the films cliches, it decides to kick things up. I won't spoil it here, but it was a pleasant surprise after thinking I'd be let down. All of that said, the movie never rose above average for me. Everything about it screams "watch at home on TV with some popcorn and friends and/or family". I can't quite put my finger on it, but the whole production feels very much run of the mill, 80's/90's slasher that you'd rent on a weekend. It does do a decent job with it's favored social commentary, even though I found that to be a little to on the nose, but it's not enough to elevate the production. On top of this, the kills lack any real creativity. We get a lot of the usual, from slashings to stabbings to severed parts. There's maybe one kill that stands out, but it's incredibly goofy and I actually laughed in the theater when it happened because it was so ridiculous. This, for me, may have been the biggest buzz kill. The lack of creativity.
Clown in a Cornfield is likely to make genre fans who eat this stuff up like corn syrup overloaded candy, but for anyone looking for something more than an average slasher, this will be a let down. It's not bad, just mostly average.
What made Adam Ceasare's book so great was that we really got to know the characters, and had long enough in the terrifying situations to really soak them in. The movie, on the other hand, feels like it flies by. It's fun, quick paced, and Quinn Maybrook is still an undeniably fun character. I loved the humor injected throughout, and every kill is great. I just wish the movie was perhaps 20 minutes longer so that we could really feel the horror elements. Ultimately it feels like they rush by the scary parts and overemphasize the message of the movie.
There's also a huge change from the book in how and why the final attack occurs, and I am not a big fan of the change.
There's also a huge change from the book in how and why the final attack occurs, and I am not a big fan of the change.
Le saviez-vous
- AnecdotesMajor score for IFC on their biggest opening weekened recorded with a 3.6 million gross
- GaffesA bow saw can't cut off a head.
- ConnexionsReferenced in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Bandes originalesWhat Do I Owe
Written by Michael John Barnicle and Mark De Rosa
Performed by Dummy
Courtesy of Pravda Records
By arrangement with Groove Garden
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- How long is Clown in a Cornfield?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 251 799 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 648 991 $US
- 11 mai 2025
- Montant brut mondial
- 10 720 980 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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