Godzilla Minus One

Alright. I knew nothing about this movie before I went into it. I'm a Godzilla fan but haven't really enjoyed the Western version of Godzilla movies beyond watching them as eye candy/cheap-thrill/forget-as-you-leave-cinema/switch-off-brain type movies.

Very rarely do we see GOOD movies that actually have a good plot and a storyline that sticks to quality script writing, screenplay and keeps you engaged for all the right reasons Vs Throwing a bunch of explosions, music and constant "something happening" to make up for lack of quality filmmaking.

Godzilla minus one... Is just a good movie. Japanese cinema slows things down and focuses on the quality of what's happening in the moment, in every moment. I was drawn to every part of the film and the story was about the humans with Godzilla in it, not about Godzilla.

I don't even know what to say. I don't want to say much. Don't go into it thinking "this is Godzilla a highly rated film".

Just go in, sit down and enjoy the ride.

I often watch low budget movies because the focus is on the story and not having a lot of pointless fillers to flesh out the movie.

This film does exactly that in a way that stays with you and leaves you thinking about the movie for days after you've watched it.

Highly recommended :)

From the opening to the ending, I was enthralled by the whole movie. It kept everything that I loved about Godzilla, and was able to make an extremely interesting backstory with the human characters. There was a lot of things that was addressed in this movie that I had never seen before.there was so many things that people will pick apart, but that's upon reflection. I had no criticisms or a reason to dislike this movie the whole time I watched it. So, in that respect, I will give it a perfect score. And I don't go slinging those out just every review. As a Godzilla fan, this was perfection to me.

Without spoiling anything, this movie hit different from any other. It felt much more serious and quite a bit darker at times. The movie was amazing, the effects were great. I never thought I'd see a Godzilla movie where people were crying in the theater. It was quite the experience. Godzilla was truly an unstoppable force in this movie, whenever Godzilla would show up it was hard to feel anything but futility. Even in the rare event that Godzilla was injured he was only slowed down. This version of Godzilla might be more evil than Shin Godzilla though his motives are hard to understand where shin Godzilla it became apparent.

Godzilla Minus One is an amazing spectacle on a retelling of a classic Kaiju movie from the prospective of a post-war Japanese veteran who leaves one horror for the next while making an arrangement of "friends and family" along the way. The story was so compelling that it didn't feel like two hours past and I was craving for more. The classic Godzilla sounds design, masterful cinematography, along with the original score from Akira Ifukube made this movie an absolute masterpiece on storytelling! The visuals of the Godzilla update made him more memorable and menacing for the citizens of a distraught Tokyo. Highly recommended!

This is an enjoyable film to watch, and if you're on the tail end of its theater run or considering if it's worth streaming, the short answer is it's worth seeing. I do feel like among certain fan circles the movie is slightly 'overhyped' but that doesn't make the movie bad, it is in fact quite good. I think the exploration of the main character's relationship with kamikaze piloting, and in turn both Japan's historical understanding of that phenomenon as well as the West's, is actually still more poignant and worth exploring than perhaps we might be inclined to give it credit for. It's hard to overstate how culturally significant the kamikaze pilots were during and in the immediate aftermath of World War 2; although we had Oppenheimer to remind us of the cultural impact of the bomb, for soldiers that lived during World War 2, it was the stories of the kamikaze pilots that left a huge impact, even for people not in the Pacific theater. Likewise, Japan has long struggled to articulate its historical relationship to kamikaze pilots, with the memorial there being a kind of hot-button issue for multiple decades now. This film perhaps doesn't offer a searing insight, but rather a kind of wishful alternate path to how Japan and the west feels about kamikaze pilots. I think what's particularly remarkable about this film, frankly, is the way it pushes against the grain--a lot of Japanese cinema, especially that designed for view by western audiences, tends toward a construction of victimhood due to the bomb. This film tries to grapple with the echoes of imperial desire both immediately after the war and, perhaps, now.

Honestly, come for the big cool depiction of Godzilla, but leave with a reflection of Japan's relationship to World War 2.