Lal Salaam
- 2024
- 2h 30min
NOTE IMDb
4,5/10
1,5 k
MA NOTE
Un citadin téméraire tente de se racheter une conduite de voyou et finit par se ressusciter, prouvant ainsi qu'il est digne du monde, aux yeux de ceux-là mêmes qui l'ont chassé.Un citadin téméraire tente de se racheter une conduite de voyou et finit par se ressusciter, prouvant ainsi qu'il est digne du monde, aux yeux de ceux-là mêmes qui l'ont chassé.Un citadin téméraire tente de se racheter une conduite de voyou et finit par se ressusciter, prouvant ainsi qu'il est digne du monde, aux yeux de ceux-là mêmes qui l'ont chassé.
- Réalisation
- Scénario
- Casting principal
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The Plot
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Thirunavukarasu (Thiru) and Shamsuddin, two talented cricket players from Murrabad, a village where Muslims and Hindus coexist with each other, are central to the story. Under the pretense of a cricket match, local politicians take advantage of Thiru and Shamsuddin's animosity in order to spark communal unrest ahead of the next elections. During the match, Thiru hurts Shamsuddin's right hand out of rage, which leads to a major confrontation between the Muslims and Hindus of Murrabad. The plot unfolds as they navigate this communal conflict.
The Review -------------------------
If this film does become super hit, which I somehow feel it will, it will be purely because of Rajinikanth. I am confused though, can you call this a special appearance if Rajinikanth is in the majority of movie? The only time he is not there is in the middle few scenes but he is present mostly throughout the film. In any case, he is the saving grace of this film. We all know why he's in this film, his daughter is the director, but his presence elevates the film to a whole another level. He provides emotion to scenes that if he wasn't in it, would have turned out to be dull and exhausting. He provides energy to the film and I applaud him for that. I also liked the execution of the film's politics.
Vishnu Vishal and Vikranth provides decent enough performances. They gave what was required of their characters. The supporting cast did a fine job as well. However, I did feel that there were some unnecessary characters in the film, with the most noticeable being Vishnu Vishal's love interest Nandhini, played by Ananthika Sanilkumar. Even the antagonists were executed poorly and are very forgettable. Kapil Dev also has a cameo appearance in this film but he adds nothing of value to the story.
The soundtrack is fine individually but doesn't have the emotional impact when woven in as part of the narrative. It's good to listen to on YouTube but as a narrative device, it's passable. Pravin Baaskar's editing and Vishnu Rangasamy's cinematography are nothing to write home about and both lacks style.
There are logical flaws in the films as well. For example: Thiru hurts Shamsuddin's right hand out of rage, which leads to a major confrontation between the Muslims and Hindus of Murrabad. As a result, Shamsuddin's right hand needs to be amputated. This guy, around one or two nights after the surgery, ties a noose around a fan in an attempt to delete himself. How did he tie the noose with one hand in such a short time without anybody noticing? If another guy tied it, why was he not punished in the movie and if he was, why was it not shown?
Despite all of it, I strongly feel that the biggest issue with the movie is the screenplay writer and director herself, Aishwarya Rajinikanth. She doesn't add anything new to distinguish this movie from the rest as the film's primary focus on religious unrest and the Hindu-Muslim divide have already been done in older films. She could have, at the bare minimum, provided a more nuanced way of resolving the conflict instead of the one we got which felt more like a piece of convenient writing. Her direction is also mediocre as the pacing in this movie is very lethargic. There are scenes in the first half that drags on long after it's served its purpose resulting in a motionless story. Most of the second half was boring as the movie failed to provide an effective emotional connection to the situation.
In the end, if you haven't already watched this movie in theater, then I recommend waiting for the OTT release and skip the theater. This is a one time watch just for Vishnu Vishal and Rajinikanth.
That's my opinion on Lal Salaam.
Thirunavukarasu (Thiru) and Shamsuddin, two talented cricket players from Murrabad, a village where Muslims and Hindus coexist with each other, are central to the story. Under the pretense of a cricket match, local politicians take advantage of Thiru and Shamsuddin's animosity in order to spark communal unrest ahead of the next elections. During the match, Thiru hurts Shamsuddin's right hand out of rage, which leads to a major confrontation between the Muslims and Hindus of Murrabad. The plot unfolds as they navigate this communal conflict.
The Review -------------------------
If this film does become super hit, which I somehow feel it will, it will be purely because of Rajinikanth. I am confused though, can you call this a special appearance if Rajinikanth is in the majority of movie? The only time he is not there is in the middle few scenes but he is present mostly throughout the film. In any case, he is the saving grace of this film. We all know why he's in this film, his daughter is the director, but his presence elevates the film to a whole another level. He provides emotion to scenes that if he wasn't in it, would have turned out to be dull and exhausting. He provides energy to the film and I applaud him for that. I also liked the execution of the film's politics.
Vishnu Vishal and Vikranth provides decent enough performances. They gave what was required of their characters. The supporting cast did a fine job as well. However, I did feel that there were some unnecessary characters in the film, with the most noticeable being Vishnu Vishal's love interest Nandhini, played by Ananthika Sanilkumar. Even the antagonists were executed poorly and are very forgettable. Kapil Dev also has a cameo appearance in this film but he adds nothing of value to the story.
The soundtrack is fine individually but doesn't have the emotional impact when woven in as part of the narrative. It's good to listen to on YouTube but as a narrative device, it's passable. Pravin Baaskar's editing and Vishnu Rangasamy's cinematography are nothing to write home about and both lacks style.
There are logical flaws in the films as well. For example: Thiru hurts Shamsuddin's right hand out of rage, which leads to a major confrontation between the Muslims and Hindus of Murrabad. As a result, Shamsuddin's right hand needs to be amputated. This guy, around one or two nights after the surgery, ties a noose around a fan in an attempt to delete himself. How did he tie the noose with one hand in such a short time without anybody noticing? If another guy tied it, why was he not punished in the movie and if he was, why was it not shown?
Despite all of it, I strongly feel that the biggest issue with the movie is the screenplay writer and director herself, Aishwarya Rajinikanth. She doesn't add anything new to distinguish this movie from the rest as the film's primary focus on religious unrest and the Hindu-Muslim divide have already been done in older films. She could have, at the bare minimum, provided a more nuanced way of resolving the conflict instead of the one we got which felt more like a piece of convenient writing. Her direction is also mediocre as the pacing in this movie is very lethargic. There are scenes in the first half that drags on long after it's served its purpose resulting in a motionless story. Most of the second half was boring as the movie failed to provide an effective emotional connection to the situation.
In the end, if you haven't already watched this movie in theater, then I recommend waiting for the OTT release and skip the theater. This is a one time watch just for Vishnu Vishal and Rajinikanth.
That's my opinion on Lal Salaam.
She wastes her dad's money and his legacy thinking of doing something to compete with Dhanush. And we will tell you what your father said.. A crow cannot become an eagle.
52 knife in the waist of a woman who does not know how to cut.
52 knife in the waist of a woman who does not know how to cut.
She wastes her dad's money and his legacy thinking of doing something to compete with Dhanush. And we will tell you what your father said.. A crow cannot become an eagle.
She wastes her dad's money and his legacy thinking of doing something to compete with Dhanush. And we will tell you what your father said.. A crow cannot become an eagle.
52 knife in the waist of a woman who does not know how to cut.
52 knife in the waist of a woman who does not know how to cut.
She wastes her dad's money and his legacy thinking of doing something to compete with Dhanush. And we will tell you what your father said.. A crow cannot become an eagle.
She wastes her dad's money and his legacy thinking of doing something to compete with Dhanush. And we will tell you what your father said.. A crow cannot become an eagle.
I went into Lal Salaam with high hopes, but the film left me deeply disappointed. While the premise had potential, the execution lacked depth and coherence. The storyline felt disjointed, and the characters failed to make any meaningful impact.
The pacing was uneven, with many scenes dragging unnecessarily, making the film feel much longer than it needed to be. The dialogues, instead of being impactful, came across as bland and uninspired. Even the performances by the lead cast, who are usually dependable, seemed half-hearted and lacked conviction.
Technically, the film had some good visuals and decent music, but they couldn't save the experience from feeling hollow. It's a shame because the themes the movie aimed to explore deserved far better treatment.
Unfortunately, Lal Salaam ends up being an unmemorable and tedious watch. It's hard to recommend this one.
The pacing was uneven, with many scenes dragging unnecessarily, making the film feel much longer than it needed to be. The dialogues, instead of being impactful, came across as bland and uninspired. Even the performances by the lead cast, who are usually dependable, seemed half-hearted and lacked conviction.
Technically, the film had some good visuals and decent music, but they couldn't save the experience from feeling hollow. It's a shame because the themes the movie aimed to explore deserved far better treatment.
Unfortunately, Lal Salaam ends up being an unmemorable and tedious watch. It's hard to recommend this one.
Whenever a director has to use voiceover to move the plot forward, it's a sign of poor storytelling. In this movie the director uses voice over to tell us what is happening on screen. Unnecessary symbolism sprinkled in to make it seem like an art film, but it needs a more talented story teller to pull it off. The non-linear story telling doesn't have any suspense either as there are barely any stakes.
Vishnu Vishal and Vikrant are completely wasted. The supporting cast is forgettable. Even Rajinikanth seems to be phoning his performance in.
People who've seen this will have more appreciation for Darbar and Jailer. This movie isn't even worth watching on OTT.
Vishnu Vishal and Vikrant are completely wasted. The supporting cast is forgettable. Even Rajinikanth seems to be phoning his performance in.
People who've seen this will have more appreciation for Darbar and Jailer. This movie isn't even worth watching on OTT.
As I've titled 'why so much hatred' for a film which denounces Hatred..? A movie which conveys religious harmony with no vulgarity excess bloodshed item songs seems like doesn't connect with nowadays audience i suppose....! Yes certainly flaws are there but most of the reviews are personal & flawed....!! Anyways it was a good watch on ott.. An extended cameo for rajnikanth who looked every part of the role appropriate..!! A movie which showcases both the religions finer sides...!!! One thing that was irritating was that every scene had either a BGM or a song playing in the background i mean literally every scene which i felt little heavy on the ears...!! Coz the unwanted music was eating into the seriousness of the scene which means most of the scenes ends up making no impact..!! Anyways a nice attempt by the director to convey a message which seems to be the NEED OF THE HOUR.
Le saviez-vous
- Versions alternativesThe UK release was cut, the distributor chose to make cuts to a sequence of strong violence in order to obtain a 12A classification. An uncut 15 classification was available.
- Bandes originalesJa Se Jalsa (Hindi)
Lyrics by Raqueeb Alam
Music by A.R. Rahman
Performed by Shankar Mahadevan, Santhosh Hariharan, A.R. Reihana & Deepthi Suresh
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- How long is Lal Salaam?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 249 095 $US
- Durée2 heures 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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