The Uninvited

Beautifully written and acted. Every detail is perfect. Truly amazing performances by every actor. Lois Smith gives an Academy award worthy performance and steals the show. Walter Goggins is uncomfortable and anxious and funny and lovable all at the same time. This is one of the best performances I've seen from Pedro Pascal. I love him in everything, but this role felt so natural for him. I felt every moment of Elizabeth Reaser's pain annd moments of joy. All of the characters are complex and intriguing. The story has many surprises in what appears to be a straightforward movie about a party. I cried and laughed and wished it was longer. We are not.

This film was not what I was expecting. I walked into a comedy and left with my heart in a thousand pieces. Not many films have moved me to tears on that many levels - it was a balanced exchange of wit and woe. Despite being set in the Hollywood Hills, the tensions and conflicts, especially around identify and relationships will resonate deeply with many.

The nuances in the storytelling leave you with a lot to unpack and it's one of those films you could see multiple times and still find something new and revealing about the characters. Elizabeth Reaser (Rose) and Lois Smith (Helen) are brillant in bringing to life two women with shared experiences of loss and of being lost.

It will stay with me for a while this one.

I watched The Uninvited. At the Odeon last night and was genuinely moved by it. The film had the emotional depth and intimacy of a stage play - relatable, at times uncomfortably so, yet also beautiful, thought-provoking, funny and emotionally rich .

The performances were strong across the board, pulling me into the story completely. I laughed, I cried - it was one of those rare films that stays with you long after the credits roll.

I especially appreciated the visual effect and setting of the scenes with the orange tree - beautifully done, both symbolically and cinematically. They added a sense of quiet magic to the film that balanced its heavier themes.

A good production and a truly moving piece. I'd absolutely recommend it - and would gladly watch it again.

Rose" (Elizabeth Reaser) is married to talent agent "Sammy" (Walton Goggins) and they are preparing for a make-or-break party at their home one evening when the sound of a repetitious car horn sends her out to investigate. That's when she meets "Helen" (Lois Smith). She's an elderly lady convinced that she lives in their house, and when "Rose" takes her in whilst trying to summon some help her presence seems to galvanise her family and their guests into a series of revealingly uninteresting and cocaine-induced home truths that drags the whole thing into the doldrums of a melodrama populated by some seriously mediocre actors adequately reflected by the presence of Rufus Sewell! Actually, any scene stealing probably just belongs to a toilet doorknob, to Smith and to an enthusiastic effort from Roland Rubio as their son "Wilder". Otherwise it's really just a collection of who cares people that engender very little interest in their self-induced and/or self-serving problems. Stereotypes galore, sorry!

I really enjoyed this sensitive intelligent film with its insightful script of adults trying to understand themselves and their complicated lives. Set in a beautiful Hollywood Hills home the characters are complex as they struggle with how to treat each other and their own vulnerabilities. An elderly stranger arrives whose wisdom slowly unfolds as the well acted party guests gradually reveal their truer selves. All of the actors are excellent in their roles. Walton Goggins and Pedro Pascal are interesting as their divergent characters. The setting and scenes all take place at the home and could be a superb Broadway play as well.