Sept hommes armés du vieil ouest se réunissent pour aider un village pauvre contre des voleurs sauvages.Sept hommes armés du vieil ouest se réunissent pour aider un village pauvre contre des voleurs sauvages.Sept hommes armés du vieil ouest se réunissent pour aider un village pauvre contre des voleurs sauvages.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 12 nominations au total
Avis à la une
You sit down, ready for an old-school, sweat-soaked, gunpowder-packed western, and instead, you're greeted with a team of mercenaries that looks more like the cast of Fortnite than the Wild West. Denzel Washington as a Black cowboy hired by an entire town without a single racist redneck raising an eyebrow, a perfectly diverse set of characters, and even an Indigenous warrior who's not a walking stereotype. At this point, it's less of a western and more like an illustrated brochure from the UN.
Don't get me wrong, I'm all for representation, but these historical inaccuracies hurt. These are characters who, historically, would probably be at each other's throats. Instead, they're cooperating like it's a special Dora the Explorer western edition. A bit of casual racism is thrown at a few Asian characters to tick a box, but otherwise, everything's running as smoothly as a community picnic. The historical realism here has about the same credibility as Greta Thunberg giving a keynote speech at an oil industry convention.
Luckily, the cast itself is rock solid. Denzel Washington? Still the king. The man could play a scarecrow and radiate charisma. Chris Pratt does his usual jokester routine, and surprisingly, it works. Vincent D'Onofrio plays a gruff giant with a smoker's rasp that'll make you crave straight whiskey. Honestly, the actors carry the film, and they don't disappoint.
The plot? Simple: bad guys show up, terrorize the town, and our seven mercenaries come in to light them up. It's a basic premise, and that's okay. Antoine Fuqua isn't trying to reinvent the wheel, and that's actually refreshing. Sometimes a western just needs guns, horses, and a final standoff to work. The structure is classic: gather the team, prepare for battle, and end with a grand, chaotic shootout. It's clean, efficient, and it smells of gunpowder.
Let's be honest: no one came to this movie looking for a deep narrative or Oscar-winning writing. We wanted epic gunfights, burning saloons, and bad guys dropping like bowling pins. And on that front, the film delivers. The final showdown is a beautifully orchestrated mess of whistling bullets, galloping horses, and bodies hitting the dirt like a Red Dead Redemption heist gone horribly wrong.
The Magnificent Seven is like a big, greasy hamburger: it doesn't innovate, but it satisfies your craving for action. Don't go searching for moral depth or a profound lesson. If you want a modern western that sticks to the basics and entertains, you're good to go. But if you're a John Wayne purist, be prepared to grit your teeth.
Don't get me wrong, I'm all for representation, but these historical inaccuracies hurt. These are characters who, historically, would probably be at each other's throats. Instead, they're cooperating like it's a special Dora the Explorer western edition. A bit of casual racism is thrown at a few Asian characters to tick a box, but otherwise, everything's running as smoothly as a community picnic. The historical realism here has about the same credibility as Greta Thunberg giving a keynote speech at an oil industry convention.
Luckily, the cast itself is rock solid. Denzel Washington? Still the king. The man could play a scarecrow and radiate charisma. Chris Pratt does his usual jokester routine, and surprisingly, it works. Vincent D'Onofrio plays a gruff giant with a smoker's rasp that'll make you crave straight whiskey. Honestly, the actors carry the film, and they don't disappoint.
The plot? Simple: bad guys show up, terrorize the town, and our seven mercenaries come in to light them up. It's a basic premise, and that's okay. Antoine Fuqua isn't trying to reinvent the wheel, and that's actually refreshing. Sometimes a western just needs guns, horses, and a final standoff to work. The structure is classic: gather the team, prepare for battle, and end with a grand, chaotic shootout. It's clean, efficient, and it smells of gunpowder.
Let's be honest: no one came to this movie looking for a deep narrative or Oscar-winning writing. We wanted epic gunfights, burning saloons, and bad guys dropping like bowling pins. And on that front, the film delivers. The final showdown is a beautifully orchestrated mess of whistling bullets, galloping horses, and bodies hitting the dirt like a Red Dead Redemption heist gone horribly wrong.
The Magnificent Seven is like a big, greasy hamburger: it doesn't innovate, but it satisfies your craving for action. Don't go searching for moral depth or a profound lesson. If you want a modern western that sticks to the basics and entertains, you're good to go. But if you're a John Wayne purist, be prepared to grit your teeth.
My only critique is with the Emma character. She's supposedly a pioneering woman...tough no-nonsense. But her dress says otherwise. Off the shoulder, low cut? Not the reality of the day at that time. If y'all wanted sexy keep it authentic...not contrived out of Hollywood!
Yet another remake
but the trailers for this one were at least encouraging, especially with Denzel Washington playing the lead.
I have vague memories of seeing the original The Magnificent Seven, (which is in itself a re-imagining of Seven Samurai), and I seem to remember liking it. I think 56 years is long enough of a gap to justify a remake, so I'll give them a pass on this one (although you could argue that 1980's Battle Beyond the Stars was another Seven Samurai remake). So what was it like?
Each character was steadily added to the team, they had a bonding/preparing the town montage, the bad guys showed up, they shot each other a lot, characters were killed, the film ended. Pretty much what I was expecting, and that's fine.
Personally, I love Westerns (The Good, the Bad, and the Ugly is one of my favourite films ever), so for me this formula really worked. Is it going to win any awards? Probably not, but the performances were good (although it might be hard to argue that Chris Pratt was acting anything other than himself, which again, is fine), it looked good, and most importantly, I was entertained.
(From my blog site: whingewood.wordpress.com)
I have vague memories of seeing the original The Magnificent Seven, (which is in itself a re-imagining of Seven Samurai), and I seem to remember liking it. I think 56 years is long enough of a gap to justify a remake, so I'll give them a pass on this one (although you could argue that 1980's Battle Beyond the Stars was another Seven Samurai remake). So what was it like?
Each character was steadily added to the team, they had a bonding/preparing the town montage, the bad guys showed up, they shot each other a lot, characters were killed, the film ended. Pretty much what I was expecting, and that's fine.
Personally, I love Westerns (The Good, the Bad, and the Ugly is one of my favourite films ever), so for me this formula really worked. Is it going to win any awards? Probably not, but the performances were good (although it might be hard to argue that Chris Pratt was acting anything other than himself, which again, is fine), it looked good, and most importantly, I was entertained.
(From my blog site: whingewood.wordpress.com)
A remake of a great film that is a remake of an even greater film (Akira Kurosawa's 'Seven Samurai'), there are worse remakes out there than 2016's 'The Magnificent Seven'. Primarily 'Psycho', 'The Wicker Man', 'Rollerball', 'Ghostbusters' and 'Stepford Wives'.
'The Magnificent Seven' has its strengths but fails to live up to its title and one does question the point of it. It is well made visually, with an atmospherically gritty look and an evocative setting. Some of the action excites and the direction has a dark grit that is typical of Antoine Fuqua. While it is nowhere near as unforgettable or as iconic as one of film's all time great scores, James Horner's score here is demonstrative of what a great talent he was and how his tragic far too early death is still a sad loss.
Casting is very variable, some of the acting is very good, some of it doesn't work. The best performances come from Denzel Washington, charismatic as ever, Ethan Hawke excelling in an atypical role and Haley Bennett mixing toughness and vulnerability adeptly. The most interesting character relationship is between Washington and Hawke and gives the film the few glimpses of realism and substance. Lee Byung-hun is also good fun.
Others don't fare so well, not helped by that most of the characters are not that interesting and sketchily developed. Didn't think either Chris Pratt or Vincent D'Onofrio, both decent and more in other things, fitted particularly well, Pratt especially jarred and his humorous lines lack wit and don't gel. Faring the worst is Peter Sarsgaard, who just isn't sinister or intense enough, even in a severely underwritten role he looks like he's sleepwalking.
While there's a lot of blood and violence, there is little soul or heart underneath and some of it is gratuitous. The dialogue is awkward, particularly the humour which falls flat and often feels misplaced. The story suffers from an overlong length, a sluggish pace, a lack of tension or suspense and heavy-handed and pointless political elements. Won't carp about the political correctness like some have but it doesn't add anything. The illogical and anaemic ending underwhelms drastically as well.
In summary, has its strengths but not so magnificent and one does question the point of it. 5/10 Bethany Cox
'The Magnificent Seven' has its strengths but fails to live up to its title and one does question the point of it. It is well made visually, with an atmospherically gritty look and an evocative setting. Some of the action excites and the direction has a dark grit that is typical of Antoine Fuqua. While it is nowhere near as unforgettable or as iconic as one of film's all time great scores, James Horner's score here is demonstrative of what a great talent he was and how his tragic far too early death is still a sad loss.
Casting is very variable, some of the acting is very good, some of it doesn't work. The best performances come from Denzel Washington, charismatic as ever, Ethan Hawke excelling in an atypical role and Haley Bennett mixing toughness and vulnerability adeptly. The most interesting character relationship is between Washington and Hawke and gives the film the few glimpses of realism and substance. Lee Byung-hun is also good fun.
Others don't fare so well, not helped by that most of the characters are not that interesting and sketchily developed. Didn't think either Chris Pratt or Vincent D'Onofrio, both decent and more in other things, fitted particularly well, Pratt especially jarred and his humorous lines lack wit and don't gel. Faring the worst is Peter Sarsgaard, who just isn't sinister or intense enough, even in a severely underwritten role he looks like he's sleepwalking.
While there's a lot of blood and violence, there is little soul or heart underneath and some of it is gratuitous. The dialogue is awkward, particularly the humour which falls flat and often feels misplaced. The story suffers from an overlong length, a sluggish pace, a lack of tension or suspense and heavy-handed and pointless political elements. Won't carp about the political correctness like some have but it doesn't add anything. The illogical and anaemic ending underwhelms drastically as well.
In summary, has its strengths but not so magnificent and one does question the point of it. 5/10 Bethany Cox
Most of the bad reviews are coze its been compared to the original one. But if u forget about it and lay back, its a good movie with great acting. My favorite is always Ethan Hawke. Of course whats missing is some really good music but hey, we heard worse, right
Le saviez-vous
- AnecdotesAccording to director Antoine Fuqua, Martin Sensmeier was cast as Red Harvest because he auditioned with luxuriant, almost knee-length hair. Sensmeier wasn't told his hair was a selling point, and he cut his hair soon after. Fuqua was upset, then got the idea for Sensmeier to have his hair cut into a Mohawk.
- GaffesDespite hundreds of shots and explosions, only men's bodies are on the ground, no dead or wounded horses.
- Citations
Sam Chisolm: What we lost in the fire, we found in the ashes.
- Crédits fousPart of the closing credits are a montage of the Magnificent Seven and their actor credits, which ends with a big red seven that contains the faces of the seven. The theme from Les 7 mercenaires (1960) plays over this montage.
- ConnexionsFeatured in Double Toasted: THE MAGNIFICENT SEVEN 2016 MOVIE REVIEW (2016)
- Bandes originalesTheme from The Magnificent Seven
Written by Elmer Bernstein
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Los siete magníficos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 93 432 655 $US
- Week-end de sortie aux États-Unis et au Canada
- 34 703 397 $US
- 25 sept. 2016
- Montant brut mondial
- 162 360 695 $US
- Durée
- 2h 12min(132 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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