Je verrai toujours vos visages
- 2023
- Tous publics
- 1h 58min
NOTE IMDb
7,5/10
4,5 k
MA NOTE
En France, la justice réparatrice a permis aux victimes et aux auteurs de délits de dialoguer dans le contexte de systèmes sécurisés, encadrés par des professionnels et des volontaires.En France, la justice réparatrice a permis aux victimes et aux auteurs de délits de dialoguer dans le contexte de systèmes sécurisés, encadrés par des professionnels et des volontaires.En France, la justice réparatrice a permis aux victimes et aux auteurs de délits de dialoguer dans le contexte de systèmes sécurisés, encadrés par des professionnels et des volontaires.
- Récompenses
- 1 victoire et 9 nominations au total
Suliane Brahim
- Fanny
- (as Suliane Brahim de la Comédie Française)
Denis Podalydès
- Paul
- (as Denis Podalydès de la Comédie Française)
Avis à la une
I have a Bachelors in Arts in Criminology. And a double in Psychology. Not many people know this about me, because, frankly, I am embarrassed because I do not use it at all in my life. I feel like I wasted my 4 years in college and have basically no career; doing basically nothing; what could have been done with a high school diploma.
But I digress.
I only confessed it now to give some validity to my next statement, which is that this restorative program between offenders and victims needs to be a real thing. And not only in France. World wide. My studies and own personal research tells me that this is real. It works more often than it does not- maybe not in the ways people want it to, but it is real progress. Kudos to the filmmakers for such an insightful premise, and to the actors and actresses for some damn fine performances all around. Bravo!
But I digress.
I only confessed it now to give some validity to my next statement, which is that this restorative program between offenders and victims needs to be a real thing. And not only in France. World wide. My studies and own personal research tells me that this is real. It works more often than it does not- maybe not in the ways people want it to, but it is real progress. Kudos to the filmmakers for such an insightful premise, and to the actors and actresses for some damn fine performances all around. Bravo!
10kosmasp
No pun intended - why do people do the things they do? Don't they realize their actions have consequences? Quite big ones to the people they are doing them to ... too. This pits victims and perpetrators together in a room ... and it can be explosive, but mostly informative ... what happens, how self reflective can they be and become? You'll have to watch to find out.
The acting is amazing to say the least. Considering that most of the movie plays in one room, the dynamic, the script and the dialog has to work ... and it does. You also have a family side story - with the same topic of sorts. But equally heavy ... if not heavier because emotions are way bigger with this one.
There are outbursts ... I did expect more, but it is ok, it is more about substance than about effect! And it works ... it may not be a solution for everyone - but it may be worth doing a program like that ... maybe it already exists. Really good movie ... with a somewhat hopeful message.
The acting is amazing to say the least. Considering that most of the movie plays in one room, the dynamic, the script and the dialog has to work ... and it does. You also have a family side story - with the same topic of sorts. But equally heavy ... if not heavier because emotions are way bigger with this one.
There are outbursts ... I did expect more, but it is ok, it is more about substance than about effect! And it works ... it may not be a solution for everyone - but it may be worth doing a program like that ... maybe it already exists. Really good movie ... with a somewhat hopeful message.
The topic is not the same, but the overall atmosphere and more or less scheme, kind of drama, reminded me TWELVE ANGRY MEN, a story which takes mostly place in one room - whithout being a trial - involving people, men and woman, victims and perpetrators, facing each other, and trying to talk, explaining, showing, confessing what they felt....it has never been done before and that makes it even more powerful, astounding. It is purely stunning. Terrific dialogues. However, I can understand that some audiences may be annoyed , because it is naive, unrealistic. That's a matter of taste, point of view, that depends of which angle you watch it. Something is wrong in the story lines, when a young hoodlums speaks of a home jacking where he and his pals took credit cards with the secret code to retrieve money from the cash machines. In France, with a credit card - stolen or not - you can retrieve ONLY 400 euros each week. So when this hoodlum says that one of his pals bought a new motorcycle with his share of the loot, that's not possible.... The hoodlums could only at best retrieve 400 euros. Because a few hours after the homejacking, the victimes have necessarily declared the robbery to their bank. 400 euros shared between three, that's doesn't allow anyone to buy a new motorcycle. No way. And the most unusual is that you have two different stories in this film: the group and Chloée character problems with her half brother. They never meet. Strange but why not.
Without a shadow of a doubt I am saying this is the best movie I've seen in 2023 and I've seen a lot. Also, this is the first one on restorative justice (a program that bonds criminals and victims in order for criminals to become aware of the harm they inflicted, feel remorse and change), and it was a real eye-opener. It both opened my eyes to see the fruit of this hard work done by amazing people, a lot of them being volunteers, who believe in this system; and made these eyes cry. It takes a lot of courage and perseverance to keep going and do this work that might seem totally impossible at the outset.
I am thanking all the people involved in making this film because we need to know that this exists, that this works, and that broken lives (both the victims' and the criminals') can be mended, and start anew. Bravo! Je verrai toujours vos visages.
I am thanking all the people involved in making this film because we need to know that this exists, that this works, and that broken lives (both the victims' and the criminals') can be mended, and start anew. Bravo! Je verrai toujours vos visages.
Authentic. It is the first word that comes to my mind after watching this French film. Victims and criminals meet in mediation with the aim of somehow coming to terms with painful experiences and moving on. So simple, but obviously very difficult.
The film is very good at conveying all the layers that exist in both the victims and the aggressors. It feels like a mixture of documentary and drama, but above all this film is insightful and strong in its narrative. In any case, what is striking is how important communication is. To meet, to tell, to look each other in the eye. Bearing in mind that 80 percent of offenders in prison commit new crimes (a fact in my home country), the film shows another and important angle of focus on changing behaviour. For the victims, this form of mediation means a high price, re-traumatisation and an experience of losing the little control they at least feel they have. But the way also gives them hope for change.
The film does not give any conclusion as to whether this is the right way to focus on crime, but it at least tells us that there are opportunities to move forward.
Very good character actors provide an intensity and nerve that is often missing in films today. Without them, this film's message would not have been as powerful as it is here.
The film has many strong moments, and you will certainly not sit back unmoved after watching it.
The film is very good at conveying all the layers that exist in both the victims and the aggressors. It feels like a mixture of documentary and drama, but above all this film is insightful and strong in its narrative. In any case, what is striking is how important communication is. To meet, to tell, to look each other in the eye. Bearing in mind that 80 percent of offenders in prison commit new crimes (a fact in my home country), the film shows another and important angle of focus on changing behaviour. For the victims, this form of mediation means a high price, re-traumatisation and an experience of losing the little control they at least feel they have. But the way also gives them hope for change.
The film does not give any conclusion as to whether this is the right way to focus on crime, but it at least tells us that there are opportunities to move forward.
Very good character actors provide an intensity and nerve that is often missing in films today. Without them, this film's message would not have been as powerful as it is here.
The film has many strong moments, and you will certainly not sit back unmoved after watching it.
Le saviez-vous
- AnecdotesTo research the subject, writer/director Jeanne Herry couldn't take part in actual meetings of restorative justice, given that they are supposed to be a safe place, and nothing that is said there is meant to be told elsewhere. So instead, she went through three formations, which she felt were very insightful: the one which Fanny and Michel go through in the movie, the one to be a mediator, like Judith in the movie, and one in Québec via Zoom.
- ConnexionsReferences 12 Hommes en colère (1957)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Las dos caras de la justicia
- Lieux de tournage
- Place des Prêcheurs, Aix-en-Provence, Bouches-du-Rhône, France(Chloé's apartment)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 9 065 011 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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