Pretty Baby: Brooke Shields

Pretty Baby, the documentary about one of the 20th's century's most iconic faces, proves her beauty runs deep. In the late seventies, we were bombarded with her image of flawless beauty but as she matured we got to see something deeper about her humanity which is well captured in this film. Despite some situations which would have been legally prosecuted today, Brooke seems to accept it all as part of what makes her today. Had no idea who messed up her mother relationship was. It is a miracle she came out sane. Her path to self-discovery is something all young people can understand, but she was able to take the public's glaring and critical eye and say "That's all fine, but this is me." I saw her in a stage show of The Exorcist years ago and said "She really nailed it." It was quite an intense role and she owned it. I've always liked her and now I know better why.

Very insightful although parts were hard to watch. I am writing this review only to speak of the documentaries glaring problem. Some of the people speaking for Brooke were very adamant to soley blame men for her sexual exploitation and yes men should not be casting children in such provocative roles *but* the root of Brookes exploitation was primarily caused by her mother. Jobs aren't forced and the mother accepted these inappropriate jobs for her daughter. This is mostly glossed over and instead her actions are excused by harping on the fact that her mother was the "victim of a hard life", I would have liked the documentary much more if these speakers were not in it as their opinions are irresponsible and hurt feminism.

Brooke Shields was a stranger in her own life...a life she lived for her mother, then subsequently for Agassi. It's clear her mother peddled her in ways that are objectionable and damaging to a young woman's core self. This explains why I have always seen an nearly imperceptible look of panic in Shields' eyes. Look, you will see it. This documentary is eye opening as it exposes the way Brooke was offered up as a youth sex symbol by uncaring and greedy movie producers who birthed the 70's era of child sex symbols in film--something we are smart enough to reject today. But this bought fame and fortune to young Brooke while the price she paid was personality dissociation. She separated her instinct and feelings from her big celebrity ambitions--it was survival. Somehow, I'm not completely buying the victimization of her narrative, particularly when she defends her role in Pretty Baby to her daughters. Give it up, Brooke. Your mother made you do things that you would never ask your daughters to do.

The industry devours the willing for a pot of gold, even when that will is fabricated. The good part is that Shields has survived her wounds and has self-actualized. That's always a good ending.

Its hard to give this any less than a 10 - for Brooke's willingness to share her story with the world - knowing a lot of people are going to have a lot to say.

The challenge comes when things are reviewed in retrospect. The media industry allowed and encouraged the distribution of Blue Lagoon and Pretty Baby and the success of those films encouraged the genre to grow more. Even Roman Polanski remains a celebrated director in spite of his pleading guilty to terrible crimes again minors.

This is a tough one to gauge - the Kardashian's aren't far off from the reality here and they are thriving.

The good news in all of this is that Brooke's mother insisted Brooke stay in college - and Brooke admits that was a critical turning point in her own life - where she learned to be her own voice. If her mother was so obsessed with controlling her - I don't know if that encouragement would have happened.

I wonder what her mother would say now - looking back on the explicit sexuality of Brooke's earlier films. As a young teenager, Blue Lagoon was one of my favorite films but watching those film selects now - as an adult - I am completely horrified.

All the best to Brooke - she seems like a strong and wonderful woman.

I am about 10 years older than Brooke and I remember her early movies and ads for Calvin Klein. I never saw Pretty Baby, Blue Lagoon or the Zeffirelli movie. I was creeped out by the kiddie-porn aspect back then and her mom-manager. I want to say as much as everyone hammered her mother's bad choices, her father's total emotional absence is given a pass by the world. I had respect for her when she went to Princeton and always seemed to handle herself well as an adult. I really enjoyed her clap back at Tom Cruise - as he spewed his cult nonsense. I really appreciated the first two episodes and will definitely see the rest of the series. She survived and kept herself together and that is an enormous accomplishment. The flow of the documentary is great. It addresses the systemic misogyny in our country with color and light which will allow us to look directly at it and give us the words to express it.