Queer
- 2024
- 12 avec avertissement
- 2h 17min
Lee, raconte sa vie au Mexique parmi les étudiants américains expatriés et les propriétaires de bars qui survivent grâce à des emplois à temps partiel.Lee, raconte sa vie au Mexique parmi les étudiants américains expatriés et les propriétaires de bars qui survivent grâce à des emplois à temps partiel.Lee, raconte sa vie au Mexique parmi les étudiants américains expatriés et les propriétaires de bars qui survivent grâce à des emplois à temps partiel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 60 nominations au total
Avis à la une
Queer
Based on a short story by William Burroughs this movie explored the dissolute life of middled aged William Lee, who spent his time frequenting the gay bars in downtown Mexico City. It really was a simple romantic movie that looked at an infatuation with innocence and a journey to recovery from drug addiction.
The story, such as it was was tissue thin, very little happened by way of action, and we had inserted numerous dream sequences and fantasy elements that reflected in an emotional turmoil.
Overall I can't recommend this movie. It was at best of 5 out of 10. I enjoyed it whilst I was watching it but it really had very little substance. Despite some very strong acting from the central leads much of the dialogue was banal and tedious.
Based on a short story by William Burroughs this movie explored the dissolute life of middled aged William Lee, who spent his time frequenting the gay bars in downtown Mexico City. It really was a simple romantic movie that looked at an infatuation with innocence and a journey to recovery from drug addiction.
The story, such as it was was tissue thin, very little happened by way of action, and we had inserted numerous dream sequences and fantasy elements that reflected in an emotional turmoil.
Overall I can't recommend this movie. It was at best of 5 out of 10. I enjoyed it whilst I was watching it but it really had very little substance. Despite some very strong acting from the central leads much of the dialogue was banal and tedious.
The main reason is that the film was too abstract and seemed like a stream of consciousness. The general meaning is to explore the loneliness in the queer heart, the difficulty in establishing connections with others, the pain of not being able to love, and the complex emotions of depression. But the performance technique is very stream-of-consciousness, especially the last 20 minutes, which have almost no lines and are completely used to express the inner world of the male protagonist through various blurs, hallucinations, and abstract art forms. Although I understood what the director wanted to express, the form of expression may not be acceptable to the public, and I wanted to leave the scene at one point.
I have never seen 'Naked Lunch' (1991) but I found myself frequently thinking of it during the 2024 London Film Festival screening of 'Queer': probably to be expected, as William S Burroughs provided the source material for both films.
In 1950s' México, William Lee, an American writer on the wrong side of... forty? Fifty? Spends his days getting drunk, shooting up and having casual sex with other men. One day muscular, smart young hunk Eugene walks into the bar and Lee is smitten. But what does Eugene himself want? Plus there is that telepathic drug to think about...
I am not sure what, stylistically, director Luca Guadagnino is trying to achieve with this film. The sets are decorated almost exclusively in block colours - dull reds and olive greens, for example - and have that vaguely unrealistic, clean, Technicolour look that made me think the intention is to homage the films of the era in which the film is set. But if that is the case, why the decidedly un-1950s rock- and techno soundtrack?
Daniel Craig (is it my imagination or is he beginning to look like Sid James?) is hamstrung in the lead role by constantly having to declaim nonsense speeches in an accent clearly not his own. Drew Starkey is able to give a subtler performance as the manipulative Eugene, and certainly looks the preppy part. Lesley Manville is unrecognisable as a doctor living in the South American jungle - well done to the make-up team!
This is the kind of film that strikes me as being more about arty style than storytelling substance. It was okay to see once, but I shall not be watching it again.
In 1950s' México, William Lee, an American writer on the wrong side of... forty? Fifty? Spends his days getting drunk, shooting up and having casual sex with other men. One day muscular, smart young hunk Eugene walks into the bar and Lee is smitten. But what does Eugene himself want? Plus there is that telepathic drug to think about...
I am not sure what, stylistically, director Luca Guadagnino is trying to achieve with this film. The sets are decorated almost exclusively in block colours - dull reds and olive greens, for example - and have that vaguely unrealistic, clean, Technicolour look that made me think the intention is to homage the films of the era in which the film is set. But if that is the case, why the decidedly un-1950s rock- and techno soundtrack?
Daniel Craig (is it my imagination or is he beginning to look like Sid James?) is hamstrung in the lead role by constantly having to declaim nonsense speeches in an accent clearly not his own. Drew Starkey is able to give a subtler performance as the manipulative Eugene, and certainly looks the preppy part. Lesley Manville is unrecognisable as a doctor living in the South American jungle - well done to the make-up team!
This is the kind of film that strikes me as being more about arty style than storytelling substance. It was okay to see once, but I shall not be watching it again.
I hadn't planned on seeing Queer in the movie theatre and was going to wait till it came to streaming but a friend wanted to see it so I went along. I'm actually glad that I did because it's a very interesting and beautiful film visually speaking. Like most Burroughs stories there will be characters involved in heavy drug use and so I was aware of that and kind of expecting much of the story to be told through a characters drug hazed/influenced/induced eyes. That can be tricky as much of the story is expressed via metaphors and odd/quirky/hard to decipher visuals. In Queer that all worked quite well and while I anticipated possibly leaving the theatre confused and wondering, I actually left satisfied. Trent Reznor produced all of the music and I think he did a bang-on job with most of the music really hitting the nail on the head for me emotionally. As for the performances, Craig turned in a very solid performance on a role that was a tricky one to pull off but I think he did indeed pull it off quite well. Jason Schwartzman was great and his character provided some much needed levity to this film. All of the remaining characters were all solid supporters and contributors. Guadagnino's direction was well executed and i will say seeing a few of his that he does have a special way of blending the camera, with the lighting, and the music so perfectly during the lighter and more tender moments of his films to really generate a vibe, yet without being too obvious soas to smother the moment. I do think the third part in the jungle could have benefitted from some prudent editing as I felt like it went on a bit too long, or maybe it didn't really need to take actually take place in a jungle at all? Something to consider. Queer is not an 'easy' film to watch and it will not be for everyone. Either way, I was pleasantly surprised by how effective, interesting, amd moving Queer was and consider it well worth checking out.
Daniel Craig did a good job in his role and the scenery/asthetic was pretty cool. Beautifully filmed, but you're always going to get that with a Luca film. It was quite off-putting by how slow and languid it was. Well-acted, well written, but just boring.
Synopsis: 1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Synopsis: 1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Le saviez-vous
- AnecdotesDaniel Craig was ultimately the one who convinced Luca Guadagnino to cast Drew Starkey after watching audition tapes with Guadagnino and telling him "That's the guy" after seeing Starkey's.
- GaffesOn the bar scene around minute 13-14 when William Lee (Daniel Craig) notices the centipede necklace, he lifts his glasses over his eyebrows with his left hand and hold it like that, on the follow up scene his glasses are correctly in place and his left hand not visible. The next scene when the man across from him touch William's leg, he is still holding the glasses above his eyebrows and then correctly puts it back in place.
- Citations
[via telepathy]
Eugene Allerton: I'm not queer. Lee... I'm not queer.
William Lee: I know.
Eugene Allerton: I'm disembodied.
- Crédits fousAlthough every effort has been made to identify and contact all intellectual property rights holders of the materials used in the film, the producer remains available to any rights holders who were unknown or unreachable at the time of the film's production and/or in case of any unintentional omissions.
- Versions alternativesThe Singapore release is a censored version, with 3 minutes cut due to 'explicit depictions of sexual activities between two men'. According to the local censors, 'These have exceeded the Classification Guidelines which state that "any material that is about or promotes... sexual behaviour that does not reflect current community attitudes and values in Singapore" will be refused classification.'
- Bandes originalesAll Apologies
Written by Kurt Cobain (as Kurt Donald Cobain)
Performed by Sinéad O'Connor
Courtesy of Chrysalis Records Limited
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- How long is Queer?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 736 813 $US
- Week-end de sortie aux États-Unis et au Canada
- 200 951 $US
- 1 déc. 2024
- Montant brut mondial
- 7 020 863 $US
- Durée
- 2h 17min(137 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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