Queer
- 2024
- 12 avec avertissement
- 2h 17min
Lee, raconte sa vie au Mexique parmi les étudiants américains expatriés et les propriétaires de bars qui survivent grâce à des emplois à temps partiel.Lee, raconte sa vie au Mexique parmi les étudiants américains expatriés et les propriétaires de bars qui survivent grâce à des emplois à temps partiel.Lee, raconte sa vie au Mexique parmi les étudiants américains expatriés et les propriétaires de bars qui survivent grâce à des emplois à temps partiel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 60 nominations au total
Avis à la une
Queer
Based on a short story by William Burroughs this movie explored the dissolute life of middled aged William Lee, who spent his time frequenting the gay bars in downtown Mexico City. It really was a simple romantic movie that looked at an infatuation with innocence and a journey to recovery from drug addiction.
The story, such as it was was tissue thin, very little happened by way of action, and we had inserted numerous dream sequences and fantasy elements that reflected in an emotional turmoil.
Overall I can't recommend this movie. It was at best of 5 out of 10. I enjoyed it whilst I was watching it but it really had very little substance. Despite some very strong acting from the central leads much of the dialogue was banal and tedious.
Based on a short story by William Burroughs this movie explored the dissolute life of middled aged William Lee, who spent his time frequenting the gay bars in downtown Mexico City. It really was a simple romantic movie that looked at an infatuation with innocence and a journey to recovery from drug addiction.
The story, such as it was was tissue thin, very little happened by way of action, and we had inserted numerous dream sequences and fantasy elements that reflected in an emotional turmoil.
Overall I can't recommend this movie. It was at best of 5 out of 10. I enjoyed it whilst I was watching it but it really had very little substance. Despite some very strong acting from the central leads much of the dialogue was banal and tedious.
It's too long, and it meanders most dully. I have no idea how it would appear to anyone who knows nothing of Burroughs, or what they might enjoy about it. I have to state that I don't like looking at Daniel Craig - some faces are repellent, and the idea that he might be considered attractive is alien to me. I had Dirk Bogarde's performance in Death In Venice in my head throughout, in a way completely unflattering to the ex-Bond. His performance has no nuances. He is incapable of portraying lust, or pleasure, or jealousy; you know he is feeling those because of an action rather than his demeanour. He also fails to be a convincing junkie, as shivering is not enough. Where is the craving that inspires others to murder? Drew Starkey as the object of his affections is similarly flat and unemotional. I wanted a parallel hunger for them both from Craig, instead of which I felt he quite liked them, compared to the tedium of the rest of his life. The best actor in it, by far, is Lesley Manville, who whilst playing the apogee of her usual type, is perfect. The book was unfinished when published, and I found this ending touching and satisfying in a way that the rest of the film lacked.
5mbnn
Though I loved 'Call me by your name', and definitely love Daniel Craig in a lot of movies this one is different and not in a good way. It actually took me quite some time to finish it, for me it felt it took way to long and at times lost my interest completely.
The way they tell the story and use metaphors for a lot of things, just didnt do it for me with this movie.
Some parts of the story are to long and boring imo and just dont grab me the way they should. And a lot of times it feels a bit weird, strange or a bit to typical.
The good thing about this is the performance of Daniel Craig and Drew Starkey.
The way they tell the story and use metaphors for a lot of things, just didnt do it for me with this movie.
Some parts of the story are to long and boring imo and just dont grab me the way they should. And a lot of times it feels a bit weird, strange or a bit to typical.
The good thing about this is the performance of Daniel Craig and Drew Starkey.
The main reason is that the film was too abstract and seemed like a stream of consciousness. The general meaning is to explore the loneliness in the queer heart, the difficulty in establishing connections with others, the pain of not being able to love, and the complex emotions of depression. But the performance technique is very stream-of-consciousness, especially the last 20 minutes, which have almost no lines and are completely used to express the inner world of the male protagonist through various blurs, hallucinations, and abstract art forms. Although I understood what the director wanted to express, the form of expression may not be acceptable to the public, and I wanted to leave the scene at one point.
Daniel Craig did a good job in his role and the scenery/asthetic was pretty cool. Beautifully filmed, but you're always going to get that with a Luca film. It was quite off-putting by how slow and languid it was. Well-acted, well written, but just boring.
Synopsis: 1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Synopsis: 1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Le saviez-vous
- AnecdotesDaniel Craig was ultimately the one who convinced Luca Guadagnino to cast Drew Starkey after watching audition tapes with Guadagnino and telling him "That's the guy" after seeing Starkey's.
- GaffesOn the bar scene around minute 13-14 when William Lee (Daniel Craig) notices the centipede necklace, he lifts his glasses over his eyebrows with his left hand and hold it like that, on the follow up scene his glasses are correctly in place and his left hand not visible. The next scene when the man across from him touch William's leg, he is still holding the glasses above his eyebrows and then correctly puts it back in place.
- Citations
[via telepathy]
Eugene Allerton: I'm not queer. Lee... I'm not queer.
William Lee: I know.
Eugene Allerton: I'm disembodied.
- Crédits fousAlthough every effort has been made to identify and contact all intellectual property rights holders of the materials used in the film, the producer remains available to any rights holders who were unknown or unreachable at the time of the film's production and/or in case of any unintentional omissions.
- Versions alternativesThe Singapore release is a censored version, with 3 minutes cut due to 'explicit depictions of sexual activities between two men'. According to the local censors, 'These have exceeded the Classification Guidelines which state that "any material that is about or promotes... sexual behaviour that does not reflect current community attitudes and values in Singapore" will be refused classification.'
- Bandes originalesAll Apologies
Written by Kurt Cobain (as Kurt Donald Cobain)
Performed by Sinéad O'Connor
Courtesy of Chrysalis Records Limited
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- How long is Queer?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 736 813 $US
- Week-end de sortie aux États-Unis et au Canada
- 200 951 $US
- 1 déc. 2024
- Montant brut mondial
- 7 020 863 $US
- Durée
- 2h 17min(137 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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