Lorsque des bêtes mortelles attaquent depuis la forêt, c'est à un vétéran chevronné qu'il revient de découvrir ce que cachent les résidents d'une communauté de retraités isolée.Lorsque des bêtes mortelles attaquent depuis la forêt, c'est à un vétéran chevronné qu'il revient de découvrir ce que cachent les résidents d'une communauté de retraités isolée.Lorsque des bêtes mortelles attaquent depuis la forêt, c'est à un vétéran chevronné qu'il revient de découvrir ce que cachent les résidents d'une communauté de retraités isolée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 7 nominations au total
Avis à la une
More points for originality come from the setting itself, a sort of village full of elderly people. Something that you don't see everyday, and that ends up playing miles above all the teenage & monsters rubbish that pollutes our silver screens these days.
Late Phases has all you might expect from a decent B-movie: not the best FX and monster suits, but personality, intriguing developments, and fun. Many things are done right, like going into action right from the start and showing the creature in the first minutes. Even the music score has a couple of great moments. So why not a better note ? Well, none of the flaws is big enough to ruin the story, but I can't just ignore all the little goofs, and the costumes do look daffy after all.
A full cast of recognizable faces, some I was shocked to see again. A couple I had to look up, because I knew them, but I couldn't remember from where, and then it was a cool "Oh YEAH" discovery.
This is a movie that I wish would've had a bigger budget, as the effects could've used some more attention, BUT, too much budget would've sent this to CGI, and that would be bad. Robert Kurtzman and company did a really good job with the make up and creatures, but the story was so good, I would've liked a little more.
And about the story, VERY cool original idea, this kept me watching from beginning to end, with a smile on my face. I've seen so many films in this genre that I am very jaded, and very biased, but this one, this one was fun. Good Job to all involved!!
What an odd movie. It has a touch of Coen brothers, some Witches Of Eastwick, and a dash of AWILondon. The lead is played brilliantly, with all that gruff dialogue, and many scenes have a powerful whiff of intra-communal paranoia. It really feels like a sophisticated satire on American values, with lots of wry digs at police, army, church and self-imposed isolation. But in the last act it goes fully literal and loses its touch, with no real reflection on what went before.
Sadly the creatures present as extras in furry costumes, but there is a bit of decent gore - although ultimately nothing is scary. I guess the director has to be blamed for the rushed feel of the final showdown.
The music is a bit generic, but effective in setting the mood.
Overall - great lead performance, but an odd mixture that doesn't carry through.
This is the most pleasant surprise in the horror genre in quite a while. Although a few films have caused a bit of a stir (including "The Babadook" and "Starry Eyes"), this may turn out to be the sleeper hit of 2014 when word of mouth begins on the DVD release.
Werewolf films are few and far between, and good ones are even more rare. Although Universal tried to reboot "The Wolfman" a few years back, it was hardly appreciated. The last great wolf film was probably "Dog Soldiers" (2002), now more than a decade ago. "Late Phases" now takes that spot as the last great wolf film.
Leading the way is Nick Damici, who makes a very believable blind veteran. If these sort of films won awards, Damici might even be a strong contender. Horror fans ought to know his background, too: mentored by Michael Moriarty (a Larry Cohen regular), Damici came into the realm of Jim Mickle and Larry Fessenden (who produced this picture). He tends to be the less-often-mentioned part of this team, but should be mentioned in the same breath.
Then we have an excellent supporting cast: beyond Damici and Fessenden, we have Ethan Embry ("Can't Hardly Wait"), Tom Noonan ("Manhunter"), Tina Louise ("Gilligan's Island") and even Dana Ashbrook ("Twin Peaks"). The strongest supporting role is filled by Lance Guest ("Jaws: The Revenge"), as the connection between Ambrose and the local church.
The effects are solid, with both Bob Kurtzman and David Greathouse constructing the creature. Greathouse even wears the costume, apparently. Mix this with a plot that is entirely original (with a nod or two to classics like "Silver Bullet") and you have a winner.
Oddly, reviews are mixed. Shock Til Your Drop says the film is "obviously going for the Bubba Ho-Tep vibe", a contention that is flat-out wrong. Other than this being a community of elderly folks, there is no similarity. They might have said "goes for the Cocoon vibe" and been just as wrong. Bloody Disgusting properly called it "a masterpiece of the werewolf genre".
Director Adrián García Bogliano may not be well known, but after "B is for Bigfoot", "Here Comes the Devil" and now this, horror fans better take notice.
Le saviez-vous
- AnecdotesThe transformation scene was intended to be done in one shot with a technologically new camera rig that would be programmed to shoot from multiple angles as if it were a single shot. However, an unforeseen problem was that, since no one had ever used one before, it took two full days to program the rig properly
- GaffesNo knowledgeable revolver owner, especially a veteran, would snap the cylinder closed like Ambrose did (multiple times). Doing so can bend the crane, resulting in a misalignment of the cylinder and the barrel.
- Citations
Ambrose: Will. It is your old man. I do not want to leave it like this between us. I got something I need to the you. I know I was not the father you needed me to be. I was not a good husband to your mother. You both deserved better. When you were born it was the happiest day of my life. You do not remember, but those were good years for all of us. When they told me I was going blind, there was a black thing inside me that shut out the light. Including you and your mother. I left because I did not want it touching you or her, but I was wrong. I know that now. I was not just blind in my eyes, I was blind in my heart. The only thing I was good at was being a soldier. That is what I am and that is how I am going out. Remember me, son, for that if nothing else. I am proud to be your father and I am sorry I will not get to see my grandkids. You have a good woman and a future in front of you. Do not look back. That was my mistake. You can not leave in the past. You have got to put it away and move forward. Life is a gift. Do not waste it like I did. Give my love to Anne and be the man I could not be. I love you boy. I always have. Okay, goodbye son.
- ConnexionsReferences The Lone Ranger (1949)
- Bandes originalesMandolin Concerto in C major - 1st Movement
Composed by Antonio Vivaldi
Published by ZFC Music
Courtesy of FirstCom Music
Meilleurs choix
- How long is Night of the Wolf?Alimenté par Alexa
Détails
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 2.35 : 1