NOTE IMDb
5,8/10
13 k
MA NOTE
Un garde forestier du Texas enquête sur une série de morts inexpliquées dans la ville de Helena.Un garde forestier du Texas enquête sur une série de morts inexpliquées dans la ville de Helena.Un garde forestier du Texas enquête sur une série de morts inexpliquées dans la ville de Helena.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Christopher James Baker
- Monte
- (as Chris Baker)
Christopher Berry
- Dale
- (as Chris Berry)
Lawrence Turner
- Silas
- (as Lawrence P. Turner)
Kimberly Daugherty
- Maria Calderon
- (as Kim Hidalgo)
John McConnell
- Saul
- (as John 'Spud' McConnell)
José Zúñiga
- General Calderon
- (as Jose Zuniga)
Avis à la une
"We cannot separate ourselves from sin anymore than we can sever a limb from our bodies." There has been a rash of unexplained deaths In the small town of Helena, Texas. With no clue as to what is going on, David Kingston (Hemsworth), a Ranger is sent to investigate. When he arrives he discovers some strange characters including Abraham (Harrelson). The more David investigates the more he questions what is happening. This is a movie that had a chance to be really good. The cast is A-list and the plot is interesting. Where the movie fails is the pacing. This is just agonizingly slow that it made it really hard to pay attention to and I was really starting to drift and lose interest in. There are some interesting parts in this but a lot of the drama was lost on me because I struggled to stay involved in what was going on. Overall, a disappointing western that had a chance to be good but was just too slow and boring for me to get invested in. I give this a C-.
Over the past decade, there has been a resurgence in the Western. That is good news because this is a much-loved genre. However, when a film like THE DUEL comes along, we simply reverse to square one all over again. This is a miserable and unsatisfying excuse for a film. The viewer will find it difficult to cheer on any of the cast, simply because they are one-dimensional characters. It is not the fault of the actors, however. Blame lies entirely at the feet of the director. This is one helmsman who is totally amateurish in his approach, and I will do my best to avoid his features in the future. There is zero intrigue, suspense, characterization, interest nor due care here. The pace drags throughout. And the editing is amateurish also. Liam Hemsworth is a competent actor but even he struggles with his role - yet he is the best thing about the film. And as for Woody Harrelson...! He should receive an award for the Greatest Miscasting of the Year. He is downright hopeless in the role of the Mount Hermon emperor. This part requires an actor of strength and charisma. But poor Woody falls at every step. Don't misunderstand me, I like Woody Harrelson. But not in roles like this. Abysmal casting.
Westerns for me is such a distinctive genre as owing to a specific time in history and being rooted in its universal themes that has been explored almost exhaustively.
It's surprising then that one should come along with a kick to the teeth in the guise of a movie that's packaged lightly in terms of visuals and score. The story follows a young ranger and spouse as he has to face a man, who killed his father in a duel in the past, and now reigns supreme in a small town near the Mexican border.
Harrelson is cut out for this role as a man who is on a self-righteous path of carrying out the will of the divine by means of brutality and chances of fate. He is a force to be reckoned with and overshadows all else around him but Hemsworth's Kingston is well versed himself in taking the law into his own hands. Almost too mechanical by way of showing how it's done but believe you me it's a slice of justice being dished out, nothing fancy, and enough to sit you down.
The intrigue of spirituality that leads people on down a dark road is only touched upon as being an inexplicable power that makes few connections with the actual clandestine going ons that has brought the characters at odds with one another. Something as easily abused is often mistaken for something else but no one could possibly deviate from the course when Harrelson's fierce eyes are keeping watch.
It's surprising then that one should come along with a kick to the teeth in the guise of a movie that's packaged lightly in terms of visuals and score. The story follows a young ranger and spouse as he has to face a man, who killed his father in a duel in the past, and now reigns supreme in a small town near the Mexican border.
Harrelson is cut out for this role as a man who is on a self-righteous path of carrying out the will of the divine by means of brutality and chances of fate. He is a force to be reckoned with and overshadows all else around him but Hemsworth's Kingston is well versed himself in taking the law into his own hands. Almost too mechanical by way of showing how it's done but believe you me it's a slice of justice being dished out, nothing fancy, and enough to sit you down.
The intrigue of spirituality that leads people on down a dark road is only touched upon as being an inexplicable power that makes few connections with the actual clandestine going ons that has brought the characters at odds with one another. Something as easily abused is often mistaken for something else but no one could possibly deviate from the course when Harrelson's fierce eyes are keeping watch.
Texas Ranger David Kingston (Helmsworth) is sent undercover to a Texas town to investigate why Mexicans are turning up dead.
What you will see: Marisol (Alice Braga), David's wife, insisting she go with David on his undercover mission, bloody hand-to-hand fighting, a variation of The Most Dangerous Game, a town under the grip of Cult Leader Abraham (Harrelson), an unexplained betrayal, a prayer meeting where snakes are handled by everyone, and pure racism.
I was overjoyed at the prospect of seeing another western, but I didn't expect the cruelty. This has to do with a variation of The Most Dangerous Game and you will be as shocked as I was. I am always surprised at some of the really sick things people do to others. There seems to be a tendency for Hollywood to go beyond normal good guy- bad guy plots and this is what we get.
The acting all around is very good, but we didn't expect the script to center around a variation of The Most Dangerous Game. This is where a good western turns into something not so good. And the unexpected betrayal seemed well out of place. (Aren't betrayals always unexpected?)
Notables: William Sadler as Governor Ross; Emory Cohen as Isaac, Abraham's brother; Raphael Sbarge as Dr. Morris; and Sue-Lynn Ansari as the Saloon Woman.
Sad to say, but this is a not for everyone Western. (5/10)
Violence: Yes. Sex: No. Nudity: No. Language: Yes, some not too often.
What you will see: Marisol (Alice Braga), David's wife, insisting she go with David on his undercover mission, bloody hand-to-hand fighting, a variation of The Most Dangerous Game, a town under the grip of Cult Leader Abraham (Harrelson), an unexplained betrayal, a prayer meeting where snakes are handled by everyone, and pure racism.
I was overjoyed at the prospect of seeing another western, but I didn't expect the cruelty. This has to do with a variation of The Most Dangerous Game and you will be as shocked as I was. I am always surprised at some of the really sick things people do to others. There seems to be a tendency for Hollywood to go beyond normal good guy- bad guy plots and this is what we get.
The acting all around is very good, but we didn't expect the script to center around a variation of The Most Dangerous Game. This is where a good western turns into something not so good. And the unexpected betrayal seemed well out of place. (Aren't betrayals always unexpected?)
Notables: William Sadler as Governor Ross; Emory Cohen as Isaac, Abraham's brother; Raphael Sbarge as Dr. Morris; and Sue-Lynn Ansari as the Saloon Woman.
Sad to say, but this is a not for everyone Western. (5/10)
Violence: Yes. Sex: No. Nudity: No. Language: Yes, some not too often.
I was really impressed by this great movie and the low rating seems totally unjustified to me. Sometimes you see a painting where it is not the content that catches your eye, but the way that it is painted. I would say that i have that experience with this movie: a well crafted piece of art. The acting is superb, the sound, music and scenery fit well together and create the perfect atmosphere for this story. Not a complex or spectacular story, but intriguing, and beautifully painted. Absolutely a must see for those who appreciate quality.
Le saviez-vous
- AnecdotesWoody Harrelson scrimmaged with a local high school girls' soccer team on two Saturday mornings and one Sunday afternoon while staying in Greenwood during filming.
- GaffesThis is described as taking place in 1866 - two years after the War Between the States. The weapons used are anachronistic. The first Winchesters were made in 1866 and certainly not enough to have populated the 'West' so rapidly as to be the dominate arm in the movie. And the Springfield trapdoor shown in the movies wasn't around until 1873.
However, only the opening scene is set in 1866. The rest of the movie is set 22 years later in 1888. By then these weapons would have been available and commonplace.
- Citations
Abraham: [in a foreign language] You were sent here for me. I will not let you go.
David Kingston: What does that mean?
Abraham: "I'll embrace your company while I have it."
- Bandes originalesMiserere Mei Deus
Written by Gregorio Allegri
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- How long is The Duel?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Duel
- Lieux de tournage
- Greenwood, Mississippi, États-Unis(end titles)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut mondial
- 20 672 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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