Taken 3
L'ancien agent du gouvernement Bryan Mills est inculpé d'un meurtre épouvantable qu'il n'a jamais commis ni témoigné. Au fur et à mesure qu'il est suivi et poursuivi, Mills fait ressortir se... Tout lireL'ancien agent du gouvernement Bryan Mills est inculpé d'un meurtre épouvantable qu'il n'a jamais commis ni témoigné. Au fur et à mesure qu'il est suivi et poursuivi, Mills fait ressortir ses compétences particulières pour trouver le vrai tueur et se faire innocenter.L'ancien agent du gouvernement Bryan Mills est inculpé d'un meurtre épouvantable qu'il n'a jamais commis ni témoigné. Au fur et à mesure qu'il est suivi et poursuivi, Mills fait ressortir ses compétences particulières pour trouver le vrai tueur et se faire innocenter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 3 nominations au total
Avis à la une
Taken 2 was an energetic roller-coaster of a thriller also directed by Olivier Megaton (note: not his name at birth!) and to give Taken 3 a bit of credit parts of this film - following a painfully slow start with a lot of wordy exposition - live up to popcorn-munching past glories. Some of the lines - especially those of the whip-smart Dotzler - are entertaining. And, in particular, Neeson does a very amusing variant of his famous 'telephone answering message' at the denouement of the film. Apart from a damp squib of a final scene (probably hastily written as they were in the pub) the script by the same Taken team of Luc Besson and Robert Mark Kamen is passable.
In general though, this film is all over the place.
Editing is of the frenetic Bourne variety but not to the same standard: a specific and horrible example is an early car chase which is almost incoherent in the way it is staged and cut together. And whilst a lot of the staged violence in the first two films was over-the-top escapism, some of the action in this film makes no logical sense whatsoever: I could perhaps believe that body used as a shield might stop a handgun bullet - but a high powered sub-machine gun? Please!
To top this off, two separate incidents with Mills in exploding cars simply defy any possible suspension of disbelief: this was more like Neeson in a film remake of the "indestructible" Captain Scarlett TV series than a supposedly realistic film.
This may be a personal view, but I have a long-standing loathing of the movie trait of bumping off a key character at the start of a sequel after you, as the viewer, have invested the emotional energy in the previous film rooting for them to survive. (Alien 3 is probably the most heinous example of this crime, with the first-reel death of the little girl 'Newt'). Adding a final-reel tragic twist (as in Skyfall, or The Amazing Spiderman 2) is fine in my book. But this particular type of cheap storytelling trick just leaves a bad taste in my mouth.
So go and see Taken 3 if you are happy to park your brain at the door and buy a bumper box of popcorn, but this is far from a classic and is a particularly stark coming down to movie-earth for me two days after watching the brilliant "Whiplash".
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The only absurd part of the movie was the swapping out of actors for Stuart St. John's part. The first movie had him as a kind, old balding man and in this film he's been transformed into a suave, young, tanned husband. Huh? It serves the movie well, but doesn't follow what we saw in the first film with any accuracy.
This movie has all the essential elements of the first TAKEN - just distributed slightly differently. Forest Whitaker adds a nice touch.
This is an action movie worth watching. Hollywood - please make TAKEN 4!!
Aside from the part of Stuart (husband to Famke Janssen's Lenore), the casting is consistent. The addition of Forest Whitaker as a smart cop is for me something of a saving grace since Taken 3 offers up absurdities without question. On reflection, however, the plot has enough coherence to do the trilogy justice. Moreover, it is a joy to see Liam Neeson in this role again.
The director Olivier Megaton has an irksome penchant for frenetic, up-close, disorienting action sequences whereby shots are rarely longer than two seconds. He was a little better in this regard for Taken 2, which had the benefit of superior choreography.
Another personal point of contention is the casting of Sam Spruell as the top Russian villain. He has not an imposing physical constitution and quite frankly brings to mind Jim Carrey, who sported the same haircut in the Dumb and Dumber movies. Not at all what I want in a villain.
I generally enjoy the films I see, and this one—notwithstanding the negatives—is no exception. However, I would not recommend it for people who are more stern in matters of taste.
This is a movie which divides the critics and the public: the former have been very condescending about it but the later enjoy Mills using his special skills again and again (and you can't really blame them). The bad guys here are (mostly) Russians who have terrible accents and awful clothes (especially underwear), but it is always a pleasure to see Forest Whitaker (an intelligent member of the LAPD who knows the significance of a warm bagel). The tag line in the advertisements for "Taken 3" is "It ends here" and I think that would be a sensible decision (although I wouldn't guarantee it).
Nail-biting and extremely violent film with a phenomenal Liam Neeson as an implacable avenger daddy .This stirring film contains intrigue , thrills, chills, frenetic action, shootouts , long run time car pursuits , car crashes , and violent fights . From start to finish the noisy action and fast movement are unstopped . Liam Neeson acting as hard-rock , two-fisted retired agent is top-notch , doing all his own fight sequences for the movie , he is the wronged father who must lay his life on the line to protect his intimate family against time and an army of ominous Russian mobsters . Being well accompanied by Maggie Grace as daughter and Famke Janssen in a brief acting as his ex-wife , repeating efficiently their previous roles . Secondary cast is frankly good, such as : Forest Whitaker , Dougray Scott , Sam Spruell , Don Harvey ,David Warshofsky , Jon Gries , and Leland Orser , among others . Nice cinematography by cameraman Eric Kress , using Steadicam and zooms with numerous locations from Los Angeles . The musician Nathaniel Mechaly creates a thrilling , moving soundtrack fitting to frantic action . Lavishly produced by the successful French producer and director Luc Besson from his production company Eurocorps . The trilogy is formed by ¨Taken 1¨ (2008) by Pierre Morel with Maggie Grace , Xander Berkeley , Holy Valance , Katie Cassidy ; in which a gang of human traffickers abduct Kim who barely has time to call her dad and give him information about an Albanese kidnapper and then Bryan seeks vendetta . ¨Taken 2¨ (2012) by Oliver Megathon with D.B. Sweeney ,Luke Grimes , Jon Gries , Rade Serbedzija , set in Istanbul in which Bryan and Lenore are abducted by the Albanian father of a kidnapper Mills killed while rescuing his daughter. And this final "Taken 3" movie in the trilogy, at least this is what is expected at the time of production and release . This trilogy was shot as an R-rated film, but edited down to a PG-13 for its theatrical reléase .
The flick was compellingly directed by Oliver Meghaton who had previously directed other nice action films, such as ¨Taken 2¨, ¨Transporter 3¨ with Jason Statham , ¨The red siren¨ with Asia Argento and ¨Colombiana¨ with Zoe Saldana , also produced by Luc Besson . Megaton was formerly a graffiti artist and took his name from his birthday : the 6th of August 1965 is the 20th anniversary of the dropping of the Hiroshima A-bomb . Rating : 6.5/10 . Better than average sequel , well worth seeing . The picture will appeal to explosive action fans and Liam Neeson fans .
Le saviez-vous
- AnecdotesReportedly, Liam Neeson stipulated to the movie's producers that he would only do this third installment if "nobody gets taken."
- GaffesWhen Mills is hijacking the police car, the car is hit twice. First from in the front and then in the back, but later the car is seen driving with no damage at all.
- Citations
[from trailer]
Franck Dotzler: If you go down this road, the LAPD, the FBI, the CIA... they're all gonna come for you. They'll find you. And they'll stop you.
Bryan Mills: Good luck.
- Versions alternativesThe UK release was cut, this film was originally seen for advice in an incomplete form. The BBFC advised the distributor that the film was likely to receive a 15, but that their requested 12A could be obtained by making reductions in scenes of violence. When the finished version was submitted for formal classification, those changes had been made and the film was classified 12A.
- ConnexionsFeatured in Honest Trailers: Taken (2015)
- Bandes originalesToes
Written by David Bayley
Performed by Glass Animals
© Beggars Administered by Because Editions
(p) 2014 Wolf Tone Limited
With Courtesy of Universal Music Vision
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Búsqueda implacable 3
- Lieux de tournage
- Atlanta, Géorgie, États-Unis(as Los Angeles)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 48 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 89 256 424 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 201 657 $US
- 11 janv. 2015
- Montant brut mondial
- 326 479 141 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1