Main Atal Hoon

Pankaj Tripathi shines in ATAL'S character throughout the film and plus with bgm it looks amazing to watch him on the screen.

Talking about the storyline first 15 mins was great as director describes the journey of great Atal Bihari Vajpayee.

From his family to his struggle all was greatly adapted with perfect screenplay and bgm. But when the politics side of the story starts there director has just adapted the one side content of the parties rather than showing both side with dignity.

We can clearly see that director just wanted to show the Atal side of the story and without even describing or showing their side of the story declared the negative side.

Rest of the time dialogues are great, cinematography is good with some old footage make the film more engaged.

All n all definitely one time watch biopic for life of great PM with amazing performance by Pankaj Tripathi and engaging screenplay but if you are going for the facts then this will definitely disappoint because not all matter has been cleared or shown indefinitely....

Amazing performance by Pankaj Tripathi as usual tried to imitate Vajpayee Ji perfectly but feels more could be done to make it further natural but can't complain as i could really connect with the character.

Love it every bit, movie moves at a decent pace doesn't feel dull at all. Many scenes gives you goosebumps.

What I could have liked more?

1. Deeper research into Vajpayee Ji's life, what is depicted is already known to the public. I finished movie with a craving to know more about him which remained unsatisfied.

2. Few instances of his life could have been elaborated further to leave a lasting impact on audience specially new generation to allow them to connect with his persona.

3. His political career spanned half a century and 2 hour movie can't do justice to his contributions.

4. Movie may be was not promoted well to create awareness.

5. It could have been an inspiration for new generation to connect and look for political landscape as aspiring field to serve nation. This was missed due to missing connect with generation who has not seen him action.

Overall liked it but thrust to know him better remained!!

A Masterpiece of Cinematic Brilliance: A Review To call this film merely "good" would be a criminal understatement. This is a cinematic masterpiece, a symphony of sight and sound that elevates the art of filmmaking to breathtaking new heights. From its jaw-dropping visuals and emotionally resonant score to its masterful storytelling and unforgettable performances, this film is a truly awe-inspiring experience that will stay with you long after the credits roll.

The story, a poignant exploration of both deeply moving and intellectually stimulating. It unfolds with a captivating rhythm, seamlessly blending moments of quiet contemplation with bursts of exhilarating action and suspense. The pacing is impeccable, never lingering too long on any one scene while still allowing ample time for the audience to connect with the characters and their emotional journeys.

This is a movie that I would call a "safe" movie and intentionally so. It nicely portrays India's political history of 60-65 years through the lens and life of Atalji, while carefully avoiding any controversial analysis or in-depth commentary. For eg, it'll tell you about Emergency and Rath Yatra, but without taking a firm stance on either. It tells the events almost like an erstwhile Doordarshan reporter would - without any judgment. And this is what makes the movie a "safe" movie.

There is nothing to hate in the movie and nothing in the movie is phenomenal either. The acting is above average - most actors casted in the movie are quite sub-par and one-dimensional - but they all punch above their weight. For eg., in my view Pankaj Tripathi is indeed an incredible talent as a character actor in supporting roles, but he's not the lead actor material who can carry an entire movie through all its depths of emotions and narratives (he even has a short romance sequence as a 20 year old in college - needless to say, it feels very odd to watch!). The actors in the roles of Advani, Sushma, MM Joshi, Mahajan, Atalji's dad, Rajkumari, Indira Gandhi, Kalam etc. Are all believable, but not exceptional and sometimes also caricaturish (esp Kalam!).

The storytelling is fast paced and grippy and it keeps you on your toes. Dialogues and speeches are true to original in many cases, without unnecessary dramatization - giving the movie an authentic feel. Cinematography is decent and takes you back into the scenes from history, although some obvious elements of modern trends are visible (for eg. Meetings with 100s of large BJP flags in the crowd is a more recent phenomenon - hardly anyone had so much money to waste 30-40 years ago). Character arcs are well developed, but sometimes are cutoff abruptly (for eg Atalji's family, Arun Jaitley). Songs are not fun!

Overall the movie is "safe" - if you have nothing better to do, and no other better choice, watch this movie. You may or may not go and recommend it in your whatsapp groups later, but you'll definitely not regret it and it might actually be time well spent. In fact, more likely than not, you'll probably also enjoy it!

Main Atal Hoon arises as a realistic victory, a piercing and splendidly created biopic that dives into the phenomenal existence of quite possibly of the most loved figure in current history. Coordinated with artfulness and responsiveness, this film rises above the limits of a customary personal story, offering a close and convincing depiction of Atal Bihari Vajpayee, the magnetic and visionary pioneer who made a permanent imprint on the political scene of India.

The film opens with a charming look into Vajpayee's young life, giving a rich setting to the one who might proceed to become one of the country's most notable pioneers. From his initial battles to his ascent in governmental issues, the screenplay masterfully explores the different periods of Vajpayee's life, winding around together a consistent story that catches both the individual and political components of his excursion.

What genuinely sets "Main Atal Hoon" separated is its obligation to validness. The projecting is out and out excellent, with the lead entertainer conveying a nuanced and persuading execution that catches the embodiment of Vajpayee's magnetism, mind, and diplomacy. The careful scrupulousness in reproducing verifiable occasions, combined with a heavenly supporting cast, adds layers of authenticity to the film.

The screenplay amazingly balances the epic and the close, permitting the crowd to observe the awesome minutes in Vajpayee's profession while likewise giving understanding into the man behind the public persona. The exchange is sharp and resounding, repeating the expert articulation for which Vajpayee was prestigious. The film skillfully investigates the intricacies of his political belief system, his part in molding India's international strategy, and the difficulties he looked during his residency as the Top state leader.

Outwardly, "Main Atal Hoon" is a treat for cinephiles. The cinematography catches the glory of political conventions, the peaceful snapshots of reflection, and the close to home ups and downs of Vajpayee's life. The chief's sharp eye for detail guarantees that each casing isn't just tastefully satisfying yet in addition fills a story need.

Thanks to entire movie team for this biopic!!