Alors qu'ils échappent à la police à Agra, Rani et Rishu projettent de s'enfuir ensemble. Mais lorsque leurs plans tournent mal, Rani demande de l'aide à un admirateur aux manières douces.Alors qu'ils échappent à la police à Agra, Rani et Rishu projettent de s'enfuir ensemble. Mais lorsque leurs plans tournent mal, Rani demande de l'aide à un admirateur aux manières douces.Alors qu'ils échappent à la police à Agra, Rani et Rishu projettent de s'enfuir ensemble. Mais lorsque leurs plans tournent mal, Rani demande de l'aide à un admirateur aux manières douces.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 13 nominations au total
Aditya Srivastav
- Kishore
- (générique uniquement)
Avis à la une
At first let me clear, this is not that much impactful sequel as compared to it's previous installment. But I will definitely like to recommend to those people who liked it's first part, they will enjoy it for some extend. The storyline continues and 2 important characters added to the main storyline. Sunny's performance was really great and perhaps the best in this entire show but Jimmy Shergill is less utilized of course. They had potential to use Jimmy Shergill as such a badass character but writing was definitely weak for that character. Retro Songs and Music was perfectly blended in it and the screenplay of course feels quite rich and colorful to watch.
Overall some kissing scenes are present and the subject of the content doesn't make it safe to for go with the family audiences. So 6 out of 10 Stars from my side and I'll consider it as an average one time watch without applying any logics.
Overall some kissing scenes are present and the subject of the content doesn't make it safe to for go with the family audiences. So 6 out of 10 Stars from my side and I'll consider it as an average one time watch without applying any logics.
Rani Kashyap is now living in Agra as a beautician while Rishi is on the run. She has trapped Abhimanyu and Rishi is being tormented by his landlady, Poonam. As Rani and Rishi find it hard to meet as they evade the cops, enters Mrityunjay Paswan. The unsolved murder of Neel has already pricked his uncle Mrityunjay and he has vowed to catch Rishi and Rani. As the case gets all too personal, once again Dinesh Pandit's work comes to the aid of the couple but this time, there is Abhimanyu too. Will the couple continue to evade the cops or get caught, forms rest of the story.
There were several good ideas sprinkled all over and I cannot deny that. The problem is those stuff doesn't come together to shape this attempt into a good film. I had issues with the previous film as well and definitely did not keep any expectations from the sequel, even then the uneven writing that keeps on getting way too ambitious, ends up as a tedious watch. Sunny Kaushal's Abhimanyu is half baked and though his backstory is revealed eventually, there is barely any chemistry between him and Tapsee's Rani to make this work. Neither there is an attempt to showcase how Rani traps Abhimanyu. He just loves her as much as Rishi does and that becomes the justification.
A lot of cinematic liberties have been taken and it definitely sounded good on paper. On screen, it all falls flat as the entire investigation is presented to be weak. There is only so much actors can do to dramatically elevate the drama. This is what I meant about the good things sprinkled all over and these individual moments definitely look good. With a better screenplay, probably this one had a chance to be decent instead it leaves the actors with very little help and ends up wasting couple of good ideas which deserved better execution.
There were several good ideas sprinkled all over and I cannot deny that. The problem is those stuff doesn't come together to shape this attempt into a good film. I had issues with the previous film as well and definitely did not keep any expectations from the sequel, even then the uneven writing that keeps on getting way too ambitious, ends up as a tedious watch. Sunny Kaushal's Abhimanyu is half baked and though his backstory is revealed eventually, there is barely any chemistry between him and Tapsee's Rani to make this work. Neither there is an attempt to showcase how Rani traps Abhimanyu. He just loves her as much as Rishi does and that becomes the justification.
A lot of cinematic liberties have been taken and it definitely sounded good on paper. On screen, it all falls flat as the entire investigation is presented to be weak. There is only so much actors can do to dramatically elevate the drama. This is what I meant about the good things sprinkled all over and these individual moments definitely look good. With a better screenplay, probably this one had a chance to be decent instead it leaves the actors with very little help and ends up wasting couple of good ideas which deserved better execution.
Phir Aayi Hasseen Dillruba attempts to recapture the magic of its predecessor, "Hasseen Dillruba," but falls short in delivering the same level of thrill and intrigue. While the movie does offer its share of some twisted turns, it lacks the gripping intensity that made the first part so memorable.
The love story is even more twisted than before, but unfortunately, the script this time is more predictable. Kanika Dhillon's writing starts strong, drawing viewers in with an engaging beginning, but as the film progresses, the narrative loses its momentum. The second half of the movie, in particular, feels messy and lacks the sharpness needed to sustain interest.
However, the film does shine in the performances of its cast. Taapsee Pannu once again proves her mettle, delivering an impressive performance that anchors the film. Vikrant Massey, too, impresses with his fine portrayal. The addition of Sunny Kaushal is a pleasant surprise, as he delivers a strong performance that stands out. Jimmy Sheirgill, in a supporting role, is as dependable as ever.
Direction 2.5/5 Acting 3/5 Dialogues 2.5/5 Story 2.5/5 Screenplay 2/5.
The love story is even more twisted than before, but unfortunately, the script this time is more predictable. Kanika Dhillon's writing starts strong, drawing viewers in with an engaging beginning, but as the film progresses, the narrative loses its momentum. The second half of the movie, in particular, feels messy and lacks the sharpness needed to sustain interest.
However, the film does shine in the performances of its cast. Taapsee Pannu once again proves her mettle, delivering an impressive performance that anchors the film. Vikrant Massey, too, impresses with his fine portrayal. The addition of Sunny Kaushal is a pleasant surprise, as he delivers a strong performance that stands out. Jimmy Sheirgill, in a supporting role, is as dependable as ever.
Direction 2.5/5 Acting 3/5 Dialogues 2.5/5 Story 2.5/5 Screenplay 2/5.
The primis was set up in the 1st so well. Building on that foundation is easy but still the work is decent.
Seven star till the last 20 minutes or so of the climax , the movie started good I enjoyed it was fun but falls flat in the climax it was very dull unnecessarily stretched blame goes to the writer. If only the script was tight like it started the climax was very dull childish and unbelievable. I don't agree any one saying this is the worst movie on netflix definitely not there are worst movie than this one on netflix. All actors did good job tapsee too was good , like always there are many who hate her we know the reason why and wait for her movie to vent out their frusturation, like I said cant blame the actors the blame goes on script and director.
Seven star till the last 20 minutes or so of the climax , the movie started good I enjoyed it was fun but falls flat in the climax it was very dull unnecessarily stretched blame goes to the writer. If only the script was tight like it started the climax was very dull childish and unbelievable. I don't agree any one saying this is the worst movie on netflix definitely not there are worst movie than this one on netflix. All actors did good job tapsee too was good , like always there are many who hate her we know the reason why and wait for her movie to vent out their frusturation, like I said cant blame the actors the blame goes on script and director.
Phir Aayi Hasseen Dillruba relocates from the sleepy town of Jwalapur to the city of Agra while attempting to recapture its predecessor's dark, edgy charm. Written by Kanika Dhillon and directed by Jayprad Desai, the movie has all the ingredients to be a thrilling ride, and with the addition of a formidable new adversary and obsessed lovers, the stakes are significantly raised. A dogged cop, Montu (Jimmy Shergill) is hot on Rani and Rishu's heels, spelling doom for the duo because he is the slain ex-lover Neel's chacha, making the case personal for him.
Despite the initial promise, the execution is lacking, and the script tries to pack too much, resulting in illogical decisions and unconvincing outcomes. The film's focus shifts from the intriguing mystery of the first instalment to a more straightforward chase, diluting the suspenseful elements that made the original compelling. The cat-and-mouse game between Rani, Rishu, and the police becomes predictable, lacking the edge-of-the-seat tension that Vinil Mathew's outing delivered.
While there are moments of intrigue, the narrative often meanders, bogged down by unnecessary subplots (including murders) and convoluted twists. The screenplay's attempts at clever dialogue and literary allusions (the pulpy crime novel background, a highlight of the first film) often feel over the top this time around, detracting from the overall impact. At 132 minutes, the film moves at a decent pace, but the plot points leave many questions unanswered.
Vikrant Massey shines as Rishu, with a commendable character arc from the first film. Taapsee Pannu brings a captivating energy to her role, although her performance in the first instalment was more subtly nuanced. Sunny Kaushal is decent as the meek but intense Abhimanyu. The two actors' on-screen dynamic is compelling. Aditya Srivastav and Jimmy Shergill are underutilized, despite Shergill's impactful scenes. The cinematography is a redeeming factor, capturing the essence of Agra.
Phir Aayi Hasseen Dillruba is engaging, if not awe-inspiring, and has some entertaining moments. While it maintains a stylish aesthetic and a talented cast, the film ultimately lacks the originality and suspense required to truly captivate audiences. With some tighter writing and more focused storytelling, this could have been a memorable sequel.
Despite the initial promise, the execution is lacking, and the script tries to pack too much, resulting in illogical decisions and unconvincing outcomes. The film's focus shifts from the intriguing mystery of the first instalment to a more straightforward chase, diluting the suspenseful elements that made the original compelling. The cat-and-mouse game between Rani, Rishu, and the police becomes predictable, lacking the edge-of-the-seat tension that Vinil Mathew's outing delivered.
While there are moments of intrigue, the narrative often meanders, bogged down by unnecessary subplots (including murders) and convoluted twists. The screenplay's attempts at clever dialogue and literary allusions (the pulpy crime novel background, a highlight of the first film) often feel over the top this time around, detracting from the overall impact. At 132 minutes, the film moves at a decent pace, but the plot points leave many questions unanswered.
Vikrant Massey shines as Rishu, with a commendable character arc from the first film. Taapsee Pannu brings a captivating energy to her role, although her performance in the first instalment was more subtly nuanced. Sunny Kaushal is decent as the meek but intense Abhimanyu. The two actors' on-screen dynamic is compelling. Aditya Srivastav and Jimmy Shergill are underutilized, despite Shergill's impactful scenes. The cinematography is a redeeming factor, capturing the essence of Agra.
Phir Aayi Hasseen Dillruba is engaging, if not awe-inspiring, and has some entertaining moments. While it maintains a stylish aesthetic and a talented cast, the film ultimately lacks the originality and suspense required to truly captivate audiences. With some tighter writing and more focused storytelling, this could have been a memorable sequel.
Le saviez-vous
- AnecdotesFilm releases after 3 years of the original.
- ConnexionsFeatures An Action Hero (2022)
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- Durée2 heures 12 minutes
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