Une série de braquages de banques et de vols de voitures a effrayé les communautés du nord-ouest du Pacifique. Un agent isolé du FBI pense que ces crimes ne sont pas l'œuvre de criminels mot... Tout lireUne série de braquages de banques et de vols de voitures a effrayé les communautés du nord-ouest du Pacifique. Un agent isolé du FBI pense que ces crimes ne sont pas l'œuvre de criminels motivés par la finance.Une série de braquages de banques et de vols de voitures a effrayé les communautés du nord-ouest du Pacifique. Un agent isolé du FBI pense que ces crimes ne sont pas l'œuvre de criminels motivés par la finance.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 7 nominations au total
- Bank Manager
- (as Bryan McHale)
Résumé
Avis à la une
Jude Law is really good in his role as this weary and seasoned FBI agent. I like the supporting cast members. I think Nicholas Hault actually looks a lot like Bob Matthews (based on his picture, which I saw on Wiki), and the young sheriff who works with Jude Law is good too. The movie's scenery is gorgeous, with the forests, mountains, and lake. I like the score too. There is an overall dark and gritty vibe throughout the film
The movie doesn't reach greatness because of the plot and predictability. I know that the events are based on a true story, so I get that the plot was limited since they had to follow the events that really occurred (note: I had never heard of Bob Matthews or the Turner diaries until I watched this movie). But they telegraphed some events, such as one character's death, way too obviously. I also feel that the film could've given more about the villain's motivations other than "they're evil racist white men." The movie early on shows a divide between Bob Matthews group and another white supremacist group: the latter believes that the right way to push white supremacy is through legal means, such as getting white supremacists elected to office. I feel this plot thread could have been explored more. The police scenes include some cliches too
Lastly - there was no need to insert politics at the very end, with a reference to January 6th, 2021.
Despite all these important aspects, the movie didn't really pull me in. The pacing was slowish, not in a way that builds suspense or depth, but rather in a way that made it hard to stay emotionally invested. Scenes lingered without always adding much, and I often found myself waiting for something to fully click.
I think the main issue is that the film lacked some much-needed background, particularly when it came to crucial character development and the broader historical context. While I understood the general facts and timeline, I never really felt connected to the people involved or what was truly at stake, both for them as individuals and for the country as a whole. It felt like there was an emotional distance that the film never bridged.
In the end, it's a film I admire for its craft, but not one that truly moved me. They really were spot on in some crucial areas, the acting, the visuals, the tone, which only made it more disappointing when the film didn't quite come together as a whole. It had so much potential to be powerful and immersive, but instead, it left me feeling a bit cold and unfulfilled.
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
It is less brutal than it needs to be, those parts done well though, but I couldn't relate to the character of Terry Husk with that mustache and dry behavior. I liked the movie more for its based-on-true-events script than its acting and flow.
- Screenplay/storyline/plots: 6.5
- Production value/impact: 7
- Development: 7.5
- Realism: 7
- Entertainment: 6.5
- Acting: 6.5
- Filming/photography/cinematography: 7
- VFX: 7.5
- Music/score/sound: 6.5
- Depth: 6.5
- Logic: 6
- Flow: 6.5
- Psychological/heist/true crime/thriller/drama: 6.5
- Ending: 5.
Le saviez-vous
- AnecdotesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- GaffesAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Citations
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- ConnexionsReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- Bandes originalesKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Порядок
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 010 901 $US
- Week-end de sortie aux États-Unis et au Canada
- 877 855 $US
- 8 déc. 2024
- Montant brut mondial
- 2 270 354 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1