Discopath

Now that was a disappointment. The whole plot of this movie is rather ridiculous. From the opening you know this is a low budget production because the acting and dialog are really bad. its often hard to know if this movie is meant serious or funny. I expected the latter because a psycho killer and 70ies disco victims sound like a fun ride. As soon as they used flashbacks to explain the childhood trauma of the guy I was out because that just must be the dumbest thing i have ever seen. The cops remind me of the Beastie Boys "Sabotage" Music Video... fake haircuts, mustaches and acting all over the place. After all this is a really trashy tribute to old horror movies, kind of a funny homage that fails to deliver the fun which just leaves some gory kills. And for todays standard these just don't keep the movie afloat. Editing is often atrocious and really... there is just too little disco in this movie. When I hear a totally misplaced Wilhelm's scream at the end of the movie I know this was supposed to be funny but either i did not get it or the movie makers failed to deliver. Either way... don't waste your time.

With a movie named Discopath which is a humorous mix of the words Disco and Psychopath, cause Discomusic really turns the lead into a full-blooded psychopath. You would expect at least some kind of humor in the movie, but no, you would be wrong.

Completely humor-free with the exceptions of a little humor towards the end but by then it's a little too late.

Overall pretty amateurish filmmaking with not much positive to say about it.

Well okay some of the songs on the soundtrack is pretty good, and was surprised they managed to get "Boogeyman" and "I Was Made For Loving You" in the movie, but that's the only surprise this movie will give you.

And it doesn't help that 50% of the movie focuses on some highly uninteresting cops; one with a bad blonde wig investigating the dead bodies the Discopath leaves behind.

Music speaks to us all. But when music speaks to Duane Lewis (Jérémie Earp-Lavergne) he transforms into a serial killer whose murderous trail of blood can be found on both sides of the 49th parallel.

On the surface, Duane looks like your average young man growing up in the discocentric mid-1970's. But a childhood event (seen later in flashbacks) underline why Duane has psychotic snaps in the presence of disco music leading to his murderous ways. His serial killer instincts are so violent in nature that bodies are dismembered and mutilated beyond recognition.

On Duane's trail are both detectives from New York City and Montreal where Duane has taken up residence after fleeing the United States after a brutal slaying at a local Discotheque. Always one step behind, Duane seems unstoppable during his musically engaged rages. That is, until Duane reveals himself to the detectives leading to a climax that is an unpredictable as it is enjoyable.

Discopath is directed by Renaud Gauthier who marked his directorial debut with this slick and fun horror film. A toe-tapping soundtrack which includes music from Kiss and KC & the Sunshine Band help lead to the authentic feel of the 70's and the violence goes from the grotesque such as the use of vinyl as a weapon to the graphically conclusion to a car chase during a funeral procession.

Discopath switches languages when the action switches to Montreal which may dismay anyone who groans when having to read subtitles. But the effect only personifies the authenticity of the environment and setting that Gauthier has constructed from his own screenplay.

A few dialogue lapses and questionable casting choices for a few of the side characters are the only drawbacks in an otherwise highly recommended hidden gem that we bet disco balls many of our readers have not heard of prior to this introduction.

Upon a second viewing, we believe strongly that had Discopath been released theatrically in the late 1970's or early 80's it would easily have become kin to other revered Canadian horror films such as Black Christmas, Prom Night and Happy Birthday to Me.

As an elder statesman in 2014 I can still confirm that Disco Sucks. But Discopath does everything but.

www.killerreviews.com

Sometimes it is better to be deaf, but more on that later. Let's take the positive things first. We're talking about great technical aspects surrounding this movie. The camera work is exceptional, the lighting is really good. The overall quality is way better than some other similar low budget efforts. Someone had a vision and that vision came to life in quite some fashion.

Having said that, the movie also has some issues. It pays homage to "old" horror movies. Just the fact it's playing in the Disco era (hence the title and the music, both fitting) alone should be a giveaway. And it's not a bad thing, it's just that sometimes there are bumps and quite a few hiccups along the way. If the story was a tight as the look of the movie, we could have had a real winner. And while some of it is done on purpose (or as a tribute to the movies this was inspired by), you'd wish they'd have spent a bit more time on the script ...

When I started watching this I thought I was in for a treat. A good horror (from the reviews), decent music, and lots of great memories of the 70s.

None of those 'treats' came along.

The story of this movie is OK, but the 'horror' part of the film is missing. It's almost a comedy - but its not funny. In fact, it is awful.

A few 'effects' obviously using dummies and some dodgy cardboard.

The film makers manage to replicate the 70s quite well at the beginning of the film - especially the very beautiful dark haired skater girl - the kind of girl I used to chase after in my teenage years - but they missed some attention to detail.

The movie starts in English then switched to French, so be warned if you are not fortunate to be bilingual or able to read subtitles.

Jérémie Earp-Lavergne gives a very poor performance as the lead character. Nothing much more to be said about his acting really.

I'd say one to miss and leave on the shelf.