NOTE IMDb
8,3/10
2,2 k
MA NOTE
Bagus, un scénariste, retrouve son amie de lycée et béguin, Hana, qui pleure encore la perte de son mari. Il veut la convaincre de retomber amoureuse, comme dans les films.Bagus, un scénariste, retrouve son amie de lycée et béguin, Hana, qui pleure encore la perte de son mari. Il veut la convaincre de retomber amoureuse, comme dans les films.Bagus, un scénariste, retrouve son amie de lycée et béguin, Hana, qui pleure encore la perte de son mari. Il veut la convaincre de retomber amoureuse, comme dans les films.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 14 nominations au total
Denisa Chyntiera Innocentia
- Line Producer
- (as Denissa Cynthiara Innocentia)
Avis à la une
Real life, Movie, L and Strong character, behind the scene, movie making process, romantic, sadness comedy, creative
The best Indonesian movie i ever seen!!!
Romantic comedy, heart mealting, the unique storyline ever, you could enjoy the storyline, twist between movie making process and real story, the idea of this movie is simple, but the way this movie show the idea will bring you a new experience and insight how to learn about others emotional situation, symphatic with exciting script
Casting in this movie is really great, all character is fit each others and in main character, both of them had love story in another great sequel movie as well
Black and white movie but so colourful in reality.
The best Indonesian movie i ever seen!!!
Romantic comedy, heart mealting, the unique storyline ever, you could enjoy the storyline, twist between movie making process and real story, the idea of this movie is simple, but the way this movie show the idea will bring you a new experience and insight how to learn about others emotional situation, symphatic with exciting script
Casting in this movie is really great, all character is fit each others and in main character, both of them had love story in another great sequel movie as well
Black and white movie but so colourful in reality.
An excellent Indonesian film in meticulously combining a cheesy melodrama romance movie with a more artistic film. They bring both a popcorn-eating-couch movie and a film shown in award shows, by making the plot quite simple for general audiences to grasp, but also presenting cinematic techniques for critics to enjoy. This combination is prominent in how they add explanations of technical things in the dialogues. Which is also another amazing thing they succeed in, making exposition enjoyable.
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
A movie within a movie, within a movie! Something to that effect in this little gem about the crazy process of movie making, and how a screenwriter deals with the creative approach by involving his personal life, and those of others with great consequences.
It ultimately ends up as a love story, but without the Indonesian melodrama. Instead just a clever and funny structure, thanks to the talents of Yandy Laurens, who has gone against the grain of Indonesian film styles, by creating characters of great empathy (and the cast did an amazing job) in this honest and heartfelt story that combines the zany struggles in movie making, the process of grieving and most importantly, love.
It ultimately ends up as a love story, but without the Indonesian melodrama. Instead just a clever and funny structure, thanks to the talents of Yandy Laurens, who has gone against the grain of Indonesian film styles, by creating characters of great empathy (and the cast did an amazing job) in this honest and heartfelt story that combines the zany struggles in movie making, the process of grieving and most importantly, love.
Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
Jatuh Cinta Seperti di Film-Film is a delightful surprise, a romantic comedy that feels both intimate and cinematic, simple yet emotionally layered.
Film dengan cerita sederhana dan relate dengan kehidupan keseharian kita namun dibungkus dan disajikan dalam penceritaan yang unik dan jenius. Sebagai sebuah film rom-com, film ini sukses menghadirkan humor yang segar dan pas. Chemistry tak perlu diragukan. Salah satu film terbaik tahun ini! Sebuah film dari sinefil untuk sinefil. What a great 8 sequences of cinema!
It's rare to find a film this self-aware yet so heartfelt. From cinephiles, for cinephiles - but accessible to anyone who's ever fallen in love or dreamed about it.
Film dengan cerita sederhana dan relate dengan kehidupan keseharian kita namun dibungkus dan disajikan dalam penceritaan yang unik dan jenius. Sebagai sebuah film rom-com, film ini sukses menghadirkan humor yang segar dan pas. Chemistry tak perlu diragukan. Salah satu film terbaik tahun ini! Sebuah film dari sinefil untuk sinefil. What a great 8 sequences of cinema!
It's rare to find a film this self-aware yet so heartfelt. From cinephiles, for cinephiles - but accessible to anyone who's ever fallen in love or dreamed about it.
Le saviez-vous
- AnecdotesThe Black & White nature of the movie is NOT a gimmick, but rather a plot device.
- Crédits fousBefore film begins, there is a brief trailer for Agak Laen (2024).
- ConnexionsReferences Slumdog Millionaire (2008)
- Bandes originalesBercinta Lewat Kata
Performed by Donne Maula
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Jatuh Cinta Seperti di Film-Film
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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