Scrublands

If you have read the outstanding book 'Silver' , then you will be very disappointed.

The first episode of Season 2, is all over the place.

I don't understand, why they had to change the script from what happens in the book.

This is my favourite, Chris Hammer book.

He has a great ability, to bring his characters to life. Those portrayed on the idiot box, are so wooden.

What were they thinking?

I have to admit, I got so frustrated watching this season. So much so, I had to turn it off.

Watch the show, if you haven't read the book. If you have read 'Silver', find something else to watch

3/10.

There are four episodes. The first two are engaging and well done. Then we have to clear up the mysteries. Things start to become more formulaic. Then episode 4 becomes very formulaic, and seems to feel obliged to sew everything up.

So my feeling about this series is that it begins well, sucks you in, actors are convincing. But, I was ready for some more original evolution because the beginning was done so well. Rather than pat us on the head and then tie things up neatly, I think we could be left with having accomplished much, but need not have ladled on the syrup as episode 4 wound up.

My take: watch the beginning with pleasure, but feel ready to fast forward as the end nears.

This is excellent Aussie tv, the book is extremely complex, however, the story is so magnificent I would have liked it to not deviate as much as it did. The changes are so very significent that for me, having read the book, which was awesome, I would have liked them to stick to it in a shortened version and not change the storyline as much as they did. The acting by all was terrific, and the location is an actual town in Victoria. It needed, in my opinion, to have two more episodes to flesh out the back stories, which are written as a true masterpiece by an outstanding Australian writer. The second book about the main character is also awesome and would make a great follow up.

I didn't read the book so had no preconceptions of how the story should unfold. From others descriptions, that's an advantage but I feel those going on about this sound a little boring because nowdays, most have left this review already as it's too long to read through. It took till the 2nd episode to really get some momentum and just got better as it went. There are lots of backstories that could have been fleshed out but that would have filled 4 more episodes and maybe there wasn't the budget for that. This is a pity, as there was fertile ground here. I thoroughly enjoyed it as a ripping yarn that had a universal flavour rather than the often ocker slant of Aussie dramas. Look forward to season 2 filmed in Augusta in my home state of Western Australia!

This Australian series open in a remote town in Victoria. We see Byron Swift, a priest, talking to his congregants outside his church. He goes inside, returns holding a rifle and shoots five men before being killed by the local policeman. One year later journalist Martin Scarsden heads to town; he has been tasked with writing a 'puff piece' about how the townspeople are coping a year on. The story was that the priest went on the rampage after child abuse allegations were made against him so Martin is more than a little surprised when plenty of people defend his character... perhaps there is more to the story than was initially reported.

I thought this was a really good little series. At four episodes it didn't outstay its welcome but similarly didn't feel rushed. The opening scenes immediately grabs ones attention and further revelations keep one gripped. The use of flashbacks throughout the series shows key details of what happened and means Byron Swift becomes a fully fleshed out character rather than a mysterious figure only seen in the prologue. The location is impressive; it may be very open but there is a claustrophobic feel due to its isolation. The cast does a fine job; most obviously Luke Arnold, Bella Heathcote and Jay Ryan as Martin, Mandy, a woman who knew Byron well, and Byron. The conclusion is solid; being neither too obvious nor too surprising. Overall an impressive mystery that I'd recommend to fans of the genre.