The Musketeers
- Série télévisée
- 2014–2016
- Tous publics
- 55min
Dans les rues de Paris au XVIIe siècle, un groupe de mousquetaires et de gardes du corps hautement qualifiés chargés de protéger le roi et son pays.Dans les rues de Paris au XVIIe siècle, un groupe de mousquetaires et de gardes du corps hautement qualifiés chargés de protéger le roi et son pays.Dans les rues de Paris au XVIIe siècle, un groupe de mousquetaires et de gardes du corps hautement qualifiés chargés de protéger le roi et son pays.
- Récompenses
- 1 victoire au total
Parcourir les épisodes
Avis à la une
Loved the clobber almost as much as the plots ..nice one !
A very nice TV show with a wonderful flair, the sets, the costumes, the actors everything just fits perfectly.
The show really makes you feel like being right there in the 17th century. So many interesting characters, you really feel with the characters. I liked every season, there's a lot of variety no episode feels the same.
--8 out of 10 stars--
--8 out of 10 stars--
Comparing books to on screen representations is always tricky; what you see on the page isn't going to be the same as others may. The Musketeers have appeared in so many guises, from Charlie Sheen and Kiefer Sutherland camping it up in 1993 (between this and Batman and Robin, it's amazing Chris O'Donnell has continued to do so well), through to the kiddy cartoon 'Dogtanian and the Three Muskehounds'. Do a search for a picture of Porthos, and you'll likely find Captain Archers Beagle from Enterprise. They have become a pastiche of themselves, more known for their catch phrase as their actual back stories.
None have really got as close to the original books as this series.
Aramis may be a former priest, who seems able to charm any lady he comes into contact with, but neither of those qualities are over played. Athos is a dark, brooding, level headed father figure in the group. His back story with Milady de Winter becomes apparent quite quickly, and is sure to continue to be a thorn in the side of the Musketeers adventures. Porthos becomes much more real in this series. Still larger than life, still living life with violence and a smile, but with a much broader history and reason for being the way he is. They've fought in wars in the name of the King, and come out with not only the scars but the camaraderie that goes with it. Captain Treville does a great job in keeping them in line.
And D'Artagnan is the country bumpkin. Ruled by his passions, his skill as a Musketeer are evident, but he still need tempering. He has great great chemistry with Constance, who is friend, mummy and potential love interest to him, but like Athos/Milady, that journey will take a while to reach fruition.
This is definitely the best Cardinal. Yes, he's evil. Yes, he plots and schemes to destroy the Musketeers. And, yes, his motivations are driven by more..fiscal..desires. Yet, he's also a lot more believable and watchable for doing so. Not just some one dimensional monster, with a single plan, he even helps the Musketeers at times (for his own benefits, of course). The Musketeers may not like him, but nor can you see them running him through, like they do to many of their other foes.
The sets and costumes are great; from the Musketeers understated leather armour, to the Cardinals pitch black flowing cloak that make him look like a Dr Who baddie (yes, the irony). From the Royal palaces with their sumptuous ceilings, to the hustle of the newly redesigned Paris. It flows. The quality may be film set clean (and there may be the occasional Hollywood explosion), but it all adds to the overall rip roaring adventure, that fits perfectly into the time slot allowed, while the characters and their interplay pulls the stories along at a brisk pace.
None have really got as close to the original books as this series.
Aramis may be a former priest, who seems able to charm any lady he comes into contact with, but neither of those qualities are over played. Athos is a dark, brooding, level headed father figure in the group. His back story with Milady de Winter becomes apparent quite quickly, and is sure to continue to be a thorn in the side of the Musketeers adventures. Porthos becomes much more real in this series. Still larger than life, still living life with violence and a smile, but with a much broader history and reason for being the way he is. They've fought in wars in the name of the King, and come out with not only the scars but the camaraderie that goes with it. Captain Treville does a great job in keeping them in line.
And D'Artagnan is the country bumpkin. Ruled by his passions, his skill as a Musketeer are evident, but he still need tempering. He has great great chemistry with Constance, who is friend, mummy and potential love interest to him, but like Athos/Milady, that journey will take a while to reach fruition.
This is definitely the best Cardinal. Yes, he's evil. Yes, he plots and schemes to destroy the Musketeers. And, yes, his motivations are driven by more..fiscal..desires. Yet, he's also a lot more believable and watchable for doing so. Not just some one dimensional monster, with a single plan, he even helps the Musketeers at times (for his own benefits, of course). The Musketeers may not like him, but nor can you see them running him through, like they do to many of their other foes.
The sets and costumes are great; from the Musketeers understated leather armour, to the Cardinals pitch black flowing cloak that make him look like a Dr Who baddie (yes, the irony). From the Royal palaces with their sumptuous ceilings, to the hustle of the newly redesigned Paris. It flows. The quality may be film set clean (and there may be the occasional Hollywood explosion), but it all adds to the overall rip roaring adventure, that fits perfectly into the time slot allowed, while the characters and their interplay pulls the stories along at a brisk pace.
Having read all the books a few times over the years I was really looking forward to watching this, what a disappointment. Why do producers and scriptwriters think they can do better than the author? There is plenty of material to explore within the three books. The locations and visual period feel is well done however the dialogue is dire. Captain of the musketeers "you three my office now" about sums it up. The setting is Paris 1620 but the feel is America 2014, modern cops and robbers in drag really. The only good thing is that it has encouraged me to dust the books off and re read them. This is really well done children's television not for anyone who wants to watch some gritty drama with some depth and decent dialogue to give some form of period feel. Too modern for my taste and too simple.
When I first heard of this show, I looked at wikipedia to get the critics reaction, and found many were lukewarm at first but liked the show after awhile. But for me, this was a winner from episode one, a light-hearted, old-fashioned swashbuckler with a brisk pace and a nice sense of humor.
While I read the book, that was probably 40 years ago, and I mainly remember the Richard Lester movie. Based on the first few episodes, I'm a bit disappointed in the two main women; the good one seems rather bland, and the evil one seems rather uncomplex for what I recall was, in the book, a fascinating character. I'm hoping that improves. But overall, lots of fun.
While I read the book, that was probably 40 years ago, and I mainly remember the Richard Lester movie. Based on the first few episodes, I'm a bit disappointed in the two main women; the good one seems rather bland, and the evil one seems rather uncomplex for what I recall was, in the book, a fascinating character. I'm hoping that improves. But overall, lots of fun.
Le saviez-vous
- AnecdotesDuring filming of the finale, Peter Capaldi dislocated his thumb during an 'overenthusiastic' take (according to actress Maimie McCoy). She said "...his thumb had completely dislocated - he'd quite instinctively just slipped it back in - and then the colour went from his face."
- GaffesThe characters are shown numerous times holding loaded firearms downwards. At the time all firearms were muzzle loaded weapons and pointing a gun downwards meant that the ball would travel back along the barrel and lessen the impact of any projectile. During this period it was a common practice to hold them upwards.
- ConnexionsFeatured in The Wright Stuff: Épisode #19.10 (2014)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Những Chàng Ngự Lâm
- Lieux de tournage
- Chateau Ploskovice, République tchèque(King's Palace)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant