Ton Noël ou le mien 2

Ok where do I start with this dull sequel to a movie which is lacking any decent story telling in the process?

Right the two main love characters have zero chemistry in terms of connection. They both looked bored in terms of the awful dialogue they are given but there is just no spark between them for the whole movie length.

The other side characters are just wasted in terms of development.

It was an lacksture affair with a script from the 1970's comedy genre of that time.

Personally I am at a lost why they made a sequel as the original wasn't much to write home about in truth.

If your at a loose end watch something else on a Xmas movie list as this movie is just a pile of Donkey dung!

This is a real family Christmas film and has a comedy heart. It is formulaic but there are notable comedic performances by Daniel Mays and Jane Krakowski and the locations are fantastic. Having been to the Tyrolean region, the production team really captured the ethos of the place and it felt authentic. Asa Butterfield's performance however is slightly lacking and overshadowed, I found the pacing of the film to be odd too. It is set over 2 days predominately and yet so much happens. It would have benefitted from being a week for example to show more realistic development. It is up there with other ski themed films like chalet girl so if you're reminiscing of the alps it may be the film for you.

This is a paint-by-numbers sitcom mega-episode, but it's an entertaining sequel nonetheless. The story is based on a muddle of fortunes between stereotypical class groups that often feels awkward, yet is sometimes unabashedly honest. It has many cringeworthy moments, and there are some genuine laughs too. Some characters are massively underwritten, but it really doesn't matter. Take it for what it is, which is light entertainment at its most enthusiastic, and much better than most of the crap the American studios are passing off as comedy these days. If only the Krampus guy (from The Counterfeiters) had more screen time!

Absolute boondoggle! Don't get me wrong, if you grabbed me and a bunch of my friends and told me we could have an all expenses paid ski vacation with just a little bit of work plus inviting Jane Kracowski(sp) along for the ride I'd be all over it. I know these things are formulaic but how many misunderstandings can you fit in one roof? Also, out of curiosity, we gwon go to Jamaica? Asa has seemingly avoided the curse of child actor and fits the bill of genuine person who happens to be of station. The actress who plays Haley is also genuine and beautiful. Pretty good but the mishaps are too many.

Your Christmas or mine surrounded the loneliness of the holidays with two different family archetypes - the feuding British upper crust and the working class pub warmth. Despite occasionally playing to stereotypes, the film did a deep dive into both families, while fleshing out each of the characters. The final 20 minutes created Christmas magic when both came together.

The sequel has a bigger budget but less heart. It played with every single obnoxious stereotype imaginable with the loud lower class family. Occasionally, it also conflated race with class. Existing characters like the grandfathers on both sides and the sassy aunt received even less acknowledgment and maybe had five lines each in the film. There were newer characters added that did absolutely nothing for the plot including Jane Krakowski's American authoress.

This was such an absolute waste of talent. The original cast had so much chemistry I wanted to see the grandfathers playing off of each other, more honest intimacy between the young couple and the parents fleshing out their own relationships.

Whenever the script quieted down we got the magic intimate moments from the original. There were even times when the script let the characters grow and we learn that everyone in the working class family can ski rather than playing to stereotypes.

However, the strength of the original script surrounded the feelings of the family members and the honest communication.

But this felt more like let's take two different British family archetypes and put them into a big budget Hollywood movie and see what happens ... Sadly,none of the original magic ....