Abigail

Enjoyable a day later, but on release as I was watching the movie, I kept expecting more. Some kind of twist and even a possible movie connecting during the ending. But alas, the movie is exactly what you see in the trailer. As a matter of fact, it's mostly what you see in the trailer. No surprises, no extra moments (except a very small surprise towards the end), just what you see is what you get.

I definitely did run a bit longer, I think they cut out that opening segmented and just start right away. It's Worth a watch if you have a season pass of some sort, but I wouldn't go out of my way compared to some others.

I saw Abigail this weekend. I was especially excited for this film since Ready or Not is one of my favorite films, and this is from the same directing team of Radio Silence and had a similar look. Although I really enjoyed it, there is absolutely no taking Ready or Not's crown.

First of all, I cannot begin to tell you how exponentially better this film would be if the trailers hadn't given away its main conceit. Given how the movie was advertised, I assumed it would be revealed in the film right away. However the movie treats it like a mystery, and isn't revealed until almost an hour in. I can't imagine how entertaining it would have been to be legitimately surprised (if somehow you haven't seen the trailer, DON'T). Secondly it's a super small cast, so every personality matters. Based on the reviews I've seen, I'm obviously in the minority, but I absolutely couldn't stand Dan Stevens in this film. I've seen and read so many reviews talking about how entertaining he was in this and Godzilla X Kong, and I found him terribly obnoxious in both. I don't get the appeal, but I'm missing something.

Thankfully there were stand outs like Angus Cloud (RIP), Kevin Durand as the not so bright Canadian Muscle and especially Alisha Weir who is an Absolute ROCK STAR as Abigail. She is already so, so good, especially as a young actress.

This film is tremendously bloody, so not for the faint of heart. Unrelated to the film, but there was a 9 year old girl at the screening with her parents holding a stuffed animal while watching it, which was definitely an eye-opener.

There is nothing in this film that you haven't seen in a number of other films but it manages, thankfully, to deliver.

It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).

You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.

At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.

I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.

If is rare for a horror movie to give away it's twist in its trailer. And still rarer to hold your interest, after the aforementioned cardinal sin, for almost its entire length, because of the vivid characters, their banter and their gory endings.

The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.

The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.

This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.

Liked it. Had the potential to be a real classic.

This is fun - almost in the style of Hammer. It's gory, but not scary. A clichéd plot and characters, but directed and acted with enthusiasm, and a good nod to classic vampire films. All the references were there, we were just missing Vincent Price and Christopher Lee and an over-coloured palette.

There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.

This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.