Après avoir enlevé la fille ballerine d'un puissant personnage de la pègre, un groupe de criminels se réfugie dans un manoir isolé, ignorant qu'ils y sont enfermés avec une petite fille qui ... Tout lireAprès avoir enlevé la fille ballerine d'un puissant personnage de la pègre, un groupe de criminels se réfugie dans un manoir isolé, ignorant qu'ils y sont enfermés avec une petite fille qui n'a rien de normal.Après avoir enlevé la fille ballerine d'un puissant personnage de la pègre, un groupe de criminels se réfugie dans un manoir isolé, ignorant qu'ils y sont enfermés avec une petite fille qui n'a rien de normal.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 21 nominations au total
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This is fun - almost in the style of Hammer. It's gory, but not scary. A clichéd plot and characters, but directed and acted with enthusiasm, and a good nod to classic vampire films. All the references were there, we were just missing Vincent Price and Christopher Lee and an over-coloured palette.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
A mixed group of criminals kidnap Abigail, a young ballerina, and daughter of a powerful business mogul. The gang think they're coming into millions, but Abigail has a shocking surprise waiting for them.
One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.
A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.
Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.
You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.
A cheeky And then there were none reference too.
7/10.
One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.
A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.
Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.
You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.
A cheeky And then there were none reference too.
7/10.
If is rare for a horror movie to give away it's twist in its trailer. And still rarer to hold your interest, after the aforementioned cardinal sin, for almost its entire length, because of the vivid characters, their banter and their gory endings.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
Now that I've seen this I can understand all the warnings on here to avoid the trailers and I can understand why. I had no idea what this was about other than it involved a young girl who is kidnapped, much to the eventual dismay of said kidnappers. Not having a clue where this was going help immensely with the surprise factor. This thing is good, bad, too long due to a back story, absolutely bonkers, wild, crazy, bloody, corny, gory, exciting and fun! Its setup is what I stated, but from there on in, you are on your own here. The cast is pretty good. The title character, the little girl, is wonderfully played by Alisha Weir. Dan Stevens plays one of the kidnappers and this guy is becoming a chameleon with his variety of roles. Here he is mean, internally ugly and pretty much a sleazeball type. Kevin Durand as a dim muscleman is funny as are a lot of things in this smorgasbord of a horror film. There are a few things that are just stupid, but it's a little hard to tell what is intentional as opposed to just poor writing. As I never watch TV anymore, I had never seen Angus Cloud before. Hard to tell much about him from this, but he does play a loser here very well. If you like horror films, ya gotta see this!
I saw Abigail this weekend. I was especially excited for this film since Ready or Not is one of my favorite films, and this is from the same directing team of Radio Silence and had a similar look. Although I really enjoyed it, there is absolutely no taking Ready or Not's crown.
First of all, I cannot begin to tell you how exponentially better this film would be if the trailers hadn't given away its main conceit. Given how the movie was advertised, I assumed it would be revealed in the film right away. However the movie treats it like a mystery, and isn't revealed until almost an hour in. I can't imagine how entertaining it would have been to be legitimately surprised (if somehow you haven't seen the trailer, DON'T). Secondly it's a super small cast, so every personality matters. Based on the reviews I've seen, I'm obviously in the minority, but I absolutely couldn't stand Dan Stevens in this film. I've seen and read so many reviews talking about how entertaining he was in this and Godzilla X Kong, and I found him terribly obnoxious in both. I don't get the appeal, but I'm missing something.
Thankfully there were stand outs like Angus Cloud (RIP), Kevin Durand as the not so bright Canadian Muscle and especially Alisha Weir who is an Absolute ROCK STAR as Abigail. She is already so, so good, especially as a young actress.
This film is tremendously bloody, so not for the faint of heart. Unrelated to the film, but there was a 9 year old girl at the screening with her parents holding a stuffed animal while watching it, which was definitely an eye-opener.
First of all, I cannot begin to tell you how exponentially better this film would be if the trailers hadn't given away its main conceit. Given how the movie was advertised, I assumed it would be revealed in the film right away. However the movie treats it like a mystery, and isn't revealed until almost an hour in. I can't imagine how entertaining it would have been to be legitimately surprised (if somehow you haven't seen the trailer, DON'T). Secondly it's a super small cast, so every personality matters. Based on the reviews I've seen, I'm obviously in the minority, but I absolutely couldn't stand Dan Stevens in this film. I've seen and read so many reviews talking about how entertaining he was in this and Godzilla X Kong, and I found him terribly obnoxious in both. I don't get the appeal, but I'm missing something.
Thankfully there were stand outs like Angus Cloud (RIP), Kevin Durand as the not so bright Canadian Muscle and especially Alisha Weir who is an Absolute ROCK STAR as Abigail. She is already so, so good, especially as a young actress.
This film is tremendously bloody, so not for the faint of heart. Unrelated to the film, but there was a 9 year old girl at the screening with her parents holding a stuffed animal while watching it, which was definitely an eye-opener.
Le saviez-vous
- AnecdotesThe directors were so impressed by Alisha Weir's dancing that they added more dance sequences to the film.
- GaffesIt's too late to collect cell phones after they've already arrived at the scene of a crime, as the phones have already pinged local cell towers. However, given the true nature of the heist, this may be irrelevant.
- Crédits fousAt the very end of the credits, Abigail's sinister chuckling is heard.
- ConnexionsFeatured in The 7PM Project: Épisode datant du 19 avril 2024 (2024)
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- How long is Abigail?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ебіґейл
- Lieux de tournage
- Glenmaroon House, Dublin, Irlande(Main house location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 867 515 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 297 110 $US
- 21 avr. 2024
- Montant brut mondial
- 42 791 449 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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