Ajouter une intrigue dans votre langueIn order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their... Tout lireIn order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.In order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Avis à la une
A botched getaway and a time travel is not one of the usual mixes. Also the mood and set-up of the time travelling is unqiue. The deeper look at the broken family bonds, desperation and imprisonment is excellent. An imaginative story that breaks the usual trends. Great performances. Excellent audio effects and visual effects. It's puzzling but does it's duty in keeping the audience's eyes peeled.
Wow. What a strong directorial debut! I am really impressed with Michael Felker's efforts here and am excited to see where he goes as a filmmaker. He has an obvious love for science fiction, and after watching this I have a sneaking suspicion he will go on to become a rising and strong voice in genre filmmaking.
The script and concept are really strong here, but for whatever reason this honestly just didn't connect with me as much as I hoped it would. I feel similarly about many of the low-budget efforts of Justin Benson and Aaron Moorhead, both of whom serve as Executive Producers here (fantastic voices in genre filmmaking as well). If, however, you ARE a fan of any Benson and Moorhead films, I'm confident you'll feel right at home here; even if THINGS WILL BE DIFFERENT doesn't end up fully connecting with you like it didn't for me.
You'll find some interesting ideas here for sure though. The hook is a strong one and there are a couple fun additions thanks to some twists and turns throughout the story. The pacing can a bit slow though and the sibling dynamic pitched as the heart of tale ultimately fell flat for me. I hate saying that, as I know it came from a personal place from the filmmaker, but I do have to admit it left me feeling cold once the credits rolled. Will that be the case for everyone though? Absolutely not. As with all art, reactions to this will vary, but it's still a film I'd ultimately recommend (unless you've seen TIMECRIMES which this film may or may not borrow too heavily from).
My issues aside, I do stand by this being a strong piece of science fiction (with a dash of horror) and I'd encourage those with interest to check it out and decide for themselves.
RANDOM PRAISE +
RANDOM CRITIQUE -
TAKEAWAY ?
The script and concept are really strong here, but for whatever reason this honestly just didn't connect with me as much as I hoped it would. I feel similarly about many of the low-budget efforts of Justin Benson and Aaron Moorhead, both of whom serve as Executive Producers here (fantastic voices in genre filmmaking as well). If, however, you ARE a fan of any Benson and Moorhead films, I'm confident you'll feel right at home here; even if THINGS WILL BE DIFFERENT doesn't end up fully connecting with you like it didn't for me.
You'll find some interesting ideas here for sure though. The hook is a strong one and there are a couple fun additions thanks to some twists and turns throughout the story. The pacing can a bit slow though and the sibling dynamic pitched as the heart of tale ultimately fell flat for me. I hate saying that, as I know it came from a personal place from the filmmaker, but I do have to admit it left me feeling cold once the credits rolled. Will that be the case for everyone though? Absolutely not. As with all art, reactions to this will vary, but it's still a film I'd ultimately recommend (unless you've seen TIMECRIMES which this film may or may not borrow too heavily from).
My issues aside, I do stand by this being a strong piece of science fiction (with a dash of horror) and I'd encourage those with interest to check it out and decide for themselves.
RANDOM PRAISE +
- S/O to Carissa Dorson for some excellent cinematography. I'm not sure what the budget was for this but she really made the best of what she had.
RANDOM CRITIQUE -
- This may be a Midwest thing, so forgive my cultural ignorance, but both of our leads casually walk around a parking lot and diner with their rifles, which-if you live in a city like me, may be a VERY jarring visual and reality to accept.
TAKEAWAY ?
- Don't do the crime if you can't do the time.
The movie's premise was quite good. The siblings hide in a temporal B&B to avoid the law. However, they soon discover that leaving is not as easy as they thought. They can communicate with the people responsible for time travel using a tape recorder locked in a safe. They are tasked with confronting an adversary who appears later in the story.
The execution, however, leaves much to be desired. I agree with other reviewers: the cinematography is excellent, the sound and music are above average, and the acting ranges from superb (the brother) to good but somewhat forced (the sister). The main drawback of the movie is its screenplay. While it has potential, there are super boring parts interspersed with a few sudden twists. Moreover, many elements are either left unexplained or explained in a lacklustre manner.
Despite its shortcomings, I enjoyed the movie. It would have benefitted from being 30 minutes shorter, featuring more realistic sibling dialogues, and providing better explanations for a few key elements, for example, delving deeper into the adversary's identity. Still, it was more than satisfactory for a low-budget flick.
P. S.
A few other movies gave me similar vibes, most notably Timecrimes (2007), The Field (2019), and The Endless (2017).
The execution, however, leaves much to be desired. I agree with other reviewers: the cinematography is excellent, the sound and music are above average, and the acting ranges from superb (the brother) to good but somewhat forced (the sister). The main drawback of the movie is its screenplay. While it has potential, there are super boring parts interspersed with a few sudden twists. Moreover, many elements are either left unexplained or explained in a lacklustre manner.
Despite its shortcomings, I enjoyed the movie. It would have benefitted from being 30 minutes shorter, featuring more realistic sibling dialogues, and providing better explanations for a few key elements, for example, delving deeper into the adversary's identity. Still, it was more than satisfactory for a low-budget flick.
P. S.
A few other movies gave me similar vibes, most notably Timecrimes (2007), The Field (2019), and The Endless (2017).
I give it 6 stars because although it kind of comes together in the end, the plot is very intriguing. It keeps you guessing and forming your opinions heavily throughout the film. It had a feel like the movie "The Endless" where the characters are stuck in this loop only it was a bit harder to understand. What the endless had that this movie doesn't have is an ending that sufficed although it couldn't really be explained. This movie had me staring at the screen for a minute after it went off still trying to figure out the hows and whys. I liked the acting very much. All in all it's a good movie with subpar explanations. In the end they tied it together but again with no clear explanation to how "the enemy" even got there or who that person was looking for.
Joseph (Adam David Thompson) and Sidney (Riley Dandy) meet up at a diner. They are both armed and carrying a bag of money. They go to a pre-selected farm house. There is a specific procedure of changing the clocks, opening a door, and dialing a phone in the dark. They arrive back to the house which is fully stocked. Their plan is to stay there for two weeks and wait out the cops.
This is a low-budget high-concept sci-fi crime drama. I like the general premise and the curious door procedure to start the story. The problem is that it doesn't entice the audience to invest in these two characters. These are not famous faces and they don't have any exposition. Once things start going wrong, the rules are not clear. Nothing is that clear in this movie. The reveal is the reveal. I expected something like it. It's fine. The overall execution is a bit lacking.
This is a low-budget high-concept sci-fi crime drama. I like the general premise and the curious door procedure to start the story. The problem is that it doesn't entice the audience to invest in these two characters. These are not famous faces and they don't have any exposition. Once things start going wrong, the rules are not clear. Nothing is that clear in this movie. The reveal is the reveal. I expected something like it. It's fine. The overall execution is a bit lacking.
Le saviez-vous
- AnecdotesActress Riley Dandy has a condition called anisocoria where the pupils are of different sizes. Her right pupil is constantly larger. This is clearly visible in the movie on close ups.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- В петле времени
- Lieux de tournage
- Indiana, États-Unis(Shoot Location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 7 746 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 988 $US
- 6 oct. 2024
- Montant brut mondial
- 9 495 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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