Ajouter une intrigue dans votre langueIn order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their... Tout lireIn order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.In order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
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I'm a fan of time travel movies and i'm always looking for new ideas in this genre. And it's not easy because the same cliches keep repeating (ha!) themselves. This movie SEEMS to be following the same path, but there's something about it that makes it different.
To decide whether to watch or not and to avoid disappointment, please note: location and cast are extremely limited, everything here is about suspense but not about action as such, the movie is disguised as a low-budget indie but in fact, it's well-made and well-acted, the plot and the acting have some rough edges, but everything is compensated by the last point - there's something to think about.
If these points are ok for you - go ahead.
To decide whether to watch or not and to avoid disappointment, please note: location and cast are extremely limited, everything here is about suspense but not about action as such, the movie is disguised as a low-budget indie but in fact, it's well-made and well-acted, the plot and the acting have some rough edges, but everything is compensated by the last point - there's something to think about.
If these points are ok for you - go ahead.
The basic premise of TWBD is that two siblings, Joseph (Adam David Thompson) and Sidney (Riley Dandy), are robbers on the run from the law. They proceed through the woods to a farmhouse. They enter the house and by following some instructions in a notebook, they are able to exit through a closet door and reemerge, as it were, in a different time (but same farmhouse) to wait out the police for fourteen days.
So far, so good. And the cinematography (by Carissa Dorson) makes the most of the rural location.
Of course, Joseph and Sidney end up getting stuck in the farmhouse. They discover that the location actually functions as the "property" of a mysterious guide who speaks to them through a tape-recorder and is willing to help get them back to the present if they complete a specific task: the elimination of a mysterious (third) intruder. It is only toward the end that we learn just how fraught that task actually is.
TWBD does its best work through visuals: not just the facial expressions of the two principal actors, but the flashbacks to childhood (blurred images of a parental figure at a piano); the various (presumably alcoholic) beverages and vintage glassware that are a constant feature of TWBD; the trees, fields, and hills of the rural Midwest; the strange photographs, paintings and tchotchkes of the absent prior owners; etc. A second viewing is almost required to make sense of the visual displays that kaleidoscope and change constantly.
That said, the film is not as friendly in linking the narrative together for the viewer. But the thread is there. And there is a discernible conclusion, which in my view has to do with "breaking" a cycle of decisions, and the sacrifice required to do that.
A lot of viewers appear turned off by the temporal twists and non-obvious narrative. However, I think you might like this feature if you like, for example, Flanagan's own debut ("Abstentia"), the films of Isaac Ezban or Moorhead & Benson's "Synchronic" or "The Endless." (Benson has a part near the end. It is easy to see why he agreed, given the subject matter. Well, that and the fact that he is one of the Executive Producers. :-) )
I will certainly be looking out for Michael Felker's next film. This was an impressive debut.
So far, so good. And the cinematography (by Carissa Dorson) makes the most of the rural location.
Of course, Joseph and Sidney end up getting stuck in the farmhouse. They discover that the location actually functions as the "property" of a mysterious guide who speaks to them through a tape-recorder and is willing to help get them back to the present if they complete a specific task: the elimination of a mysterious (third) intruder. It is only toward the end that we learn just how fraught that task actually is.
TWBD does its best work through visuals: not just the facial expressions of the two principal actors, but the flashbacks to childhood (blurred images of a parental figure at a piano); the various (presumably alcoholic) beverages and vintage glassware that are a constant feature of TWBD; the trees, fields, and hills of the rural Midwest; the strange photographs, paintings and tchotchkes of the absent prior owners; etc. A second viewing is almost required to make sense of the visual displays that kaleidoscope and change constantly.
That said, the film is not as friendly in linking the narrative together for the viewer. But the thread is there. And there is a discernible conclusion, which in my view has to do with "breaking" a cycle of decisions, and the sacrifice required to do that.
A lot of viewers appear turned off by the temporal twists and non-obvious narrative. However, I think you might like this feature if you like, for example, Flanagan's own debut ("Abstentia"), the films of Isaac Ezban or Moorhead & Benson's "Synchronic" or "The Endless." (Benson has a part near the end. It is easy to see why he agreed, given the subject matter. Well, that and the fact that he is one of the Executive Producers. :-) )
I will certainly be looking out for Michael Felker's next film. This was an impressive debut.
The actors were great, the script not so much. I was bored and falling to sleep watching this dull movie. Confusing storyline that made you not care about the two leading characters. A brother and sister duo hide out in a farmhouse in a psychological thriller masquerading as a horror film. The brother and sister are stuck in a time loop and they can't seem to escape this farmhouse, the movie goes on and on as it tries to explain to the viewers the premise of the characters and film. But as the film ends you still feel like what in the hell did I just watch. A mishmash of me praying will this movie ever end.
Joseph (Adam David Thompson) and Sidney (Riley Dandy) meet up at a diner. They are both armed and carrying a bag of money. They go to a pre-selected farm house. There is a specific procedure of changing the clocks, opening a door, and dialing a phone in the dark. They arrive back to the house which is fully stocked. Their plan is to stay there for two weeks and wait out the cops.
This is a low-budget high-concept sci-fi crime drama. I like the general premise and the curious door procedure to start the story. The problem is that it doesn't entice the audience to invest in these two characters. These are not famous faces and they don't have any exposition. Once things start going wrong, the rules are not clear. Nothing is that clear in this movie. The reveal is the reveal. I expected something like it. It's fine. The overall execution is a bit lacking.
This is a low-budget high-concept sci-fi crime drama. I like the general premise and the curious door procedure to start the story. The problem is that it doesn't entice the audience to invest in these two characters. These are not famous faces and they don't have any exposition. Once things start going wrong, the rules are not clear. Nothing is that clear in this movie. The reveal is the reveal. I expected something like it. It's fine. The overall execution is a bit lacking.
I give it 6 stars because although it kind of comes together in the end, the plot is very intriguing. It keeps you guessing and forming your opinions heavily throughout the film. It had a feel like the movie "The Endless" where the characters are stuck in this loop only it was a bit harder to understand. What the endless had that this movie doesn't have is an ending that sufficed although it couldn't really be explained. This movie had me staring at the screen for a minute after it went off still trying to figure out the hows and whys. I liked the acting very much. All in all it's a good movie with subpar explanations. In the end they tied it together but again with no clear explanation to how "the enemy" even got there or who that person was looking for.
Le saviez-vous
- AnecdotesActress Riley Dandy has a condition called anisocoria where the pupils are of different sizes. Her right pupil is constantly larger. This is clearly visible in the movie on close ups.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- В петле времени
- Lieux de tournage
- Indiana, États-Unis(Shoot Location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 7 746 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 988 $US
- 6 oct. 2024
- Montant brut mondial
- 9 495 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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