Bad Things

Bad Things (2023) is a movie that was recently added to Shudder. The storyline follows a group of friends who are being supportive to a friend who recently inherited a hotel and hopes to either run it or sell it with her mom. It quickly becomes apparent that something isn't right and they believe it's someone not something causing their concern. Is the hotel haunted, is someone messing with them, or is it both?

This movie is written and directed by Stewart Thorndike (Lyle) and stars Gayle Rankin (Men), Hari Nef (Barbie), Annabelle Dexter-Jones (Ravage), Rad Pereira (Betty), Jared Abrahamson (Fear the Walking Dead) and Molly Ringwald (Sixteen Candles).

This had some unique elements and reminded me of a poor man's The Shining...like if it took place in the Poconos. The acting was actually pretty solid. There's some mental state subplots that were interesting. The characters are pretty unique too. Unfortunately, there was little to no horror elements until the very ending...then the last 15 minutes was impressive. The twists at the end actually surprised me that it was worthwhile with such a poor setup. There's some cool kills at the very, very end...but other than that this is fairly stale. I would score this a 4.5-5/10 and recommend seeing it once only for horror enthusiasts.

This is such an interesting film.

At first, I wasn't super into it.

But, once the paranoia set in...it had won me over.

The story revolves around a big city lesbian- named Ruthie- who has inherited her grandmother's rural hotel, and brought her closest friends to check it out, before she sells it.

Ultimately, the whole thing is a psychological horror.

But it's not exactly clear that such is the case, right from the beginning.

Which is what has left many other reviewers confused, I suspect.

Because things definitely get weird.

To the point where you question whether any of what you are watching is actually real.

What is clear, however, is that all the characters become paranoid, for different reasons, at different points in the film.

And that someone is attacking people.

It's just hard to pin down exactly who that is.

Making it all quite Lynchian in nature.

Up until the point that things do actually become clear, in the end.

Where the film takes on a bit of an Argento vibe.

With an aura of extreme paranoia, induced by severe childhood trauma.

And the strained relationships you experience in life as a result of this.

No doubt, it's a bit of a confounding- and rather weird- experience.

But it is actually quite a cleverly constructed film.

That you could easily place in the company of films like Vertigo; Beau Is Afraid; and Raoul Ruiz's epic psychological masterpiece, Le Territoire.

Just...not quite on the same level of those films.

You might be inclined to pair it with other, recent, lesbian oriented horrors, like Jagged Mind, and My Animal, from this year, as well.

Which would make for an interesting marathon.

Because, in the end...once you let it simmer, and come to fruition...there's really nothing not to love about this film.

It may be a bit of a slow burner...and have a pretty bizarre plot.

But it's actually kind of a sleeper hit, in my opinion.

So it get's my seal of approval.

And emphatic recommendation.

Don't let the haters make you pass this one by.

Because, while it may not be for everyone...it's most definitely worth a watch.

6.5 out of 10.

It's easy to dismiss Bad Things as the queer version of The Shining but initially, at least, there are a few ideas worth appreciating here. This should ideally have been centered around Gayle Rankin's Ruthie.. and her trauma, manifestations, and slow descent into absolute chaos. Instead, writer-director Stewart Thorndike randomly shifts perspectives (especially when things begin to get interesting) to the other characters, taking us out of the one-woman-breakdown thread, and desperately trying to blur the lines between what's real and what's not. The entire episode then feels like a pointless exercise in the end, mostly because the perspective then transitions back to Ruthie's and we once again witness her losing her mind.

Also, the scenes that were supposed to induce a creepy feeling absolutely fail to do so. The shots of random people showing up at the restaurant, at the facade, and elsewhere, are laughably executed. If the hotel and its snowy surroundings had terrible history, then we ought to have known that because that'd have added to the atmospherics. I did like how the story incorporated Molly Ringwald's character into the film, and while not a surprise, it's nicely woven into the proceedings. When it comes to performances, I think the cast did a fairly decent job. That's one reason why the film is perfectly okay to sit through, even when it fails on the narrative and horror-inducing fronts.

I give it 2 stars because it wasn't boring, precisely. It simply made no sense and wasn't scary in the least...that is, unless you count how frighteningly ugly and stupid the characters were. These people are friends?? I don't believe it. I was completely unable to suspend my disbelief and was acutely aware of the films shortcomings every moment.

Incredibly unlikeable characters (despite minimal development), a meandering and pointless plot that fleshed out exactly nothing, and an utter lack of logical support leave the film a nonsensical mishmash.

I'd seen the directors first offering, Lyle. A better film, though not good, it and Bad Things leaves me wondering if Thorndike is deliberately and actively trying to depict lesbians as unhinged, abusive, and dull-witted wastes-of-breath? And to ruin film?

The actors in this movie made you believe in their characters. Their actions, reactions, and incidental chatter sounded like people really talk.

Unfortunately that's the only nice thing I can say about this movie. The setting and setup is great... if Stephen King hadn't thought of it half a century ago. The direction is uneven, sprinkling a few interesting scenes into an hour-and-a-half of ennui. And the writing.... Four characters that I cared nothing about, trying to survive, or not, whatever. This movie-other than the actors-came across like the product of a high school English assignment from an ineffective teacher: "Write a new ending for 'The Shining.' And remember, if less is more, then nothing must be everything!"