Dawshom Awbotaar

Film Review: Dawshom Awbotaar ( Bengali Film ) screening in cinemas .. a pujo treat for my bong friends!!

Directed by Srijit Mukherji,Dawshom Awbotaar is a prequel to other films in his cop universe - Baishe Srobon, Vinci Da and Dwitiyo Purush.

It traces the beginnings of the two tough cops - Bijoy Poddar ( Anirban Bhattacharya) and Probir Roy Chowdhury ( Prosonjit) who are forced to work with each other on a complicated case where a serial killer is targeting victims based on the 10 Avatars of Lord Vishnu, hence the name Dawshom Awbotaar.

The clueless cops take the help of Maitreyi ( Jaya Ahsan), a psychiatrist, in order to understand the psyche of the killer and bring him to book. Will they catch him or will the hunters themselves become the hunted this time?

Boasting of a stellar cast Jisshu Sengupta, Prosonjit, Anirban Bhattacharya and Jaya Ahsan, what more could you have asked for in a suspense thriller. All of them do full justice to their respective roles and have grt screen presence.

The banter between Probir & Poddar is funny and brings a smile on your face. Great chemistry indeed!! Jisshu as the serial killer has portrayed his part well and Jaya Ahsan is decent too. The twist in the end is nice too like all the other films in the franchise ( though u might be able to guess it a bit earlier )

On the flip side the film seems slow at times and the climax , though well shot, is a bit stretched. The run time of 2 hr 34 mins could have definitely been reduced by at least 15 to 20 mins to make it more crisp and peppy!!

Don't compare it with the earlier films and u will come out of the theatre a happier person!!

I would definitely love to see the Probir - Poddar Jodi in action again In the future too !!

Going with 3.5/5 for this one .. adios 🙂!!

#sanjuzzreviews #dawshomawbotaar #JishuSengupta #ProsenjitChatterjee #AnirbanBhattacharya #jayaahsan #SVF #hoichoi.

Director #SrijitMukherji's latest product from his Cop Universe and from the house of #SVF, jointly delivered a much-hyped but a thoroughly disappointing melodramatic daily-soap kinda experience. The first half was no-doubt fast-paced and power-packed, but on the contrary, the second half lacked its pace and the screenplay went totally haywire. Music is equally awful, and so is the editing. The second poorest release after Bagha Jatin. The camera work is fairly moderate. But over-usage of slo-mo and Drone shots seems overrated. The plot is predictable and the screenplay is neither edge-of-the-seat, nor gripping. Both #ProsenjitChatterjee & #JisshuSengupta delivered good performances, #AnirbanBhattacharya is fair too, while #JayaAhsan tried her best, but all her efforts to cope up with the predictable plot rendered futile. However, its a one-time watch movie. Moral of the story, over-usage of cuss words and intimate scenes along with titillating the audience with previous franchises' hints couldn't save the drowning ship, when the premise is itself weak.

Dasham Avatar movie is not as good as Baishe Shravan and dwitiyo purush movie (Baishe Shravan movie itself is a history of Bengali thriller cinema ) but it is much better than other Bengali suspense thriller movie. Story writing is very weak. Can Guess Villain Jesus Sengupta character needed better build up Prosenjit Chatterjee's Anirban BhattacharyaSlow motion effect in the entry scene which is very common in South movies would have been good if not but Prasenjit Chatterjee and Anirban Bhattacharya acting 100 100 Jaya Ahsan's acting was good but needed to be better this movie is ground and BGM is not good at all the good points of this movie are very catchy dialogueJesus Sengupta Anirban Chatterjee's acting and songs have a new meaning and This movie has a plot twist which is quite good.

"Dasham Avatar," Srijit Mukherji's 2023 Bengali thriller, arrived with a significant weight of expectation, not least because it promised to unite two of his most iconic police characters: Probir Roy Chowdhury (Prosenjit Chatterjee) from "Baishey Srabon" and Bijoy Poddar (Anirban Bhattacharya) from "Vinci Da." This "cop multiverse" concept, while exciting on paper, ultimately proved to be both the film's greatest draw and its most significant challenge.

The premise is immediately intriguing: a serial killer terrorizes Kolkata, with each murder meticulously staged to mirror the ten avatars of Vishnu. This mythological underpinning provides a fertile ground for a dark, intellectual thriller, and Mukherji, known for his intricate plotting, certainly starts strong. The initial acts are a testament to his directorial prowess, skillfully building suspense and introducing the compelling dynamic between the seasoned, often cynical Probir and the sharp, unconventional Poddar. Their camaraderie, a blend of witty banter and professional respect, is a definite highlight, carrying much of the film's early momentum. Prosenjit Chatterjee, reprising his role after over a decade, slips back into Probir's skin with effortless charm, while Anirban Bhattacharya continues to impress as the quirky Poddar.

Cinematographically, "Dasham Avatar" is a triumph. Soumik Halder's lens paints a vivid and often haunting portrait of Kolkata's underbelly - its labyrinthine alleys, bustling streets, and the interplay of light and shadow, all contributing to an immersive and atmospheric viewing experience. The visual storytelling elevates the film beyond its narrative shortcomings, showcasing a city that is as much a character as the protagonists. The meticulously staged murders, with their mythological connections, are visually striking and contribute to the film's chilling aesthetic.

However, where "Dasham Avatar" truly falters is in its execution, particularly in its third act. The film's ambitious narrative, initially so promising, begins to unravel, leading to a conclusion that many critics found rushed, incomplete, and unsatisfying. The intricate build-up of suspense and investigation gives way to a hasty climax, leaving viewers with unresolved questions and a lingering sense of unexplored potential. This abrupt ending significantly undercuts the film's impact and prevents it from reaching the heights of Mukherji's earlier thrillers like "Baishey Srabon" or "Chotushkone." The attempt to replicate the narrative twists of "Baishey Srabon" feels half-baked and out of place, ultimately diminishing the overall experience.

Moreover, the integration of the "cop multiverse" isn't entirely seamless. While the pairing of Probir and Poddar is enjoyable, the necessity of linking "Vinci Da" feels somewhat forced, with critics noting a lack of genuine connection or justification for Anirban Bhattacharya's character to be Poddar from that specific film. It often feels like a deliberate attempt to capitalize on past successes rather than a natural progression of a shared universe. Certain directorial choices, such as an overreliance on slow-motion sequences during confrontational scenes, also drew criticism for being gimmicky and even nauseating in some instances.

Despite these flaws, "Dasham Avatar" is not without its merits. The performances from the lead actors, particularly Prosenjit Chatterjee and Anirban Bhattacharya, are commendable. Jisshu Sengupta, as the antagonist, also delivers a strong performance, both in and out of his disguises. The film's soundtrack, featuring contributions from Anupam Roy and Rupam Islam, adds another layer of emotional depth. The commitment to visual detail and the initial promise of its unique premise make it an engaging watch for a significant portion of its runtime.

In essence, "Dasham Avatar" is a film that shines brightly in its individual components - stellar cinematography, strong performances, and an intriguing concept - but ultimately struggles to coalesce into a cohesive and wholly satisfying whole. It's a cinematic endeavor that, while visually arresting and entertaining in parts, leaves a sense of untapped potential, falling short of the high standards set by its director's earlier works in the thriller genre.

The screenplay of the movie is very well crafted. But to attract the younger generation, it is not desirable to use excessive profanity. The camera work deserves praise at several places. The camera work deserves praise at several places.

The movie starts well but gradually loses its momentum due to being too long. And lost in Kanagli after the break. Those who watch the movie will understand the end of the movie before long. Very average quality movie. And no song except Rupam's song could make a mark in my mind.

Jaya's acting is very average. Such a powerful actor as jishu was not used properly.