Only the River Flows

Lens: 16mm film movies are really not easy It has a very cinematic texture, composition, colors, perfect camera language, and metaphorical expression art, which perfectly fits this somewhat bizarre and absurd story. There are no unnecessary narrative techniques at all. Excellent artistry, the atmosphere brought by the screen is excellent!

Music: This movie doesn't have a lot of music, but it's all perfectly chosen. And most importantly, when you finish watching the music in the movie and hear it again, a very strange feeling arises, as if the story of Ma Zhe and his is floating in your mind again, bringing you back to the story of the movie like a movie. Many of the things conveyed by the camera seem to be experienced in an instant.

The movie is actually based on a novel by Yu Hua... The plots and setting of this movie makes audience unable to predict the end... The absurdity will make looking forward to the end of the movie... It's a noir movie... Mind blowing and realism... I believe it took years before Wei Shujun could adapt this to a movie... My friend that attended the screening at Cannes told me how absurd it was and I should see it so... Seeing this, it is above my expectations because I actually don't really like Chinese movies, I base on Korean but seeing this, I look forward to see more of this nature of movies.. Nice Performance from Yilong Zhu and Maoyan Chloe.. it's actually worth given it a try👍

This is undoubtedly one of the most anticipated films of the year!

I have been following this film since the trailer and it is truly worth the ticket price and the time you pay.

Shujun Wei has made a brave and successful attempt. The film combines absurdity and reality in a perfect way to show the kind of life that was lived in the 90s.

Yilong Zhu's performance is amazing! I was introduced to this actor from China through this film and his handling of the role is vivid and eye-catching. He perfectly brings out the obsession and madness of a middle-aged cop.

In my opinion, this is absolutely excellent work and I look forward to their future works.

Reviews from the premiere was exciting so glad I got the replay ticket on 22 May at the Cannes festival. No spoilers.

Actor Zhu Yilong was fantastic in portraiting the character Ma Zhe and gave some very powerful and mesmerizing scenes. One can feel the emotional turmoil of Ma Zhe as the storyline unfold. An amazing young and gifted actor. I look forward in checking out his other movies.

The cinematography was fabulous. Many great scenes composition and the final grading set a good tone on the mood.

The bgm blended well and compliment the movie story development.

Only the River Flows is a well made movie taking a deep dive into human nature and self reflection.

"Ma Zhe" (Zhu Yilong) engenders an almost adulatory degree of support from his team as he leads them on an investigation following the discovery of the body of the goose-rearing "Granny Four" on a remote riverside. Suspicion quickly falls on her adopted friend known simply as the "madman", but the detective is not so convinced that things are that straightforward. His ensuing task isn't helped by pressure from his ping-pong playing boss to conclude quickly and by the fact that he and his wife are expecting a baby - and that procedure is not going to be as simple as they might like. With the rain pretty much relentless throughout, he encounters some quirky local characters who seem to muddy the waters rather than offer him clarity. Clarity? Well that's an element to this story that is a bit too sparing at times. "Ma Zhe" finds his troubles gradually getting the better of him - yes, there are more bodies - and soon his own grasp on reality becomes distinctly compromised. Can he keep it together long enough to solve the crime? The film starts with the usual affirmation of the communist values of team play before entering the realms of predictable cop drama tempered with a bit of undercooked psycho-babble that Zhu Yilong tries to hard hold together. By the denouement, though, I felt way too much of the plot was contrived to try to tap into the psyche - of him and us - and it didn't really work. That said, he does well here and we do get quite a tense sense of his gradually becoming overwhelmed by the scenarios that test his usually linear style of working, thinking and living. Sadly, aside from "Ma Zhe", the characters are barely developed and director Wei Shujun seems more interested in focussing on an admittedly gritty and authentic looking peek at 1990s rural China, whilst rather abandoning the detail and characterisation of story to the sidelines as the dream sequences blur more and more the line between reality and fantasy. It does move along well enough, but I found it a bit of a meringue of a film - not much when you get into it.