Dono

"Dono" is a cinematic catastrophe that defies description. From its laughable plot to its cringe-worthy performances, this film is a masterclass in how not to make a movie.

The storyline is a convoluted mess of clichés and inconsistencies. It jumps between genres so abruptly that it leaves the audience bewildered. The characters are one-dimensional at best, with their actions often making no sense whatsoever. It's as if the scriptwriter had a dartboard of movie tropes and threw blindly to piece this disaster together.

The acting is equally dreadful. The lead actors deliver their lines with all the charisma of a soggy cardboard box. Their attempts at emotional scenes are so painfully awkward that you'll find yourself squirming in your seat. Supporting cast members seem to have been plucked from a local community theater, bringing wooden performances that make you yearn for better talent.

The special effects are a joke. CGI that looks like it's from the '90s, and not in a nostalgic way. Explosions and car chases are so poorly executed that they elicit unintended laughter. It's baffling how anyone involved in this production thought these effects were passable.

The editing is a train wreck. Scenes transition abruptly, leaving you wondering if a reel was misplaced. The pacing is so off that it feels like a marathon of endurance rather than entertainment. And let's not even start on the cringe-inducing soundtrack that blares at inappropriate moments.

As for the cinematography, it's a masterclass in how not to frame shots. The camera angles are bizarre, and the lighting choices often make it difficult to see what's happening on screen. It's almost as if the director had never held a camera before.

In conclusion, "Dono" is a cinematic travesty of epic proportions. It's a movie so bad that it's not even fun to mock. Avoid it at all costs unless you're a masochist looking for a painful movie-watching experience. This film should serve as a cautionary tale for aspiring filmmakers everywhere: this is what happens when everything goes wrong in the world of cinema.

Rajshree successful expertise in Indian marriages and stories around it is repeated again in this movie which marks the debut of director Avinash S Barjatya ( son of Sooraj Barjataya), Rajveer Deol (son of Sunny Deol) and Polomi.

Story and direction is good, its simple but good but performances are ordinary. Sorry to say but Rajveer like his elder brother Karan Deol has not properly prepared himself for the film industry of today. He looks good but expression wise,dance wise ,body wise he still in the era of his father whereas other recent new comers like Varun, Tiger,has worked on themselves.

You can wait for its OTT release to watch the film.

Recently watched the movie DONO. It is a very sweet romcom from Rajshri productions. Since many years, Rajshri productions is known for making clean family entertaining movies and DONO does not disappoint.

This is a refreshing story of young people Dev Sharaf( Rajveer Deol) and Meghna Doshi ( Paloma) who meet at lavish Destination wedding in Thailand .Dev is friend of Dulhan (Alina), who happens to be his childhood crush and Meghna is the best friend of Dulha(Nikhil). Sparks fly between them during pre marriage functions as they strike up a friendship and help each other with their problems.

Coming to performances, Handsome Rajveer Deol has delivered superlative performance with perfect blend of love ,emotions and humour.

Gorgeous Paloma with dimples which enrich her facial expressions scores 10 out of 10 with her standout acting, spontaneity and lively screen presence.

Kanika kapur is very impressive. She acted flawlessly particularly in some emotional sequences in the movie. Rohit Khurana as Nikhil and Aaditya Nanda as Gaurav have also done their roles perfectly.

Music is the strong part of the movie. Shankar-Ehsaan-Loy have given awesome music score which adds a fun charm to the film. Armaan Malik's voice in the title track is outstanding.

First time Director Avnish S. Barjatya has done a fabulous job in making this sweet love story that has more than just romance. He has directed pre marriage functions very gracefully which his father Sooraj Barjatya is famed for.

In conclusion DONO is such a pretty movie on modern relations, closures and importance of self respect.

Very nice movie, Avnish S barjatya has done fsbulous job. Rajveer deol is new generation romantic star of bollywood, paloma is sensation. Both have proved themselves as award winning actors. Songs are situationable with story, scenes and locations are attractive. Indian cultured based modern love story with a social messege. What Young generation thinks movie focuses about their thought in new era of new India, parents should understand their feelings. Best direction, best story, best acting. We all famiy members like this movie with heart. Best of all for new comers. I recomend to audience must watch movie.

Dono (2023) : Movie Review -

Dono Review: Avnish Barjatya makes his debut with Rajshri Productions' "Dono," starring Rajveer Deol and Paloma Dhillon. Today's romantic dramas are far different from what Rajshri used to make way back in time. From misunderstandings, breakups, and reconciliations, we have come to the 'move on' term in the romantic drama genre. That's relevant to today's generation, but is everyone concerned about it like everyone was with Rajshri's family dramas? The answer should be no, because move-on and live-in terms are still not fully socially accepted. Yet, we have filmmakers trying to tackle the subject, which is somewhat relatable to youth and far from family audiences. Isn't that a sigh of worry? It could have been a good, modern take on the dual love stories, trying to cross each other over, but fails short in conviction.

Dono is about a young man, Dev (Rajveer Deol), who has to attend the wedding of Alina, whom he has loved since childhood. Having no excuse to skip the wedding, he is forced to go to the wedding to find himself nothing but torment. There he meets Meghna (Paloma Dhillon), a happy-go-lucky girl (at least that's what she pretends to be from the outside), who learns about his love for Alina by mistake. They become friends and spend good time during the pre-wedding festivities. Meghna has a past; the one who is present with her at the wedding, and she is disturbed by his presence. Dev can see it and feel it, and that's what brings them closer, unknowingly or knowingly. Will they accept this unspoken feeling? Will Dev be able to get over Alina, and will Meghna forget her possessive ex-boyfriend?

Dono is set in Thailand-I mean, the wedding portion-without foreign culture. It shouts about modern love theories and weddings but is stuck with decades-old theories of society. The soon-to-be coulple cannot kiss each other, as if they never kissed while dating. The girl has to receive all the looks because she is a girl. Is that what you call a modern love story? The main protagonist is more outdated than Sarat Chandra Chattopadhyay's Devdas, who cannot speak a word about love to his girl, cannot propose, and yet expresses his loneliness to his best friend. If he couldn't speak to the girl, how can he speak about the same with his best friend when he was the one at fault? Dono's writing defeats its main purpose, which is to be modern. Rajshri is known for traditional dramas, so Dono defeats that purpose as well. Moreover, the screenplay is too long and tedious. It's impossible for one to hold their seat for two and a half hours. Avnish's writing should have been more complete, and the screenwriting is too below the mark.

Rajveer Deol looks handsome in his debut and is pretty promising in some scenes. But he needs to work on his dialogue delivery, as the accent isn't flawless. Paloma literally looks breathtaking in many scenes whenever she is all dolled up with all that traditional makeup kit. Traditional beauty is always ahead of glamour and skin show, and Paloma follows the same rulebook here. Alina's character had to be glamorous and extra modern, which is portrayed well by Kanikka Kapur, who brings her own scenic beauty to it. Aditya Nanda is nothing but a chubby boy, while Rohan Khurana, Manik Papneja, Poojan Chhabra, and others are decent in their roles.

Dono is shot overseas, so it's definitely a lavish film to watch. The cinematography is good, especially with nature's shots and the wedding shoot. All you see is beautiful girls wearing traditionally gorgeous clothes and boys in classic fashion-well, that's a fine job done by a costume designer. Dono lacks tight editing, though. With one or two songs trimmed, they could have made it with a standard runtime of 130-135 minutes. Those extra 15-20 minutes aren't worth it. I still think Avnish's writing was more problematic than his direction. In the first half, you don't feel bored because it never looked like a film directed by a debutant. It's engaging and pretty handsome. The second half takes it down because the writing goes too low with its graph. There was nothing that could have saved it anyway, but Avnish did try. After all, there is a happy ending and before that, one or two suspenseful moments, but everything is predictable, including the characters' behaviour (that non-smiling man, though). Overall, Dono comes with a finite amount of conviction that's brought down by half-baked theories.

RATING - 4/10*