Der Schatten

This six part drama is centred on Norah Richter, a journalist who has just got a new job at a new publication in Vienna. One day she approaches an elderly beggar who prophecies that Norah will kill a man named Arthur Grimm on a specific day in a specific park. Norah doesn't believe this, she doesn't even know the man but soon strange things start to happen and she starts looking into who Arthur Grimm is. At work she is given the task of writing an article about a controversial artist, an assignment a colleague really wanted. She is also haunted by the death of her friend Valerie fourteen years previously.

I thought this was an enjoyably series. It managed to be nicely creepy without overdoing it. It starts well, quickly gripping the viewer and doesn't really let up on the tension as the story progresses and Norah appears to becoming increasingly paranoid. The characters are interesting with the cast doing a fine job bringing them to life. The various plot threads develop nicely as the series progresses with some inevitably combining as the viewer, and Norah, learn more. I've not read the book, to be honest I wasn't aware that it was based on a book when I started watching. This might be a good thing as that way I didn't find myself comparing the two. Overall I'd recommend this to fans of Euro-drama looking for something a bit different.

These comments are based on watching the series in German with English subtitles.

The book was awesome and it really get's pictures into mind, but the series seems like a bad copy of 'Der Pass' and a few other series recently filmed in Vienna and the Alps. The actors are awfully trying their best to get some life into their roleplay and the chatacters. By watching this, I don't think they are full life people, who really exist. I mean, there is no character you even try to like and even wish to get through their struggles. Main character syndrom kicks hard as well. I don't even know why Norah is wearing the same crop top (or lookalike) that she've worn, when she helped the 'drunken Lady' out of the Donau. Over and over again. Neige blanche is a thing, right? Besides a great well known soundtrack, i would not recommend to watch it (again).

This is like an episode of your favourite soap where the characters much along with a poor script, knowing that the loyalty of the audience to the long story arc will keep them engaged even when very little is going on. Here the longer arc is so dumb (a Cassandra-like beggar tells the young beautiful lead that she will kill a man she's never heard of on a particular night) and so obviously intended to hold our attention that it just makes even one whole single episode more than a sane person can bear. Do we care what the denouement of such a silly 'plot' device can be? Well, no, quite frankly. Pretty female actress runs around in circles is only going to distract a small demographic for a limited time. Most people will just give up.

To be honest, i thought that the novel this series is based on was compelling. However, all the intriguing and provoking material in the novel is not reflected in the series. Setting in Vienna is good, actors are plausible, but somehow it does not work. It does not flow to hook the audience to binge all the episodes.

From the beginning there is this urge to open the 6th episode, watch the ending and get over with it. In the book there was this bomb in the middle of the pages that was ticking. Will she commit what she is set to commit or not? What is happening?? It was a good thriller.

I am afraid to say the series is fairly boring. The suspense is not there. You just want to turn your eyes and move onto something else. Too flat. I am a fan of Keshet and I am proud they are producing material for the European audience but both. Rough Diamonds and his ne dont fly like the Homeland did. Sorry.

Der Schatten unfolds as a meticulously crafted psychological thriller, distinguished by its atmospheric storytelling and compelling performances. Deleila Piasko embodies Norah Richter with nuanced restraint, capturing the character's internal turmoil as she navigates a series of unsettling events. The series delves into themes of guilt, manipulation, and the blurred lines between reality and illusion, set against the backdrop of Vienna's summer heat. Director Nina Vukovic's deliberate pacing and Pascal Schmit's cinematography enhance the narrative's tension, creating a sense of unease that permeates each episode. While based on Melanie Raabe's novel, the series stands as a distinct work, embracing the strengths of visual storytelling to explore its complex themes. The finale delivers a powerful conclusion that resonates without relying on conventional twists. Der Schatten is a testament to the potential of television as a medium for nuanced, character-driven narratives.