Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsBest Of 2025Holiday Watch GuideGotham AwardsSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
True Detective
S1.E3
Tous les épisodesTout
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

The Locked Room

  • Épisode diffusé le 26 janv. 2014
  • TV-MA
  • 1h
NOTE IMDb
9,1/10
29 k
MA NOTE
Matthew McConaughey in True Detective (2014)
Détective dur à cuirDrame policierDrame psychologiqueProcédure policièreSuspense et mystèreThriller psychologiqueTueur en sérieCriminalitéDrameMystère

Ajouter une intrigue dans votre langueCohle and Martin finally get a new wind in the case and can confirm a suspect. Martin's mistress gets on with somebody else leaving him furious. Cohle's theory becomes increasingly more conv... Tout lireCohle and Martin finally get a new wind in the case and can confirm a suspect. Martin's mistress gets on with somebody else leaving him furious. Cohle's theory becomes increasingly more convincing than ever.Cohle and Martin finally get a new wind in the case and can confirm a suspect. Martin's mistress gets on with somebody else leaving him furious. Cohle's theory becomes increasingly more convincing than ever.

  • Réalisation
    • Cary Joji Fukunaga
  • Scénariste
    • Nic Pizzolatto
  • Stars
    • Matthew McConaughey
    • Woody Harrelson
    • Michelle Monaghan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    9,1/10
    29 k
    MA NOTE
    • Réalisation
      • Cary Joji Fukunaga
    • Scénariste
      • Nic Pizzolatto
    • Stars
      • Matthew McConaughey
      • Woody Harrelson
      • Michelle Monaghan
    • 15avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos26

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 20
    Voir l'affiche

    Casting principal34

    Modifier
    Matthew McConaughey
    Matthew McConaughey
    • Detective Rust Cohle
    Woody Harrelson
    Woody Harrelson
    • Detective Marty Hart
    Michelle Monaghan
    Michelle Monaghan
    • Maggie Hart
    Michael Potts
    Michael Potts
    • Detective Maynard Gilbough
    Tory Kittles
    Tory Kittles
    • Detective Thomas Papania
    Alexandra Daddario
    Alexandra Daddario
    • Lisa Tragnetti
    Kevin Dunn
    Kevin Dunn
    • Major Ken Quesada
    Shea Whigham
    Shea Whigham
    • Joel Theriot
    Robert Beitzel
    Robert Beitzel
    • Chris Louviere
    Joe Chrest
    Joe Chrest
    • Detective Demma
    Jamie Elliott
    • Tina
    JD Evermore
    JD Evermore
    • Detective Lutz
    Glenn Fleshler
    Glenn Fleshler
    • Errol Childress
    Dana Gourrier
    Dana Gourrier
    • Cathleen
    Douglas M. Griffin
    • Burt
    Charles Halford
    Charles Halford
    • Reggie Ledoux
    Sharon Landry
    Sharon Landry
    • Linda
    Maryanne Marino
    • Singer
    • Réalisation
      • Cary Joji Fukunaga
    • Scénariste
      • Nic Pizzolatto
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    9,129.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    10BenM3801

    Stunning

    Pretty annoyed that my other review of this got taken down just because i used the f word, because my first review really encapsulated how i was feeling the first time i saw this. I will try to replicate with those review however. This is really when things start to kick into high gear and wow is this episode something else. Continues to professionally add depth and dynamic to these two characters and propels the story forward in expert fashion. The conclusion to this episode is so unnerving, it's genuinely one of the best endings to an episode of TV I have ever seen, and it's such a masterful cliffhanger. A conclusion that seared an image in my brain that wont leave for a very long time. Such a good episode.
    BirdmanT7

    A work of Art that wont be appreciated

    I have heard a lot of negative reviews about this show being too slow/boring since the first episode. For those who were expecting to see an action cop show like "Chicago PD" with some gun fire,profanity, dead body parts, then you have come to the wrong place. Just hearing these complaints about how slow the show is a sign of our times of how people's attention's span is so become less conditioned and more programmed to be entertained every minute of those 60 minutes with some kind of intense violence.

    I am glad "True Detective" is not like those other shows, its slow for a reason, it takes its time; it is not so much about the crime as its about the characters and social commentary. It requires your attention, its for a mature thinking adults, so if you are bored then you are looking at this show the wrong way and expecting to be a typical cop show.

    "Rust Cohle" is probably one of the most interesting written characters in a television/cable Police drama show I have ever seen as a Cop. He maybe viewed as misanthrope or even a sociopath yet he understands himself and knows who he is to a fault. He said once he is glad he is single and never remarried because he would have wear the other person down and its not fare to them, but that's what makes him right to fit the job. He may view and disdain the human species or human nature, yet a lot what he believes and says is true that for people like his partner "Martin Hart" who claims a family is what brings balance to a man's life, yet he cheats on his wife and lies to himself. Cohle summed up best that their difference as Hart to be a person who lives in "denial", people who deny of what they really want or and live a life of what is expected of them; yet according to Cohle people who are incapable of guilt have a better time in life.

    Cohle sees the Merry Go 'Round of life and finds its pathetic, so he refuses to participate, to live this fiction that everyone creates in their head that place Rust calls " The Locked Room", what he views to be a fictions of lies to become a "Person". Listening to him one may think he is insane and detached but he is actually more human than most.

    This third episode really took a turn when it came to reveal more about the conflict of Martin and Rust, every conversation these two have is the unraveling of what this show is about, not so much about the crime but who these two people are and how they live and view the world with the carnival of characters as a backdrop to the murder story. This show maybe hard for people want instant entertainment to sit through because they are so focused on the crime aspect of it and expect to see action, but this is not what the writer is trying to present to you here with these two detectives. Had this show been released in the 1970's I doubt it would be viewed as slow or boring, but this how far people's mind are conditioned to think that every show has to have the same pace, the same jump cuts to action, so its a challenge to just sit, listen and think, what an endeavor?.

    I remember a film from the 80's by director David Lynch called "Blue Velvet" where the crime element was just a side show to what the film was about and it took years for people to understand Lynch's intention with that film. I think it will take years to look back on this show for people to realize its a masterpiece, a work of Art that wont be appreciated by the mundane minds of today's text/ipod generation who have been dummied down by watching the works and likes of "Tarantino"; the master of "puppet" theater.

    So I say Bravo to creator Nic Pizzolatto for not being a conformist and be above the Puppet shows, by challenging his audience to sit up and pay attention and maybe reflect on something that they relate to; he has raised the bar way high with this show !
    8ahmxii

    A work of Art

    I am glad "True Detective" is not like those other shows, it's slow for a reason, it takes its time; it is not so much about the crime as it's about the characters and social commentary. It requires your attention, it's for mature thinking adults, so if you are bored then you are looking at this show the wrong way and expecting it to be a typical cop show.

    This third episode took a turn when it came to revealing more about the conflict of Martin and Rust, every conversation these two have is the unraveling of what this show is about, not so much about the crime but who these two people are and how they live and view the world with the carnival of characters as a backdrop to the murder story. This show may be hard for people who want instant entertainment to sit through because they are so focused on the crime aspect of it and expect to see action, but this is not what the writer is trying to present to you here with these two detectives.
    9dcdude-26988

    8.75/10, Getting ALOT Better

    This was definitely another great episode of this season. So far, this is still very unpredictable, even at the very start of the season. My favorite characters in this episode were again, Rust, Marty, and Maggy. My favorite things about this episode were the Protagonist, the Cinematography, and the music. This was the last episode until the very highest rated of this season and the entire show, so I wonder if it lives up to that rating or if there is a better one. I'm still wondering if this will be one of my favorite seasons of television or not, but who knows? I don't think this is better than Chernobyl Season 1 so far, but I don't feel to need to repeat the question again.
    10mhedricklca

    Didn't think it could get any better, but this hits a new high.

    Was feeling bad for Woody Harrelson during the first two episodes, seemed that Hart was written, above all else, as a foil for Rust. But, here we get new depth for Hart. McConaughey still gets the best scene work, I don't expect that to change throughout the remainder of the season, but it's far closer than before.

    We start to see the desperation at the center of Hart. A desperation that ties him and Rust together, despite it manifesting in nearly opposite ways. Vice meets solitude, denial finds obsession, depressive versus rage, id and ego personified. Two strangers forced to work together, to sit together on long drives, they make up a strange kind of balance, creates a professional relationship as successful as it is personally.

    Centres d’intérêt connexes

    Barbara Stanwyck and Fred MacMurray in Assurance sur la mort (1944)
    Détective dur à cuir
    Ethan Hawke and Denzel Washington in Training Day (2001)
    Drame policier
    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Ice-T, Mariska Hargitay, Danny Pino, and Kelli Giddish in New York - Unité spéciale (1999)
    Procédure policière
    James Stewart in Fenêtre sur cour (1954)
    Suspense et mystère
    Rosamund Pike in Gone Girl (2014)
    Thriller psychologique
    Brad Pitt and Morgan Freeman in Seven (1995)
    Tueur en série
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drame
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Marty tells Maggie he's staring at 40 (age). Woody Harrelson was 53 at the time of filming.
    • Gaffes
      Marty arrives home to discover that Rust has mowed his lawn to express his gratitude for having borrowed the lawn mower. However, it's never explained why Rust needed to borrow the mower as he doesn't have a lawn at his residence. If he mowed someone else's lawn, it's never revealed whose.

      This has no effect on the plot, so is not a "hole". The mower is simply a MacGuffin; i.e., it's a device used to get Rust into Marty's home without Marty being there. As such, it advances the plot point of the tension between Rust and Marty.
    • Citations

      Detective Rust Cohle: This... This is what I'm talking about. This is what I mean when I'm talkin' about time, and death, and futility. All right, there are broader ideas at work, mainly what is owed between us as a society for our mutual illusions. Fourteen straight hours of staring at DB's, these are the things ya think of. You ever done that? You look in their eyes, even in a picture, doesn't matter if they're dead or alive, you can still read 'em. You know what you see? They welcomed it... Not at first, but... right there in the last instant. It's an unmistakable relief. See, cause they were afraid, and now they saw for the very first time how easy it was to just... let go. Yeah, they saw, in that last nanosecond, they saw... what they were. You, yourself, this whole big drama, it was never more than a jerry-rig of presumption and dumb will, and you could just let go. To finally know that you didn't have to hold on so tight. To realize that all your life - you know, all your love, all your hate, all your memories, all your pain - it was all the same thing. It was all the same dream, a dream that you had inside a locked room, a dream about being a person. And like a lot of dreams, there's a monster at the end of it.

    • Connexions
      Featured in The 66th Primetime Emmy Awards (2014)
    • Bandes originales
      Far from any Road
      Written by Brett Sparks and Rennie Sparks

      Performed by The Handsome Family

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 26 janvier 2014 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • 302 Apple St, Norco, LA 70079, ÉTATS-UNIS(Vietnamese Restaurant)
    • Sociétés de production
      • Parliament of Owls
      • Passenger
      • Anonymous Content
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h(60 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.78 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.