Un message pour Noël

The idea is not bad, leading actors i usually find likeable and the supporting ones were all pleasant, but it's like the writer and director tried to keep it as primitive as possible. Nor was there a hint of chemistry between the leads. Till the last moment they were willing to give up on each other, then he decides her happiness means so much to him that he's willing to follow her to another country... (when it makes a lot of sense to stay in his new home now, near his mom they both love...)

To offer a half-baked product that has all the potential of being a satisfying and original story with good actors must be ...sad.

I've often said that these Hallmark/Lifetime/GAC Family movies live or die based on their casting of the lead actors and how much chemistry those leads have. Safe to say, the producers got it one thousand percent correct when casting Canadian Merritt Patterson (one of my favourites, from ever since her early Hallmark days, through her incredibly risqué turn in 'Heatwave' and recent work on GAC Family) and Trevor Donovan, who is a sold actor and can always be counted on to turn in a good performance.

If Patterson and Donovan were good together two years ago in 'Jingle Bell Princess', they are GREAT here in 'Twas the Text Before Christmas', which features an inventive (if somewhat unlikely in real life) scenario that takes place over three Christmases (similar to one of my favourites, 'Four Christmases and a Wedding') and a well-cast group of secondary actors.

This slow-developing and pleasant movie is definitely one of the better Christmas movies you're likely to see in 2023.

Love the ex-pat actors from Hallmark (Trevor Donovan & Merritt Patterson) but these GAF movies are super low budget and desperately in need of better dialog with very limited scenery. Even the Xmas decorations look cheap compared to the competition of Xmas movies from Hallmark, UPTV, Lifetime, etc. I devour Xmas and romance movies so I'm a conosseur of this genre and frankly after the first 15-20 min, I fast forward to the end and didn't miss much with this film.

I'm a big fan of the lead actors and the plots of their past Hallmark movies were way more complex and watchable compared to this GAF release. I know many actors moved to GAF to get production credit but obviously they didn't get script approval. This movie felt more like a low budget community stage production with a quickly written script than what I've grown to expect from other seasonal releases.

The basic motif to see it was, in my case, Trevor Donovan. And, indeed, he does a nice job . Good parts, forced final, fair portrait of Nana and some strange situations. But, more important, a pretty inspired start point , not too inspired used but , in good measure, acceptable.

I like it because I have not high expectations. A wrong phone number, the Christmas in Vermont of a New Yorker young lady, her boyfriends as autumn leaves and his father living between Australia of son and USA of daughter, family and a venerable couple at new chance of happiness and a burned turkey, a dog and a charming grandmother.

For a nice evening, good option.

The last GAF movie I watched had over the top autumn decorations and annoying background music. Fast forward to this Christmas movie and now we have over the top Christmas decor and more distracting background music. I'm not sure who thinks this adds to the movies but please stop!

Other than these distractions, I thought it was a good movie although the pace was slow, especially the romance between Addie and James. The leads, Merritt Patterson and Trevor Donovan, worked well together and I liked the interactions with Jayne Eastwood's "Nana". Probably not a movie I'd watch again but enjoyable for a one time view.