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Chhaava

  • 2025
  • 2h 41min
NOTE IMDb
7,3/10
35 k
MA NOTE
POPULARITÉ
2 343
961
Akshaye Khanna and Vicky Kaushal in Chhaava (2025)
Regarder Teaser [OV]
Lire trailer1:13
5 Videos
34 photos
ActionDrameL'histoireAction militaire menée par une seule personneDrame costuméDrames historiquesÉpiqueÉpopée d'actionÉpopée historiqueTragédie

Un drame historique basé sur la vie de Chhatrapati Sambhaji Maharaj, le fils de Chhatrapati Shivaji Maharaj.Un drame historique basé sur la vie de Chhatrapati Sambhaji Maharaj, le fils de Chhatrapati Shivaji Maharaj.Un drame historique basé sur la vie de Chhatrapati Sambhaji Maharaj, le fils de Chhatrapati Shivaji Maharaj.

  • Réalisation
    • Laxman Utekar
  • Scénario
    • Laxman Utekar
    • Rishi Virmani
    • Kaustubh Savarkar
  • Casting principal
    • Vicky Kaushal
    • Akshaye Khanna
    • Rashmika Mandanna
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    35 k
    MA NOTE
    POPULARITÉ
    2 343
    961
    • Réalisation
      • Laxman Utekar
    • Scénario
      • Laxman Utekar
      • Rishi Virmani
      • Kaustubh Savarkar
    • Casting principal
      • Vicky Kaushal
      • Akshaye Khanna
      • Rashmika Mandanna
    • 662avis d'utilisateurs
    • 40avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos5

    Teaser [OV]
    Trailer 1:13
    Teaser [OV]
    Chhaava
    Trailer 3:08
    Chhaava
    Chhaava
    Trailer 3:08
    Chhaava
    Most Popular Indian Movies of 2025 So Far
    Clip 3:36
    Most Popular Indian Movies of 2025 So Far
    Vicky Kaushal: Chhaava Scene Breakdown and Exclusive Behind the Scenes Stories
    Clip 11:53
    Vicky Kaushal: Chhaava Scene Breakdown and Exclusive Behind the Scenes Stories
    Most Anticipated Indian Movies of 2024
    Clip 1:41
    Most Anticipated Indian Movies of 2024

    Photos33

    Voir l'affiche
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    + 27
    Voir l'affiche

    Rôles principaux59

    Modifier
    Vicky Kaushal
    Vicky Kaushal
    • Chhatrapati Sambhaji Maharaj
    Akshaye Khanna
    Akshaye Khanna
    • Aurangzeb
    Rashmika Mandanna
    Rashmika Mandanna
    • Yesubai Bhonsale
    Ashutosh Rana
    Ashutosh Rana
    • Hambir Rao
    Divya Dutta
    Divya Dutta
    • Soyrabai
    Vineet Kumar Singh
    Vineet Kumar Singh
    • Kavi Kalash
    Neil Bhoopalam
    Neil Bhoopalam
    • Akbar
    Diana Penty
    Diana Penty
    • Zeenat
    Pradeep Singh Rawat
    Pradeep Singh Rawat
    • Yesaji Kank
    Santosh Juvekar
    Santosh Juvekar
    • Rayaji
    Kiran Karmarkar
    Kiran Karmarkar
    • Annaji
    Balaji Manohar
    • Mhaloji
    Neelkantee Patekar
    Neelkantee Patekar
    • Dharau
    Anil George
    Anil George
    • Mukkarab Khan
    Sarang Sathaye
    Sarang Sathaye
    • Ganoji
    Suvrat Joshi
    Suvrat Joshi
    • Kanhoji
    Ankit Anil Sharmaa
    • Santaji
    • (as Ankit Anil Sharma)
    Ashish Pathode
    • Antaji
    • Réalisation
      • Laxman Utekar
    • Scénario
      • Laxman Utekar
      • Rishi Virmani
      • Kaustubh Savarkar
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs662

    7,335.2K
    1
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    Résumé

    Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    7raghavkantbhardwaj

    Vicky Kaushal does 200%, Disappointed by A R Rahman

    Laxman Utekar's Chhaava focuses on the Battle of Burhanpur and its impact on the Maratha-Mughal war, rather than being a complete biopic of Chhatrapati Sambhaji Maharaj. The first half of the film struggles with pacing, but the second half gains momentum, leading to an intense and emotionally charged climax. The confrontation between Sambhaji Maharaj and Aurangzeb, particularly the exchange between Vicky Kaushal and Vineet Kumar, stands out as one of the film's most powerful moments. The battle sequences are well-executed, but the background score by A. R. Rahman lacks the necessary intensity to match the spirit of the Marathas. The action scenes are largely effective, though some exaggerated stunts and editing choices take away from the realism. Despite this, the film excels in its cinematography, costume design, and CGI, successfully recreating the historical setting.

    The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
    9mithados

    This is a very nice Movie

    At its core, Chhaava is not just about a warrior-it's about the idea of resilience, sacrifice, and legacy. It's about what it means to fight for something greater than oneself. The film leaves the audience not just with admiration for Sambhaji Maharaj but with a deep respect for the ideals he stood for. It is a rare historical film that manages to entertain, educate, and inspire all at once. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch.
    6kharenikhil

    Excellent acting, ok Scriptwriting Bad music

    Movie was good; though whoever directed the background music totally effed it up, I had to shut my ears every time a fight scene came.

    Also I think it should have had more Marathi dialect, rashmika's hindi sounded a bit off, action scenes were really good, though they should've shown some tactical schemes by marathas, as they were known for their tactics and skills.

    There were a lot of politics going on during that time, movie did not cover it however it is based on the life of Shambha ji's life and the movie did good there, costume and makeup artists did a really good job. The first half seemed a bit off, although movie caught the rhythm by the second half.
    7tempallesridhar

    Good movie, but could have been much better

    While the movie is based on the book, the events could have been portrayed with a much better screenplay and some better music. Overall the movie is good but there were many parts that could have been acted well.

    Screenplay suffers in many areas before and after interval where it slows down the pace of thw film. Dialogue should have been strong enough and music should have elevated the actions performed by the actors. But Rahman added much of the regular average music to this movie with some romantic music to some songs that is generally given to romantic movie songs.

    It was the best opportunity he could have used to come back with equal or greater music composition on par with Jodha Akbar that he gave. But it falls much below average. Directors needed to focus more on editing and screenplay skills. Story telling was quiet good. The movie elevated well from the moment he had to fight and get captured till the very end.

    It was directed more like a TV serial budget direction. Movies will need much better skills to make it a perfect cut.
    8reelEsh-tundor

    Good subject with good motive with a use of contemporary "grand action hit" technical Formula

    The cinematography in this movie is nothing short of spectacular.

    . Art direction is superb.

    . Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.

    . Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.

    . But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!

    Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.

    . It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.

    Best movie of this year yet.

    So I suggest to everyone to watch this to know the history of forgotten heroes.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
    • Gaffes
      The prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
    • Citations

      Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!

    • Versions alternatives
      The film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.

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    Détails

    Modifier
    • Date de sortie
      • 14 février 2025 (Inde)
    • Pays d’origine
      • Inde
    • Langue
      • Hindi
    • Aussi connu sous le nom de
      • Сын льва
    • Société de production
      • Maddock Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 4 800 000 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 790 000 $US
      • 16 févr. 2025
    • Montant brut mondial
      • 8 219 603 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 41 minutes
    • Couleur
      • Color
    • Mixage
      • IMAX 6-Track
      • Dolby Atmos
      • Dolby Digital
    • Rapport de forme
      • 2.39:1

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