Birthright Outlaw

Modern westerns typically only come in 2 flavors, excellent or barely watchable. This one is not in the excellent category by any means, but it was quite a bit less cheesy than Dead Man's Hand that I watched directly before this one (which was barely watchable). It's clean and knows what it is but the writing/plot is tedious at times and I thought many of the dialogue scenes were too long and drawn out. Production was obviously on a budget but was ok. Acting and costuming were decent and shots were clean. Lucas Black was probably the least convincing of the bunch for some reason- I guess I've seen Tokyo Drift too many times.. "maaa ride".

Since the beginning, first scene, the guy arrives in his horse in a house in the middle of nowhere and his wife dealing with her laundry in the open only notices the man arriving when he is 50 feet away. Ahã!

The grand father is pathetic, an outlaw escaping from justice with a camp under a hill? Hello, if you want to protect yourself, stay in the top!

Also, there was no GPS at that time, but the sherif, manages to hit the spot where there was a dead guy. To persons fire at each other and the director changes scene. A cheep suspense. But the wife of the sheriff arriving in the end is absolutely offensive to viewers. If you like westerns, have watched Dolare Bucato, stay away!

A daughter kidnapped. A hidden past revealed. A seemingly futile chance at rescue. Now, Rev. Jeremiah Jacobs and his wife Martha must overcome the lies of the past to find their Hope for the future.

"Birthright Outlaw" is a Christian Western transformation story that showcases the power of forgiveness and burying the past to rise anew.

It's effortless to connect with Reverend Jeremiah, Martha, and Hope. And a few of the secondary characters, such as Sheriff Beauchamp and Diamond, touched me just as deeply. I became invested in each of them and loved discovering what circumstances made them who they were. (And Jeff Fahey, as William "King of Hearts" Bridges, gives a compelling and believable performance!)

The film takes place in 1890 Last Chance, Arizona Territory, where life is peaceful and sweet. That is until The House Gang, known for sweeping the West with crime and chaos, kidnaps the daughter of the town Reverend. Secrets are revealed, loyalties are tested, and hope is threatened.

This film is a well-crafted Christian Western that combines suspense, action, drama, and faith. With relatable characters, a compelling plot, and a meaningful message, it is sure to leave your heart full and your soul sated.

Many thanks to Great American Pure Flix for providing a sample of the product for this review. Opinions are 100% mine.

#BirthrightOutlawMIN #MomentumInfluencerNetwork.

The only reason it didn't receive 10 stars from me.was its use of modern bible version scripture references. This movie was authentic in so many ways; from the cinematography to the music to casting to screenplay. The only Bible version that was widely used during the timeframe and setting of the movie was the King James Bible. For that faux pas it gets only 9 stars. Whether this was intentional because of the bent of the producer or director remains to be seen.

Lucas Black and Sarah Drew's performances shined in my opinion but there were no characters in this movie that were weak. I highly recommend this movie.

What a joy it was to see a new western with a Christian theme.

It's 1890 Arizona. Martha Rose Jacobs (Sarah Drew) is living her perfect life with husband Jeremiah Jacobs (Lucas Black) and daughter Hope Jacobs (Olivia Sanabia). One night, her past upends her life with a vengeance. They are attacked by a gang led by her father William 'King of Hearts' Bridges (Jeff Fahey) and Hope gets kidnapped.

I like the start and the opening premise. It's a B-western with aspirations to be a good spaghetti western. The filmmaking starts to falter a bit. A few things start bugging me. There is no way that she would hesitate to shoot that guy. She would probably shoot him in the back. She already shot someone in the back. There is no need to do that old trope where the good guy do not shoot first. That guy is shooting at her husband. She needs to put that guy down without warning. Finally, I find the whole card motif thing going overboard. They can be called that, but there is no need for the tents. It's a little ridiculous for rampaging fugitives to be putting up circus tents. There is a good idea here, but the execution keeps getting in the way.