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IMDbPro

Omni Loop

  • 2024
  • 1h 52min
NOTE IMDb
5,6/10
3,4 k
MA NOTE
Mary-Louise Parker and Ayo Edebiri in Omni Loop (2024)
A woman from Miami, Florida decides to solve time travel in order to go back and be the person she always intended to.
Lire trailer2:01
1 Video
15 photos
DrameScience-fictionVoyage dans le temps

Une femme décide de résoudre le problème du voyage dans le temps afin de revenir en arrière et d'être la personne qu'elle a toujours voulu être.Une femme décide de résoudre le problème du voyage dans le temps afin de revenir en arrière et d'être la personne qu'elle a toujours voulu être.Une femme décide de résoudre le problème du voyage dans le temps afin de revenir en arrière et d'être la personne qu'elle a toujours voulu être.

  • Réalisation
    • Bernardo Britto
  • Scénario
    • Bernardo Britto
  • Casting principal
    • Mary-Louise Parker
    • Ayo Edebiri
    • Carlos Jacott
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    3,4 k
    MA NOTE
    • Réalisation
      • Bernardo Britto
    • Scénario
      • Bernardo Britto
    • Casting principal
      • Mary-Louise Parker
      • Ayo Edebiri
      • Carlos Jacott
    • 29avis d'utilisateurs
    • 26avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Photos14

    Voir l'affiche
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    Voir l'affiche
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    + 9
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    Rôles principaux33

    Modifier
    Mary-Louise Parker
    Mary-Louise Parker
    • Zoya Lowe
    Ayo Edebiri
    Ayo Edebiri
    • Paula
    Carlos Jacott
    Carlos Jacott
    • Donald Lowe
    Hannah Pearl Utt
    Hannah Pearl Utt
    • Jayne Lowe
    Chris Witaske
    Chris Witaske
    • Morris
    Fern Katz
    • Sandra Lowe
    Steven Maier
    Steven Maier
    • Adam
    Jennifer Bassey
    Jennifer Bassey
    • Carville Resident
    Maddison Bullock
    Maddison Bullock
    • College Zoya
    Riley Fincher-Foster
    Riley Fincher-Foster
    • Young Zoya
    • (as Riley Elise Fincher-Foster)
    Jacob Bond
    Jacob Bond
    • College Donald
    Harris Yulin
    Harris Yulin
    • Professor Duselberg
    Eddie Cahill
    Eddie Cahill
    • Mark
    Michael Laurino
    Michael Laurino
    • Zoya's Father
    Efren Hernandez
    • Luiz
    James Benson
    • Nanoscopic Man
    Rick Moose
    Rick Moose
    • Taxi Driver
    James Healy Jr.
    James Healy Jr.
    • Dr. Leiterman
    • Réalisation
      • Bernardo Britto
    • Scénario
      • Bernardo Britto
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    5,63.4K
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    Avis à la une

    4ishaantiwari95

    Slow

    Generally a fan of low budget indie high concept sci-fi movies especially ones that are interested in time travel. Going by the casting of Ayo (one of the most employed movie actors in the industry right now) it was understood that this would lean more towards the comedic aspect rather than something like Coherence or Time Crimes that investigates the scifi premise indepth.

    This movie however fails to be a good ide driven scifi movie and as a comedy, even with a runtime of 1hr and 50 mins this feel thrice as long especially with the 2nd half of the film dragging excessively.

    Just straight up avoid it.
    6A_Different_Drummer

    not a sci-fi movie

    Yet another twist and turn on the original Groundhog Day 1993 (on my IMDb list of all-time greats). Here writer/director Bernardo Britto takes advantage of Mary Louise Parker's considerable abilities at relating to audiences, and making even the commonplace seem uncommon. Parker, who did many femme fatale roles in her younger days, has legitimate skill in comedic or semi-comedic roles (for example, RED 2010) -- making her a solid choice for the role of a world-weary woman with a fatal illness somehow caught up in a time loop, and reliving the same week over and over. (Parker is 60 playing a 55 year old). Yet, as was the case with Bill Murray in GROUNDHOG DAY, the story is less about the mysteries of the universe and more about the mysteries of the people we share the universe with. The almost 2-hour romp may not be something you will remember for the rest of your own days -- although it definitely has aspirations along that line. But it does entertain while it makes you ponder. Recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
    8infernoguyrules

    This movie is gonna get a lot of undeserved hate for not being what people want it to be.

    First off, let me give an honest up front detail about my review process: This film is really a 7.5 to me, but i rounded up instead of down like i usually do, because i feel this movie is trapped between a rock and a hard place.

    This is NOT an action, or adventure film, at all, like most big Sci-fi. Kinda barely even a sci-fi film, I prefer to call it Speculative Fiction, but most of all its a drama, while also not being exactly what that implies. This movie isn't a "Family drama" but it does focus in on familial bonds, its definitely not a comedy, but it stars relatable comic actors who inject a bit of levity into the situations. Its not any of those genres But it has elements of them all. (except, to be clear, action and adventure).

    To me this belongs in a genre I really love that I'm calling "Meta-Modern Speculative Fiction", and the easiest comparison is basically ALL the films of Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Synecdoche NY, Being John Malkovich), but others that I've loved are: Visioneers, Donnie Darko, Southland Tales, Sorry to Bother You, The Lobster, Poor Things, Get Out, Nope and the Tv Shows Legion, The Last Man on Earth, Maniac, I am a Virgo, and Devs. I could list a ton more but im getting away from the point.

    All this type of media tends to take a Speculative fiction concept, usually with some surreal mystery/thriller element, and apply those to a character drama, with a philosophical and/or psychosocial tone. They tend to defy genre convention by combining Elements of those genres and others, and an often wildly oscillating emotional undertone, conjuring disparate negative and positive associations along the way.

    In this case its mostly a time travel character drama, a little mystery thriller, and a peppering of other momentary vibes. It obviously shares a lot of tropes with Groundhog day but it tackles those in a totally different way that fans of Time Travel narratives will appreciate because it compresses a lot of the classic moments with clever editing techniques that fans of film editing will also love.

    Give it a watch if that sounds good, and if you already but you were expecting a different movie, please don't rate it poorly because it didn't match expectation, a lot of people like me want to see movies like this, and when the weirder movies tend to get downvoted due to being misunderstood it just gets tougher to find and support films like this.
    9the-tylerw

    Philosophically beautiful time travel

    I am such a sucker for a good sci-fi movie especially when it involves time travel. The setup and conundrum you get within the first 10 minutes. You only have to listen to the doctor giving Zoya her prognosis to understand that we are going to be stretching reality a little bit so enjoy the ride. The use of the Groundhog Day time travel concept is not original. The use of it to save a life is not original. The message that it presents about parenthood and the choices one makes along the road of life however are wholly its own. Beautiful storytelling and the characters are well rounded and multi dimensional. As a fan of fantasy storytelling mixed with sci-fi tropes I loved it and recommend it wholeheartedly.
    5Jim_Screechy

    Laborious

    It's quite a long movie for the content that is on offer. I found myself lagging after 45 minutes and never really regained the level of interest that I experienced at the start of the movie, and indeed, my interest wanned considerably after that.

    Its not really a science fiction movie at all, more of a drama initially burgeoned with a science fiction narrative. The goundhog day theme is excercised fairly well and even though I rolled my eyes a little when this came into play in fairness its done well and doesn't give you that sense of fermented nostalgia that normally detracts from a screenplay.

    I think the movie is half an hour too long, and the script and story needs to be condensed into something that doesn't cause your attention to stray and your patience to wear a little thin. Although Mary Louise Parker is pretty good, I found Ayo Edebir's style of delivery painful to experience. Her hesitant, stumbling, deliberately inarticulate manner of portraying natural interactioon is overplayed and irritating. I found the exact same issue with her portrayal of Sydney in 'The Bear' so this certainly seems to be a characteristic of he acting style rather than one of direction. There are no stand out performances here, the meterial is handled competently but never really ventures far above mediocre.

    The 8-bit styled score thats overlayed throughout sections of this movie will give you flashbacks of you early Atari and Sega game systems and repeatinig piano sequences are a little threadbare in some places. It becomes noticeable at times, but its just another one of the poor factors at play which don't bode well for an viewing experience.

    All this said, the main issue I found is the movie just drags and is without the excitement or key development events that are really needed to keep it interesting. A bunch of stuff happens but nothing signficant or essential that couldn't be omited without detriment. Its also worth mentioning that there is no big payoff or resoution in the ending, which isn't what you'd normally expect in with this type of repeating history endevour.

    So, all that said, it's not a bad movie its just a bit... meh. It was interesting enough for me to watch to the end, (primarily because I wanted to see what eventually happened) but not good enough for me to be anything more than moderately interested after the first 20 minutes. It certainly works way better as a drama than a sci fi, but I think a bit of focus would probably have gone some way to making it a better production.

    Truthfully there just isn't any payoff in watching this, it's a drama but without the emotional depth to bring it to the fore, its has a sience fiction theme, but witout any substance or investment in the science to peak the interest, and in all honesty you're better off giving it a miss.

    5/10 from me.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Professor Duselberg (Harris Yulin) rips out the page from his notebook containing Mark's (Eddie Cahill) Princeton address, to give to Zoya (Mary-Louise Parker), a brief peek of the next page shows a transcription of "The Elevation" - a poem by Charles Baudelaire.
    • Gaffes
      The doctor says the black hole in her heart is the size of a peanut. All black holes by definition are infinitely small; they have no dimensions.
    • Bandes originales
      Come Closer to Me
      Performed by Pepe Jaramillo

      Written by Osvaldo Farrés

      Published by Peer Music

      Courtesy of Hasmick International Limited

    Meilleurs choix

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    FAQ16

    • How long is Omni Loop?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 septembre 2024 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Петля времени
    • Sociétés de production
      • 2AM
      • Killer Films
      • Lou Filmproduction
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 40 269 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 23 498 $US
      • 22 sept. 2024
    • Montant brut mondial
      • 40 269 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 52min(112 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.39:1

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