Vedaa

I was waiting to watch this movie on the OTT platform. After seeing it I thank my stars for not watching it on the big screen after paying Rs. 200, which I think is the ridiculously lowest movie ticket nowadays. The movie is filled with action packed scenes but not a single scene is crafted in a believable way. The screenplay is crass and the action scenes are hard to believe. I think nowadys filmakers are only interested in making super hero movies and this is exactly what it has turned out to be. Even superhero movies in Hollywood have a semblance of believability in their action scenes. I was pained to see Sharvari give a good performance in this ridiculous movie. Some of the worth-watching movies that John Abraham had produced earlier were Vicky Donor, Madras Cafe, and Batla House that had some semblance of intelligent scenes in them. They were worth-watching to a great extent. I fail to understand why a filmaker has to nosedive and insult the intelligence of his audience to this extent.

*** Vedaa Hindi Movie Review ***

Directed by Nikhil Advani starring John Abraham , Sharvari Abhishek Banerjee in the lead role.

A social message narrated in a forced manner backed by Sharvari' s stellar performance. ⭐ ⭐ Half ⭐

Vedaa talks about a Dalit girl who is being abused by the upper caste & how she reacts & how Abhimanyu played by John plays a crucial role in her life is what the movie talks about.

The 1st half of the movie goes in a slow pace with some situations of atrocities done upon central character & her family whereas the 2nd half accelerates with fights, bullet firing, car chase. Climax could have been made better with logics.

Performance wise, Sharvari's stellar performance could be seen. She was living into the character of Vedaa. Abhishek Banerjee as antagonist. As i watched his performance in Stree 2 and Vedaa a shift of performance could be seen & he perfectly nailed the character in this movie. Nothing unique performance could be seen from John but for such kind of action to pull, he fits the slot.

Talking about the story telling, slow paced story telling could have been trimmed as one point we had been detached from the movie.

Overall a slow narrative thereby a missed opportunity for a success on a long weekend.

The movie sets out with the intention of being a serious drama, aiming to shed light on issues of class inequality and the struggle to protect the innocent from oppression. It has all the elements of a compelling story that could provoke thought and stir emotions. However, the execution veers drastically off course, transforming what should have been a powerful narrative into an unintended parody.

From the very beginning, the film's dialogue and direction betray its dramatic intentions. The focus quickly shifts to showcasing the hero as an almost cartoonish figure, capable of dodging hundreds of bullets with ease. This portrayal not only strains credibility but also trivializes the very issues the movie is supposed to highlight. Instead of a tense, realistic exploration of social injustice, we are presented with a protagonist who seems invincible to the point of absurdity.

As a result, the film's initial promise is lost, and what could have been a meaningful commentary on class struggles turns into a spectacle of exaggerated heroics. The serious themes are overshadowed by the outlandish action sequences, and the film ultimately fails to resonate on the emotional or intellectual levels it aspired to. In the end, it's hard to take the movie seriously, as it devolves from a potentially impactful drama into something more akin to a farcical action flick.

Seems highly influenced by Riders of Justice! At least have the heart to acknowledge even if it's a weak copy! Must commend the attempt and making it contextual to the region in its storyline. The fight sequences could have been more believable if they had consulted an armed forces Commando.

The irony in the story of the enemy within is palpable. We need a pragmatic, workable and commercially viable solution to root out castism and racial inequality from human society.

The idea of a powerful and relatively uncorrupt judiciary is the holy grail of uplifting contemporary society from the depths of filth to relative utopia.

Vedaa offers a mixed experience, led by Sharavari's compelling performance. She delivers a range of emotions and excels in her role with strong expressions and good dialogue delivery, truly carrying the film's emotional weight. John Abraham, though mostly expressionless, surprisingly fits his character, where a lack of emotion is justified.

The first half of the movie works well, keeping the audience engaged with a balanced narrative. However, the film takes a nosedive when the typical, outdated one-man-army action scenes take over, dragging down the overall impact. This formulaic action, where one character single-handedly takes on entire forces, feels repetitive and unrealistic, making it hard to stay invested.

While the screenplay shows promise, the execution, especially with the action sequences, hurts the film's flow. Additionally, the background score fails to elevate the tense moments, adding to the overall drop in quality during the second half.

In summary, Vedaa starts strong but falters, particularly in its action scenes and sound design. It's a film with both high points and significant shortcomings, and I'd agree with a rating of around 6/10.