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Presence

  • 2024
  • 12
  • 1h 24min
NOTE IMDb
6,1/10
32 k
MA NOTE
POPULARITÉ
337
26
Presence (2024)
A family becomes convinced they are not alone after moving into their new home in the suburbs.
Lire trailer1:16
11 Videos
88 photos
Psychological DramaPsychological HorrorPsychological ThrillerDramaHorrorThriller

Cette exposition présente une maison de banlieue habitée par une entité mystérieuse.Cette exposition présente une maison de banlieue habitée par une entité mystérieuse.Cette exposition présente une maison de banlieue habitée par une entité mystérieuse.

  • Réalisation
    • Steven Soderbergh
  • Scénario
    • David Koepp
  • Casting principal
    • Lucy Liu
    • Chris Sullivan
    • Callina Liang
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    32 k
    MA NOTE
    POPULARITÉ
    337
    26
    • Réalisation
      • Steven Soderbergh
    • Scénario
      • David Koepp
    • Casting principal
      • Lucy Liu
      • Chris Sullivan
      • Callina Liang
    • 338avis d'utilisateurs
    • 186avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos11

    Official Trailer #2
    Trailer 1:16
    Official Trailer #2
    Official Trailer
    Trailer 1:42
    Official Trailer
    Official Trailer
    Trailer 1:42
    Official Trailer
    Official Teaser #3
    Trailer 1:06
    Official Teaser #3
    Official Teaser #2
    Trailer 1:06
    Official Teaser #2
    Official Teaser #1
    Trailer 0:50
    Official Teaser #1
    Presence
    Trailer 1:42
    Presence

    Photos88

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 84
    Voir l'affiche

    Rôles principaux14

    Modifier
    Lucy Liu
    Lucy Liu
    • Rebekah
    Chris Sullivan
    Chris Sullivan
    • Chris
    Callina Liang
    Callina Liang
    • Chloe
    Eddy Maday
    Eddy Maday
    • Tyler
    West Mulholland
    West Mulholland
    • Ryan
    Julia Fox
    Julia Fox
    • Cece
    Benny Elledge
    Benny Elledge
    • Contractor
    Daniel Danielson
    Daniel Danielson
    • Painter
    Jared Wiseman
    Jared Wiseman
    • Painter
    Robert M. Jimenez
    Robert M. Jimenez
    • Painter
    • (as Robert M. Jiménez)
    Lucas Papaelias
    Lucas Papaelias
    • Carl
    Natalie Woolams-Torres
    Natalie Woolams-Torres
    • Lisa
    Nathaly Sabino
    Nathaly Sabino
    • Nadia
    Abigale Coakley
    • Simone
    • Réalisation
      • Steven Soderbergh
    • Scénario
      • David Koepp
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs338

    6,131.5K
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    Résumé

    Reviewers say 'Presence' is an ambitious film with mixed reactions. Praised for its unique perspective, psychological tension, and exploration of family dynamics, it also faces criticism for pacing, plot holes, and misleading marketing. Characters and acting receive varied opinions, while the supernatural element is seen as intriguing yet underdeveloped. The twist ending garners mixed responses, making 'Presence' a flawed yet interesting blend of supernatural themes and family drama.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    6cdjh-81125

    An Idea That Feels Better Suited To A Short Film

    I usually don't like saying this but Presence just ended up feeling like a prolonged gimmick of a movie. Because despite the fact that I do think the main idea is quite interesting I don't really think it ended up sustaining a whole feature. If it was a 20-30 minute short I think this premise could've worked wonders and felt like a very unique take on a ghost story. But as is, despite some really impressive camera work, it just ends up feeling like there's a lot of bloat which comes in the form of character drama only some of which I thought actually worked. The transitions between scenes are very abrupt and after a while I felt like I was watching the same 2 or 3 scenes over and over again. The dialogue and the acting can feel quite stilted and a lot of the drama going on between this family doesn't really amount to much with a last minute twist that felt like it belonged in a different movie. For only an 85 minute movie it drags which again goes back to my point that this idea feels better suited to a short. There's a few interesting ideas and more than a few points where I really felt like I was getting what Soderbergh was going for but this really just ended up feeling like a bit of a missed opportunity. I really like the idea and always compliment a film that has a premise I wish I'd have come up with myself. I just wish the actually execution was on the same level.
    6jon_pratt12345

    Satisfying and creative ghost story

    Presence is a well constructed, drama-centred ghost story with a very effective story-telling gimmick. The short runtime and tiny cast and set served for an efficient and tight story. The production constraints must have been COVID related but I feel Soderberg used these limitations to the films credit.

    The cast were strong and believable as a family unit. Many unseen facets of the characters lives were referenced and the film did a good job of presenting each personality organically. Although I actually found the daughter, who could be considered the films main character, to be the least deeply developed.

    Although it's a ghost story of sorts, I would not call it a horror film. It seldom attempts to scare the audience in anything more than a very mild of unease. That said, there were several chilling moments.

    Overall I enjoyed Presence and I appreciated its creativity and economical story telling. Although not a sensational film, it was a satisfying and tight story which I appreciated.
    5N-whymark

    Disappointed

    I'd seen the trailers and was excited to see the film on its release . So last week we saw a secret screening/preview of it at our local cinema . Filmed from the side of the ghost/spirit and based on an empty lovely house a family of four move into. The house itself is lovely and the filming is brilliant but I have to be honest myself and mr husband were really disappointed. Lots of filming that were irrelevant. Some scenes were good and some secretive . But In my honest opinion after watching the trailer I was so disappointed with the film. The end five minutes are good and sad . But overall not as good as we hoped.
    5reelreviewsandrecommendations

    Doesn't Leave An Impression

    Throughout his career, Steven Soderbergh has dabbled in many different genres, to varying degrees of success. Take a glance at his filmography, and you'll see thrillers, dramas, comedies- an eclectic mixture of movies. From the tantalizing intrigue of 'Sex, Lies, and Videotape,' to the silly hijinks of the 'Ocean's Eleven' movies and the brilliant biopic 'Behind the Candelabra,' Soderbergh refuses to be pigeonholed. Although sometimes he faulters- 'Full Frontal' didn't really work and 'The Laundromat' was exceedingly underwhelming- generally his films are worth a watch.

    His newest, 'Presence,' is not. Billed as a psychological horror, the film follows the Payne family's move to a new home. From the outset, there are cracks in their individual relationships, which become heightened when the daughter, Chloe, starts feeling a presence within the building. Is the mysterious entity a mischievous ghost, is Chloe suffering from some kind of mental illness, or is something completely different afoot?

    David Koepp wrote the screenplay, and, in fairness, he eschews many of the traditional tropes found within haunted house flicks. However, he also avoids anything remotely thrilling, profound or engaging. It is less horror and more teen drama, and a slow-moving one at that, with caricatures instead of characters as well as dialogue that sounds like bad improv. Further, proceedings come to a halt so abruptly it makes one feel that he lost the pages for his original ending, deciding to make one up on the spot.

    As an aside, there is a serious problem regarding the film's marketing. Watch the trailers, and you see ads for a horror movie. You are promised it will "terrify" and is "frightening." You are not told it is about as frightening as a tortoise chasing a snail, and somehow not as fast-paced. The trailers are deliberately misleading, which can only lead to disappointment. (Anecdotally, during the screening this reviewer attended, two people walked out after the first twenty-five minutes, while a young woman loudly denounced Soderbergh for lying during the end credits, claiming she was more scared when she looked in a mirror).

    The film does not deliver what it said on the tin. It is a melodrama, essentially, with a ghost thrown in for a bit of flavour. Despite that, there are some interesting moments and canny observations. The portrayal of the mother's complex relationships with her two children rings true, capturing the nuances of family dynamics with authenticity. Similarly, her strained interactions with the father provide a poignant look into the cracks that form in a marriage under pressure.

    In addition, Soderbergh's cinematography is striking. Each scene is captured in a single, unbroken take, immersing the audience in a continuous flow of tension and unease. This technique cleverly blurs the line between observer and participant, making the audience feel as if they themselves are the Presence, silently witnessing the unravelling of the Payne family's life like some kind of ghostly voyeur.

    However, the scene transitions are jarring, each capped off with a cut to black that feels like the work of a film-student who hasn't got the hang of editing. This feels disjointed and less polished than one would expect from a director of Soderburgh's calibre. In addition, the pacing is laboriously slow, meaning the film suffers from a dearth of momentum or drive. At 84 minutes, it is a short film; Soderberg's editing makes it drag.

    Conversely, April Lasky's minimalist production design deserves mention. She and her team have meticulously crafted the Payne family's new home to be both inviting and subtly disquieting. The house itself feels lived-in, cluttered bedrooms full of personal touches giving it an air of authenticity. Imogen Lee's set decoration, from the furniture to the family photos on the walls, helps ground the story in a palpable reality. Furthermore, Zack Ryan's muted score is quite brilliant, subtly creating an eerie sense of dread (that Koepp's narrative sorely lacks) drifting throughout the film like a malign wind.

    Moreover, Lucy Liu delivers a compelling portrayal of the mother, grappling with her strained relationships and the growing tension within the family. Her nuanced performance captures the emotional turmoil and complexity of her character, bringing an authenticity that grounds the story amidst the supernatural elements. Chris Sullivan is similarly strong as the father, bringing to life his insecurities with ease. He creates a character that feels well-rounded, despite Koepp's limited characterisation.

    On the other hand, as Chloe, Callina Liang comes across as a bit wooden, lacking the emotional range to fully engage the audience. Although by no means terrible, Liang's overall performance feels flat and she fails to elevate the character into someone compelling. Eddy Maday's work as her brother is similarly unexceptional. Further, West Mulholland is insidiously smug and one-note as Ryan, an acquaintance of Chloe's. He isn't given much of a chance, though, lumbered with the most awkward lines in the film; which he recites unconvincingly, as if he were in a bad school-play he didn't fully understand.

    In conclusion, Steven Soderbergh's 'Presence' is far away from his best work. Although there are some notable elements, such as striking cinematography and strong performances from Lucy Liu and Chris Sullivan, the film ultimately fails to deliver on its promise of psychological horror. David Koepp's screenplay lacks both thrills and depth, resulting in a slow-moving teen melodrama with caricatures instead of compelling characters. In short, despite a few praise-worthy elements, 'Presence' doesn't leave much of an impression.
    8teamwillow

    Great movie that attracted the wrong audience-type

    The people who generally saw this film most likely did so based on the trailer, imagery, and title of the film, all which indicate it's going to be similar to things like 'Hereditary' or 'Babadook'.

    This movie is nothing like those. I wouldn't even call it scary. It's not supposed to be. The low ratings are probably from moviegoers who expected it to be, which is fair, no blame on them.

    For those looking to watch a very quality movie, with a novel concept, this one might be for you. It has a lot of heart, some powerful social/relationship dynamics, and pulls you in, making you cheer internally for things to happen or not happen.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film was shot in just 3 weeks, nearly entirely within one house, according to a Variety article by Stephen Rodrick.
    • Citations

      Chris: There is an excellent man inside of you, Tyler. I would love to see him soon.

    • Crédits fous
      Other than the Presence, the characters and events depicted in this motion picture are fictitious.
    • Connexions
      Featured in Half in the Bag: Presence (And the Current State of Movie Theaters) (2025)
    • Bandes originales
      Come Here
      Written by Dominic Fike, Sam Homaee and Jonathan Wienner

      Performed by Dominic Fike

      Courtesy of Sandy Bros, LLC

      Under exclusive license to Columbia Records

      By arrangement with Sony Music Entertainment

    Meilleurs choix

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    FAQ

    • How long is Presence?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 février 2025 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Presencia
    • Lieux de tournage
      • 405 Springfield Avenue, Cranford, New Jersey, États-Unis(Payne house)
    • Sociétés de production
      • Extension 765
      • The Spectral Spirit Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 6 900 044 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 328 004 $US
      • 26 janv. 2025
    • Montant brut mondial
      • 10 553 434 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 24 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos
    • Rapport de forme
      • 1.78 : 1

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