In Restless Dreams: The Music of Paul Simon

Tells the story of Simon's rise from boy in Queens New York, making music as a duo with his friend to rise as perhaps the greatest songwriter of our time.

The direction and editing are very well done, the visuals add so much.

I remember his early years with Garfunkel. The public story line was how much of a collaboration it was. In reality it was more like 99% Paul. Garfunkel's voice added an ethereal beauty to the vocals. But as I got deeper into the story I was reminded of the amazing directions Simon's music took. Not content with doing the same old thing he forged a kinship with musicians from South Africa and Brazil. He really is a musical genius.

This tells the story of his latest album, a miracle in itself considering he is now completely deaf in one ear. This entire album was born from a dream.

Let me begin by saying some thought Paul said at the end of episode 1 that Garfunkel was a person he never wanted to see again. But that's not what he said. He was talking about himself never wanting to "see" or be that person again. Himself, being that way..

I really enjoyed it. They were truly a unique duo and so talented. Still are, really. Unfortunately, and also ironically, Paul has lost most of his hearing but he's still writing songs. Reminds me of Johnny Cash at close to the end of his life, and his reflecting on his life through song.

It brought back a lot of memories of troubled, but good, times in a lot of ways.

A 2023 comprehensive & some might say exhaustive documentary (running 3 & 1/2 hours) on the musical career of one Paul Simon. Tracing his roots from Queens & his hit or miss early days in the industry, things started to click when he hooked up w/an old school chum, Art Garfunkel (heard via audio interviewers), who provided the perfect vocal accompaniment to his songwriting (something he remarks over & over again, he wrote all the songs). Soon enough, especially after the Graduate came out, the pair became the duo par excellence for the age but as the 70's encroached & Simon soon ventured into acting (appearing in Annie Hall) w/many appearances on Saturday Night Live (he became close friends w/producer Lorne Michaels so much so Michaels was his best man when he married Carrie Fisher) but after his 1st marriage dissolved & his one foray into starring (& co-writing) in a film named One Trick Pony failed to find an audience, he was in the doldrums which finally broke when he released his world music tinged Graceland in the 80's which proved to be immensely popular along w/his vaulted reunion w/Garfunkel for a free concert in Central Park, he managed to conquer the world again. W/his song lyrics & on camera musings sprinkled in w/his visual history, filmmaker Alex Gibney (Taxi to the Dark Side/Enron: The Smartest Guys in the Room) follows Simon around his Texan studios which is occasionally frequented by his wife & fellow singer Edie Brickell as he talks out his process & we get an insight into this consummate songwriter & performer.

The outstanding songs of Simon included in this film are beyond entertaining... they express soulful themes. Director Alex Gibney made a wise choice in structuring this film. Thankfully, there are no talking heads which so many music docs depend on. The conversations mostly flow from Paul Simon, during studio sessions and various concerts.

The scene about Simon's brief marriage to Carrie Fisher focused more on photographs of them. I felt that all three of his wives got the short shrift. While it's clear that Simon adores his wife Edie, and they've shared a long, successful partnership, she could have been highlighted more.

The film makes several references to the struggles between Simon and Garfunkel, and why Paul decided to forge his own path. He makes a few biting comments which could be misconstrued, but maybe at this point Simon is not too concerned about what fans and critics might say.

As good as this film is, there was a missed opportunity in Part 2 regarding the brilliant musicians, vocalists, and dancers from South Africa, Jamaica, and Brazil. These gifted people were essential contributors in expanding Simon's repertoire. They are shown on old footage, but most are not acknowledged by name. The film could have remedied this by using screen text, to give them their due credit. Also wonderful are the vocalists from VOCES8, who recently worked with Simon.

Let me begin by confessing that Simon was a source of tremendous comfort during my adolescence, my primary guitar teacher, me being a self taught guitarist, and the single most direct influence on my own musical creations. I can do a few things on the guitar because of learning by ear (no tabs, no internet) that few guitarists can do. And the backdrop to all of this was what I believed to be a strongly human ethic as evidenced in at least a few of his songs. Alas, the fire disappeared over the years. No one writes anything like the protest songs of old. Remember that Scarborough Fair had an antiwar counter melody? I will refrain from reciting the obvious reasons for this. However, there is still a weird thing that is bugging me. The transformation of Sounds of Silence from a folky niche piece to a gigantic hit is covered in this documentary, and it is covered wrong. Simon did not know they were doing it, he sure as heck did not give anyone permission, and the entire coverage discounts the massive luck or divine destiny which he was blessed with. There are also bizarre issues regarding Simon's recognition of the inspiration for the Seven Psalms, but, hey, we all get old. Why am I being so hard on Paul?

To whom much is given, much is expected.