L'Après

After losing a family member to a violent crime, a shattered rideshare driver picks up a passenger who forces him to confront his grief.

Short, but deep and painful, what is the meaning of life after we have stupidly and unfairly lost the only two important people in our lives? What is the point of continuing to live? I always ask myself these questions, which always go unanswered when I watch something so cruel and dramatic like this... They say that the pain doesn't diminish, we just reframe it, but how? Simple and magnificent production, well executed, and with a message of hope at the end...

It's most impressive how much emotion this short film manages to pack in its brief 18-minute runtime. Misan Harriman's "The After" is a rather modest film, with a simple scenario, yet is communicated effectively so as to evoke a brooding sense of grief. Lead actor David Oyelowo delivers a compelling performance as a father processing the grief of losing his wife and daughter to an unexpected stabbing attack, with all the maturity and subtlety the subject matter demands, and it's mostly his performance that makes this film as effective as it is. While a summary of the plot might make it seem like something we've already seen before, it is the performances that make this short film stand out.

Despite its 16 minute length, I was left with the feeling that there needs to be more source material for this to engage. On the plus side however the acting is good and convincing - a strong show from an unheard-of cast. The depiction of Londoners as hollow, cold, insular and socially worthless husks was very close to the bone, causing my second strongest emotion while watching this to be one of validation in emigrating from the UK. The film itself is of course a vehicle to both build up to and lend weight to the finale, which is poignant and potent enough to be memorable and debatable long after the film ends. Six stars.

When I saw this short on my Netflix librabry I got really excited to watch it as it is nominated for the Oscars.

The first few minutes met my expectations with some gorgeous momenst of a father with is daughter. A few moments after that, a really forced and quite mediocre plot twist happens wich makes the action take place. Beyond this moment, the movie just turns into a low budget, mediocre movie about a guy that serves as a Uber driver for the London's most strange and unsual passangers. On the movies last moments we are contemplated with the most cliche couple arguing while the main character stares at the couple's daughter with some sad music in the background.

Overal, I got really disapointed about this movie as I was expecting for gold, and just got some low quality fool's gold.

It's sad, pushing on dystrophic that this is an Oscar nominee. It is one of the slyest, most shameless gratuitous tear-jerkers I've ever seen. And it doesn't even do that well. It has NO INSIGHT, NO COMMENTARY, no richness of perspective (next to no perspective at all tbh), no message, no conclusion, no innovation. The acting is mediocre. The cinematography is standard TV, the dialogue even manages to feel a bit false as far as British English goes. The music is just You Tube audio library. I literally cannot find anything even slightly above mediocre in this movie. And barely anything above terrible. Thank Good it was relatively short.

Also, yeah, the subject is tragic but so is a news bulletin. If I mention the death of a child in this review, will it get a Pulitzer? No. BS.